Hi,
User since 2006
b) rarely
Mike Garrett, Finale 2010
-Original Message-
From: Noel Stoutenburg
To: finale@shsu.edu
Sent: Sat, May 1, 2010 11:55 am
Subject: [Finale] Finale Poll (X-posted)
Friends
An enquiring mind wants to know:
Do you use executable smart shapes
a)
On 1 May 2010 at 15:16, John Howell wrote:
> I was not referring to time signatures, but to note values, and
> Beethoven's slow movements drawn with many 32nd and 64th notes as well
> as 16ths certainly qualify in MY book! (The kind of movements that
> give a violist backache!!)
>
> That's what
On 1 May 2010 at 11:55, Noel Stoutenburg wrote:
> Do you use executable smart shapes
>
> a) never
> b) rarely
> c) occasionally
> d) frequently
I used to use them in my early days of producing MIDI files from my
scores of piano quartets and quintets. I used only ritards, not
anything else, and
occasionally- but only if a sound file is requested as part of the client's
project.
-Cecil Rigby
Do you use executable smart shapes
a) never
b) rarely
c) occasionally
d) frequently
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Do you use executable smart shapes
a) never
b) rarely
c) occasionally
d) frequently
Never for me. I do very little with playback.
mdl
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There is chechbox in the doc opt - accidentals that deals with cross-
layers collisions
JB
Sent from my iPhone using my thumbs w/out a spellchecker
On May 1, 2010, at 12:02 PM, J D Thomas wrote:
Not on any version up to FinMac 2K7. Beyond that, dunno.
J D Thomas
ThomaStudios
On May 1, 20
At 12:06 PM -0500 5/1/10, Noel Stoutenburg wrote:
Friends, where Dr. Howell writes,
(It's Beethoven who started using little bitty note values on a
regular basis.)
I have to respectfully disagree with the statement as written.
"Little bitty" note values predate Beethoven by some considerable
Executable shapes? Or are there "smart" ones now that are different?
Either way:
a) never
Actually, I tinkered with it a little a long time ago, before human playback
and automatic interpretation of rits and ralls, but don't find much of a use
for it now.
I don't bother trying to get very ac
Hi Bonnie,
As J D and Eric have mentioned, the Dolet 5 for Sibelius plug-in
exports MusicXML files from Sibelius 6 that Finale can read. It is
available for purchase from:
http://store.recordare.com/dolet5sib.html
The Dolet 5 for Finale plug-in does have a 10-day trial, but the
Sibelius plug-i
Don't even know what they are, so I don't know if I use them or not!
Chuck
On May 1, 2010, at 9:55 AM, Noel Stoutenburg wrote:
> Friends
>
> An enquiring mind wants to know:
>
> Do you use executable smart shapes
>
> a) never
> b) rarely
> c) occasionally
> d) frequently
>
> ns
>
>
>
>
On 5/1/2010 9:55 AM, Noel Stoutenburg wrote:
Friends
An enquiring mind wants to know:
Do you use executable smart shapes
a) never
b) rarely
c) occasionally
d) frequently
ns
I'm nice to my smart shapes, and NEVER execute them! Even when they've
been naughty.
I use smart shapes a lot, but
Not on any version up to FinMac 2K7. Beyond that, dunno.
J D Thomas
ThomaStudios
On May 1, 2010, at 9:57 AM, dc wrote:
Is there any way to avoid collisions of accidentals when the notes
are in two different layers? (Two sharps a third apart, for instance)?
Thanks,
Dennis
Friends, where Dr. Howell writes,
(It's Beethoven who started using little bitty note values on a regular basis.)
I have to respectfully disagree with the statement as written. "Little
bitty" note values predate Beethoven by some considerable degree. Bach
regularly uses little bitty values,
Friends
An enquiring mind wants to know:
Do you use executable smart shapes
a) never
b) rarely
c) occasionally
d) frequently
ns
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I agree with you, Christopher. I'm not certain if I was ever more than
approximating on the tuplet version. I may have had it cold, but it
didn't feel cold. I could bring the 12/8 version to a rehearsal to ask
someone else to play - I wouldn't want to bring the other one in.
But, I haven
> -Original Message-
> From: finale-boun...@shsu.edu
> [mailto:finale-boun...@shsu.edu] On Behalf Of Noel Stoutenburg
> Sent: Saturday, May 01, 2010 7:49 AM
> To: finale@shsu.edu
> Subject: Re: [Finale] What is the name of this piece?
>
> Richard Yates wrote:
> > The contents page of L
On Sat May 1, at SaturdayMay 1 12:37 AM, Darcy James Argue wrote:
The first bass line in _Trance_ is actually notated by the composer
in simple meter, with incomplete tuplets:
http://bit.ly/cLyInh
But it could also be notated in compound meter:
http://bit.ly/azarmk
Both notations have the
Richard Yates wrote:
The contents page of Leopoldo Miguez's 12 Pecas Caracteristicas looks like
this:
http://www.yatesguitar.com/misc/MiguezTOC.jpg
What is the title of piece #8? I seem to very vaguely recall this being a
symbol for something (but my brain may be making that up!).
I don't k
In novels, three asterisks in a row on a line of their own indicate a change of
scene, or "time passes". Maybe "interlude" could be another suitable title for
the piece in question?
Michael
On 1 May 2010, at 05:20, Richard Yates wrote:
> The contents page of Leopoldo Miguez's 12 Pecas Caracter
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