Time ago I bought Bill Duncan's chord symbol pack but I'm having problems
making symbols like Bb/C or something like that. If I write Bb_C I get Bb-big
space-underscore-big space-bass, if I write Bb/C I get BbC attached.
Any hints to get a Bb/C example as a final result?
Thanks
I would also recommend PDF Creator (link in email below). It's easy to
install, and easy to use. The documentation also states it can create
.eps files, although I haven't tried this feature.
Sometimes, when I need to send the PDF and make sure that the PDF I send
is not dependent on fonts, I
On May 9, 2007, at 4:47 AM, Jonathan Smith wrote:
There is a bug in Fin2007a. When I have Smart Hyphens checked many
of the hyphens don't show even after music spacing and update
(manually) smart word extensions and hypens are applied.
If I leave this unckecked and space the music the
http://news.bbc.co.uk/2/hi/uk_news/magazine/6638423.stm
a film about a typeface... a number of screenings already sold out
http://www.helveticafilm.com/screenings.html
--
shirling neueweise ... new music publishers
mailto:[EMAIL PROTECTED] :.../ http://newmusicnotation.com
On 9-May-07, at 9:17 AM, shirling neueweise wrote:
http://news.bbc.co.uk/2/hi/uk_news/magazine/6638423.stm
a film about a typeface... a number of screenings already sold out
http://www.helveticafilm.com/screenings.html
Oh crap! It was screened four days ago in Montreal, and I missed it!
On 09.05.2007 dc wrote:
- From 2006b to 2007 (inclusive) all hyphens show, but hyphens
between closely-spaced syllables are too far right.
- In 2007a and 2007b, many (too many) hyphens disappear and a
hyphen at the end of the system is too near to the syllable before
it.
- In 2007c, too
I use PDF995 (free version) and have had no problems so far.
Cheers,
Lawrence
lawrenceyates.co.uk
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For the fun of it, I gave the quiz to my 15 year old. He is a serious
violinist, but is not that familiar with electronic instruments. He
got it right as well. I was curious as to what gave it away for him
and he said the attacks of each note, especially in the strings, was
too uniform. He
At 11:43 PM -0400 5/6/07, Aaron Rabushka wrote:
Hmm--I wonder if Respighi's nightengale (sp?) record caused the same furor.
(Not to mention that it may take a period-instrument mindset to bring it off
with a 78-rpm turntable rather than a laptop computer nowadays!)
Don't be silly, Aaron. A
Is this the list on which there was a discussion on making a jazz
arrangement of Copland's Fanfare led to questions about whether
marching band arrangements are made with permission of the copyright
owners? If not, my apologies. Nobody ever changes the subject lines
even when the subject
I just got word that trombonist-composer-arranger-bandleader Rod
Levitt died peacefully last night in his sleep. He was 77. Rod had
been living in Vermont in recent years and had been suffering with
Alzheimer's disease. He is survived by his wife Jean in Wardsboro,
Vermont and son Barry
When did I say you were?
Cheers,
- Darcy
-
[EMAIL PROTECTED]
Brooklyn, NY
On 09 May 2007, at 7:56 PM, John Howell wrote:
So I'm sorry Darcy: while I insist that there are good uses for
sound reinforcement, and even for amplification, I also insist that
there are times when only a
Darcy James Argue wrote:
I wlll never understand the anti-amplification fundamentalists.
John Howell wrote:
That does NOT make me an anti-amplification fundamentalist, whatever
you think that means.
John
It seems to me that Darcy's comment came after my lament, so I will
willingly
Raymond Horton wrote:
That's the great thing about a symphony job. You just put up a bunch
of mics, turn 'em on, and it sounds like a symphony!
How can you argue with logic like that?
Slap 'em upside the head with a rubber chicken? (It always seemed to
work for Monty Python).
cd
--
On May 9, 2007, at 10:02 PM, Raymond Horton wrote:
Once, many years ago, a rock sound guy (perhaps not the tightest
cable tie in the bunch, if you get my drift) was setting up mics
for a pops concert of ours. I mentioned to him how we had a
problem at the rehearsal getting a solo
Yes--my experience with Czech, Polish, and Slovak engineers (my recordings
were produced in Moravia) was astounding--I can honestly say that I never
thought of recording engineers in terms of musicianship before, but I cannot
split the two now. Turns out that they had to GRADUATE the conservatory
On 9 May 2007 at 22:29, John Howell wrote:
Kodály had it right
when he said, Only the best musicians should be
PERMITTED to teach children.
Many people confuse the best musicians with the best performers,
the determiment of the students involved.
[]
Back a number of years a colleague in
Christopher Smith wrote:
On May 9, 2007, at 10:02 PM, Raymond Horton wrote:
Once, many years ago, a rock sound guy (perhaps not the tightest
cable tie in the bunch, if you get my drift) was setting up mics for
a pops concert of ours. I mentioned to him how we had a problem at
the
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