Greetings...
This is in FinMac2010b...
I'm getting strange playback tempo behavior. Tempo marking sets the
playback tempo at eighth-note = 72. Playback observes this tempo for
exactly two quarter notes, then switches to twice as fast for the
remainder of the piece.
I created this
On Wed Jun 30, at WednesdayJun 30 9:43 AM, Neal Gittleman wrote:
Greetings...
This is in FinMac2010b...
I'm getting strange playback tempo behavior. Tempo marking sets
the playback tempo at eighth-note = 72. Playback observes this
tempo for exactly two quarter notes, then switches to
Neal Gittleman wrote:
Any ideas?
My first idea: look for another expression in the vicinity of where
tempo changes to twice as fast, which you maybe duplicated from a
tempo expression, and failed to change playback.
ns
___
Finale mailing list
You should also use the Tempo Tool to set the tempo for the entire piece to
eighth = 72.
Cheers,
- DJA
-
WEB: http://www.secretsocietymusic.org
On 30 Jun 2010, at 10:18 AM, Christopher Smith wrote:
On Wed Jun 30, at WednesdayJun 30 9:43 AM, Neal Gittleman wrote:
Greetings...
Just a comment without discussion. First rehearsal Monday for a
Broadway show from the mid-'50s. Hand copied, generally VERY
readable. But the copyist put all the articulations above the notes,
NOT at the noteheads, and it drove me crazy! I simply don't look for
them there, so in
You know, I did a couple of scoring projects for Masters students in College
and that is the way they wanted it. Above the notes, and articulations were
outside the staff system. I thought it was strange but.whatever..
On Jun 30, 2010, at 10:17 AM, John Howell wrote:
Just a comment
Does anyone have GPO4 and FinMac 2011? If so, are your notation
instrument keyswitches working? I can't get this to work. In 2009, I
would use the n-TrumpetKS instrument, put in the word Mute from the
library, and it would switch to muted. In 2011, the same thing
doesn't seem to work.
I put my articulations at the note heads, and jazz players are not used to
this. Still, it looks better that way to my eye (in most cases), and I don't
think it impedes readability. However, going the other way and ignoring the
conventions of string notation doesn't seem to be a good idea,
Aryeh, by all means install 2009, which works perfectly with Tiger 10.4.11.
Thurletta Brown-Gavins
On Wed, 30 Jun 2010 Aryeh Har-Even wrote:
I did upgrade to Finale 2009 but never installed it. So what do you
think? Should I install 2009 which has been sitting on a shelf? SNIP
Hi David,
In HP Prefs, modify the Filter for each technique so it says simply Garritan.
Also, report to MM that their default HP Prefs no longer support keyswitches.
(This is as of Fin2010, BTW.)
Cheers,
- DJA
-
WEB: http://www.secretsocietymusic.org
On 30 Jun 2010, at 1:20 PM, David
Hi John,
This is a totally standard hand-copying technique, recommended by Clinton
Roemer. It puts all of the articulations in more or less the same visual plane
-- above the staff -- so your eye does not have to jump around. The majority of
hand-copied jazz/B'way/film/commercial etc. music
Hi All,
I just called Finale support about a printing bug I discovered. They tested
it and verified that it indeed is a bug in both Windows and Mac in 10 11.
If you want to print a range of pages and accidentally put a beginning
number higher than the ending number, the file becomes corrupted
At 10:23 AM -0700 6/30/10, Chuck Israels wrote:
Omitting key signatures at the beginning of the line is a hand
copying shortcut for which one pays a price in rehearsal time, and I
bet the key signatures end up penciled in on the parts anyway.
Yup. First thing I did in my book!!!
John
--
trying to locate these, used or new. any sources would be
appreciated. the lombardi i saw in gelbe musik (berlin) shop today,
but it is their archive copy so not for sale, catalogue from an
exhibition in florence, 1981. is really great, categories of
notation with broad examples.
I'm waffling back and forth over the need for slurs over fingered tremolos
in strings. Example: Whole note C, whole note A, three tremolo beams in
between.
My familiarity with the music tells me that a slur is somewhat implied, but
I wonder if a slur would help the sight reader. There are a lot of
At 6:24 PM -0700 6/30/10, Ryan wrote:
I'm waffling back and forth over the need for slurs over fingered tremolos
in strings. Example: Whole note C, whole note A, three tremolo beams in
between.
My familiarity with the music tells me that a slur is somewhat implied, but
I wonder if a slur would
Hope this helps--
Bob Morabito
On Jun 30, 2010, at 6:25 PM, SN jef chippewa wrote:
trying to locate these, used or new. any sources would be
appreciated. the lombardi i saw in gelbe musik (berlin) shop
today, but it is their archive copy so not for sale, catalogue from
an exhibition in
17 matches
Mail list logo
