At 9:14 PM -0400 8/30/08, Christopher Smith wrote:
Hey, collective wisdom,
When you are writing a harp gliss of the type that starts with say,
a quarter note, and is followed by six more grace notes indicating
the exact pitches of the scale, how do you get them to line up
properly? Mine keep
On Aug 30, 2008, at 11:24 PM, John Howell wrote:
At 9:14 PM -0400 8/30/08, Christopher Smith wrote:
Hey, collective wisdom,
When you are writing a harp gliss of the type that starts with
say, a quarter note, and is followed by six more grace notes
indicating the exact pitches of the
On Sun, August 31, 2008 8:23 am, Christopher Smith wrote:
Why should the program, treating them as grace notes, move them
BEFORE the note they come after? Why don't they keep their positioning?
Can you describe your entry method a little? When I create grace notes
after a note, they stay there.
Hi...
Does the latest *full* version of TGTools (2.45b?) work with WinFin 09?
I don't want to experiment to find out, being fearful of any consequences.
Jim
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Hi Jim,
The TG Tools menu looks strange in 2009, (everything strung in an
alphabetical line), but most of the tools I've tried have worked.
Chuck
Sent from my iPhone
On Aug 31, 2008, at 7:35 AM, Williams, Jim [EMAIL PROTECTED]
wrote:
Hi...
Does the latest *full* version of TGTools
Hi Christopher,
The standard way of indicating a harp glissando and notating the
pitches is as seven 32nd notes and then extend the beams over a
little. From there use a gliss. line to the final pitch of the gliss.
and put a slur over it. An excellent reference on harp writing is a
book
Hi everyone---I've noticed that my jazz ensemble template is looking tiny and
this is after I've been careful about things like line thickness and other
tweaks. Everything looks very small and crowded. How do I make this template
maintain the settings I've given it?
Thanks in advance---Brian
Wel.Yup - here I am!As a harpist of some 35 years' experience, the
standard notation of a gliss is seven (notated) pitched grace notes.
Alternatively, a pedal diagram or pedal pitch listing (i.e. D#,B, C#/Eb, F,
G#, Ab) with starting note-(gliss symbol)-ending note can be used
Hmm, yours look fine, but mine all crowd over to the left. I don't
know why.
C.
On Aug 31, 2008, at 8:52 AM, Dennis Bathory-Kitsz wrote:
On Sun, August 31, 2008 8:23 am, Christopher Smith wrote:
Why should the program, treating them as grace notes, move them
BEFORE the note they come
Dear collective wisdom;
Fin05, XP. I am extracting parts from an arrangement. There are phantom slurs
all over them in the most unlikely places, without handles no matter to which
voice (layer) I switch. They are NOT visible in the Scroll View.
In desperation I went back to the score and
Is 2005 pre-selection tool? If not, choose the selection tool and see if
you can select one of the slurs. If you can, you should be able to delete
it. Also, if you double-click on one of the slurs (in the selection tool)
you should be automatically taken back to the tool of origin, which may
I have a friend who has posed me a question that I can't replicate.
Setup:
5 staves:
staff 1: Soprano/Alto - Midi channel 1, Choir Ahs
staff 2: Tenor/Bass - Midi channel 2, Choir Ahs
staff 3: Piano RH - Midi channel 3, piano
staff 4: Piano LH - Midi channel 3, piano
staff 5: scratch staff:
The
At 8:23 AM -0400 8/31/08, Christopher Smith wrote:
Thanks for offering to ask for me, but I don't need notation help
(the composer is pretty clear) I needed Finale help.
I understand that, but I just checked Clint Roemer (pp. 145-6), and
in the pre-computer days he doesn't seem to have used
At 10:22 AM -0700 8/31/08, Greg Hamilton wrote:
Hi Christopher,
The standard way of indicating a harp glissando and notating the
pitches is as seven 32nd notes and then extend the beams over a
little. From there use a gliss. line to the final pitch of the
gliss. and put a slur over it. An
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