Kim,
Six Telemann cantatas have parts for oboi/clarini/trombe surdinati,
which is a linguistic variant of the italian word for mute sordina
meaning with mute.
Eric
Habsburger Verlag Frankfurt (Dr. Fiedler)
www.habsburgerverlag.de
[EMAIL
As I remember (on Mac FInale) you can select the 2nd ending note you
want to apply a backwards tie to and press option and
= keys simultaneoulsy.
On Aug 16, 2007,
at 11:03 PM, Richard Huggins wrote:
Problem:
stopping a tie that is at the end of first ending from
appearing at the start
On Aug 16, 2007, at 10:37 PM, Christopher Smith wrote:
Hmm, I just grabbed the right end with the Special Tool tie mover
and dragged it over all these years. I never tried Check Ties, as I
assumed that Finale didn't know how to treat a repeat with a tie.
Redraw screen usually gets rid of
It appears that this command works as described but is limited in its
usefulness to situations where there is NOT a tie on the last note(s)
of the previous measure. If there is such a tie, invoking this
command removes it. I guess I should be happy that the Check Tie
command works, in my
This is definitely the equivalent of con sord. The root surd-,
wherever it occurs, means deaf--compare mute meaning unable to
speak.
On Aug 16, 2007, at 9:34 PM, Kim Patrick Clow wrote:
Hi all:
I have a violin part marked surdinati I didn't find anything on
Google. The movement is an
Many thanks for all the help!
Much appreciated!
Kim
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And perhaps the equivalent of damper would be better than either one!
This is definitely the equivalent of con sord. The root surd-,
wherever it occurs, means deaf--compare mute meaning unable to
speak.
On Aug 16, 2007, at 9:34 PM, Kim Patrick Clow wrote:
Hi all:
I have a violin part
FinMac 2K4, Mac OS 10.3.9
This has been happening to me daily for a while:
I leave Finale open w.o doing anything for a while. When I return to
the computer I find that the whole thing has hung. Or rather, it is
almost hung: the pointer is stuck to something I didn't stick it to.
When I
At 10:42 PM -0400 8/16/07, Leigh Daniels wrote:
I know there are composers and arrangers who work with show orchestras
on this list so I hope someone can give me some suggestions. I'm adding
2 violins, 2 cellos and a viola to my jazz quartet and need to amplify
the strings. I prefer not to use
On 17-Aug-07, at 2:08 PM, Andrew Stiller wrote:
FinMac 2K4, Mac OS 10.3.9
This has been happening to me daily for a while:
I leave Finale open w.o doing anything for a while. When I return
to the computer I find that the whole thing has hung. Or rather, it
is almost hung: the pointer
On Aug 17, 2007, at 2:25 PM, Christopher Smith wrote:
If you quit and DON'T relaunch, does the system still hang?
I can't quit w.o relaunching, because the hung system won't allow me
to do so. If I force quit, the system still remains hung, so I have to
go back and relaunch anyway.
Hi All,
Does anyone have an e mail address for Karen Guthery?
Thanks,
Bob Florence
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OK, I ran MemTest and all tests passed. Now what?
Andrew Stiller
Kallisti Music Press
http://www.kallistimusic.com/
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There are a number of things you can try. First would be booting off the
OS X 10.3 install disk, and running disk utility on your drives.
If you don't have the disks, you can reboot your Mac, and hold down the
Apple and the S key, and that will dump you into the shell, where you
can run fsck
Actually, your information is incorrect.
If someone wants to boot using Boot Camp, Boot Camp needs to be on the
main hard drive, and boot camp DOES repartition the drive.
http://www.apple.com/macosx/bootcamp/
Michael Good wrote:
Hi Bob,
Enjoy your new iMac!
I am no expert on Mac setup,
In a message dated 8/17/07 6:58:26 PM, [EMAIL PROTECTED] writes:
OK, I ran MemTest and all tests passed. Now what?
I would consider upgrading - maybe to 2006 if you can find it and if you
don't want to get the most recent version. I suggested 2006 because I think it
is
the most stable of
I'm a bit surprised no one has yet mentioned that we've just lost one
of the greatest artists of the 20th century. If anyone is interested,
I have a tribute to Max Roach up on my blog, and also a collection of
reactions from around the blogosphere.
[EMAIL PROTECTED]
On Aug 17, 2007, at 4:54 PM, Robert Florence wrote:
Hi All,
Does anyone have an e mail address for Karen Guthery?
Thanks,
Bob Florence
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Chuck
I had the pleasure of knowing Max. We met sometime around 1957 when
his quintet with Clifford Brown played at the Teenage Jazz Club at
Storyville in Boston (I was a teenager), then again at the Lenox
School of Jazz in 1960. I was with Max in Sandpoint, Idaho on the
day he received a
On Aug 17, 2007, at 8:55 PM, Darcy James Argue wrote:
I'm a bit surprised no one has yet mentioned that we've just lost
one of the greatest artists of the 20th century. If anyone is
interested, I have a tribute to Max Roach up on my blog, and also a
collection of reactions from around the
Chuck Israels wrote:
I had the pleasure of knowing Max. We met sometime around 1957 when his
quintet with Clifford Brown played at the Teenage Jazz Club at
Storyville in Boston (I was a teenager), then again at the Lenox School
of Jazz in 1960. I was with Max in Sandpoint, Idaho on the day
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