Is the term "Bratschen" for violas obsolete in German? Would it be better to
use "Violen"?
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The best kludge for linked, voiced parts with grace notes in them is
to have a different copy of the file with the default grace note
spacing changed just for those parts. All the other parts (non-
voiced, or those without grace notes) can still reside in the same
file with the score.
Chri
Actually, it does more than just "make the number of measures in each
system the same from one part to another" -- or it can, depending on
the options you choose. It also (optionally) preserves forced system
and page breaks, distances between systems, etc.
Cheers,
- DJA
-
WEB: http://s
Yes, but it gets fussy.
Chuck
On Dec 15, 2009, at 2:15 PM, Ryan wrote:
Thanks for the clarification. I guess my question wasn't clear. For
parts
that share a staff in the score, for example Horns 1 & 2, can you
create a
part for horn 1 and a separate part for horn 2 and have them both be
Yes, using voicing rules.
Unless you have any grace notes. (There is an annoying bug with voiced
linked parts + grace notes.)
Cheers,
- DJA
-
WEB: http://secretsociety.typepad.com
On Dec 15, 2009, at 5:15 PM, Ryan wrote:
Thanks for the clarification. I guess my question wasn't clear. F
Thanks for the clarification. I guess my question wasn't clear. For parts
that share a staff in the score, for example Horns 1 & 2, can you create a
part for horn 1 and a separate part for horn 2 and have them both be linked?
On Tue, Dec 15, 2009 at 2:03 PM, Chuck Israels wrote:
> They are still
They are still linked to the original score. Tobias' plugin does
nothing to extract them, or unlink them in any way. It only copies
the layout from a part you have worked on and sets up another part the
same way - the same measure layout, distances between systems, etc.
This is a conveni
Yes, all it does is make the number of measures in each system the
same from one part to another. It isn't exactly the same as the old
technique of copying the contents of horn 2 into the horn 1 part,
then saving under a new name, because you don't get all the nudges
and things you did to t
Are these parts still linked to the original score, or are they separate
files now? I haven't used linked parts in a large ensemble, so I'm curious
how people are getting the results they want.
On Tue, Dec 15, 2009 at 11:01 AM, Chuck Israels wrote:
>
> On Dec 15, 2009, at 10:33 AM, Paul Hayden wr
On Dec 15, 2009, at 10:33 AM, Paul Hayden wrote:
I completely forgot about "Transfer Layout" in TGTools. It did the
trick!
Thanks, Chuck.
Paul Hayden
You're welcome, Paul. 2010 users are still waiting. Tobias?
Chuck
Chuck Israels wrote:
There is a tool in the complete ver
I completely forgot about "Transfer Layout" in TGTools. It did the
trick!
Thanks, Chuck.
Paul Hayden
Chuck Israel wrote:
There is a tool in the complete version of TGTools that will do what
you need (for v.2009 and earlier). It is called "Transfer Layout" and
it works beautifully. If you
Hello!
I've now uploaded a new font for the Fin2010 auto rehearsal mark feature
to the Finale Productivity Tips site: http://www.finaletips.nu
4 versions of the brackets (just as the previous font I uploaded).
This new font called JW Rehearsal Shadow 1 Bold. It's a clean sans serif
font with
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