On 1 Jun 2008 at 12:13, Kim Patrick Clow wrote:
> Does anyone know of an online resource for correct beaming? Working
> with baroque music as I do, the useage of beaming has changed
> quite a bit, and I'd like to be as accurate as possible in making
> corrections to modern style/useage.
I would s
On 1 Jun 2008 at 8:40, mystrom1 wrote:
> The horns change their tuning in different movements (in the first
> movement, they are horns in F, in another movement, horns in Eb). Is
> it possible to change the transposition in the middle of a piece? Or
> am I going to have to do each movement as a se
Hi All,
I'm looking for a cheaper alternative to InDesign.
First, some background:
I'm re-engraving the music for a musical review type
show. I make PDFs of the parts, compile those PDFs
into the CombinePDFs application to generate the whole
book for the show in one document so it's easier to
print
Ryan Beard wrote:
Hi All, I'm looking for a cheaper alternative to InDesign.
First, some background:
I'm re-engraving the music for a musical review type
show. I make PDFs of the parts, compile those PDFs
into the CombinePDFs application to generate the whole
book for the show in one document so
Aaron Sherber wrote:
Well, the full version of Acrobat can also add page numbers to PDFs,
but it sounds like you don't have that either.
Take a look at the free PDF Tools:
and
Cecil Rigby wrote:
A-PDF Number is a software utility program that adds/creates page
number in PDF files which are
At 05:39 PM 6/1/2008, Ryan Beard wrote:
>What I want to do is have numbered pages on that final
>big PDF document. I have a friend who owns InDesign
>add page numbers for me on a few test books last year,
>but I can't keep asking favors year after year on
>10-15 books
>I really don't want to purch
ZDNet downloads has this available for free:
A-PDF Number is a software utility program that adds/creates page number in PDF
files which are compatible with Adobe Acrobat Reader Version 5 and above. The
program is a standalone application. Features: Adding number partly. Three
display mode: num
On Jun 1, 2008, at 5:47 PM, David W. Fenton wrote:
On 1 Jun 2008 at 8:40, mystrom1 wrote:
The horns change their tuning in different movements (in the first
movement, they are horns in F, in another movement, horns in Eb). Is
it possible to change the transposition in the middle of a piece? O
When I "Save special" as a WAV file using GPO I sometimes have trouble
with the start and end of a piece. There is sometimes a hesitation at
the start, and the end of the last note is often clipped off. To fix I
add time at the start, and add time and another note at the end, then
run the re
On May 31, 2008, at 1:01 PM, John Howell wrote:
... When we walked in the waitress asked, "Are you together?" Alice
spoke up and said, "I'm together. And they're with me!"
Reminds me of the time a composer friend in grad school answered his
phone saying "Hello, how am I?"
Andrew Stille
I'm pretty sure the chord you hear is on the very
first beat of the piece. I have not idea WHY though...
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Hi all:
Does anyone know of an online resource for correct beaming? Working
with baroque music as I do, the useage of beaming has changed
quite a bit, and I'd like to be as accurate as possible in making
corrections to modern style/useage.
Thanks much
Kim Patrick Clow
___
I should say that I'm working on WinFin2006 but I seem to remember that this
was how I did this when I had Win2003 - I trust that it's the same
technique on whatever platform, apologies if it isn't
lawrenceyates.co.uk
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Go into the staff tool and on the drop down menu choose "define staff
styles" then "new". Set up the transposition as you would when you first
setup
the staff.
Save the style as "horn in Eb" or whatever.
Select the bars to which you wish this to apply and on the drop down menu
select "
I think you do this by using staff styles but someone else will have to
explain exactly how.
Cheers,
Lawrence
lawrenceyates.co.uk
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I am working on a multi-movement piece for chorus and orchestra (18th
Century), and I want to do the entire piece in one long file. The
piece is scored for 2 horns, strings and chorus.
The horns change their tuning in different movements (in the first
movement, they are horns in F, in another move
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