did you take the PDF (with fonts embedded?) or the finale file to kinko's?
seems weird if you are using the 3-slash character in
maestro/engraver, or have you assigned the single slash 3x to the
notes? looks like the 3-slash...
___
Finale mailing
You didn't specify, but I assume you had kinkos print from a PDF file. I seem
to remember having this same problem. For some reason, PDFs created by that
version of finale couldn't print the rolls correctly. I'm sorry , but I think
the only solution I found was to upgrade Finale.
On Nov 26, 2
You have a font problem. In this case it looks like Maestro. I think these
remedies could help:
1) Make sure you are only using one kind of Maestro font -- truetype or
postscript. Remove one of the types if there are duplicates. These fonts might
be located in a variety of places in your comput
I am using FinMac 2K6d. I have a marimba file which has been formatted for a
10 x 13 page size. I don't have a large format printer, so I have to do the
final draft by taking the work to kinkos. The format was correct but the rolls
didn't come out right. There should be three slashes for ea
In other words, it's sort of a 'figured soprano.'
Aaron J. Rabushka
arabus...@austin.rr.com
- Original Message -
From: "Nigel Hanley"
To:
Sent: Friday, November 26, 2010 7:33 AM
Subject: Re: [Finale] Topline notation question
Topline notation as described tells the guitarist to play
On 26-Nov-10, at 26-Nov-10 1:03 PM, David W. Fenton wrote:
On 27 Nov 2010 at 0:41, Nigel Hanley wrote:
The purpose of topline notation isn't for a solo guitar arrangement;
it's for occasional measures throughout a part that are neither
slashes/rhythmic notation, or melodic lines
This is th
It's not a standard term. It's a standard practice but there's no commonly
agreed-upon way of referring to it.
Cheers,
- DJA
-
WEB: http://www.secretsocietymusic.org
On 26 Nov 2010, at 1:03 PM, David W. Fenton wrote:
> On 27 Nov 2010 at 0:41, Nigel Hanley wrote:
>
>> The purpose of toplin
On 27 Nov 2010 at 0:41, Nigel Hanley wrote:
> The purpose of topline notation isn't for a solo guitar arrangement;
> it's for occasional measures throughout a part that are neither
> slashes/rhythmic notation, or melodic lines
This is the Ah-hah! moment for me -- it's not the entire piece that's
On 25-Nov-10, at 25-Nov-10 11:39 PM, John Howell wrote:
At 10:19 PM -0500 11/25/10, David W. Fenton wrote:
I can't quite figure out the purpose of this. Couldn't you just
notate the melody and the chords and add a rubric saying "keep
accompaniment below the melody"?
Disclaimer: I'm not a
The purpose of topline notation isn't for a solo guitar arrangement; it's for
occasional measures throughout a part that are neither slashes/rhythmic
notation, or melodic lines. It is a quick and clear indication of how to voice
the chords, at that point. Strumming or comping don't require this
Topline notation as described tells the guitarist to play chords with the
indicated rhythm and the indicated top note of the voicing. On a guitar part,
we need to know whether to voice the melodic line, or play it as a single line
melody. This type of notation indicates that. Otherwise you would
On 11/25/2010 11:39 PM, John Howell wrote:
At 10:19 PM -0500 11/25/10, David W. Fenton wrote:
I can't quite figure out the purpose of this. Couldn't you just
notate the melody and the chords and add a rubric saying "keep
accompaniment below the melody"?
Disclaimer: I'm not a jazz person, alth
On 11/25/2010 10:49 PM, Nigel Hanley wrote:
An example of the use of topline notation is the Everly Bros song, 'Walk Right
Back' . The opening chord riff is on the tonic chord, with the top note of the
chord moving from the fifth to the sixth, then the seventh. Notating this
fully is both unn
There's Times+Musical by Matthew Hindson, but it's regular, not bold. If you
want to download it (Mac only) from his site, it's free:
http://www.hindson.com.au/wordpress/free-fonts-available-for-download/
Michael
On 25 Nov 2010, at 22:34, Chuck Israels wrote:
> Hi Ryan,
>
> I'm not sure you
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