If you watch the video on the Sibelius site directed at Finale users,
when changing from rhythm-before-pitch to pitch-before-rhythm, the
note entry palette changes to the same values we are used to in Speedy.
Sibelius have really gone to a lot of trouble to accommodate other
ways of working.
I have been banging on about note-before-rhythm to them for years now,
as I'm sure many others here have too.
Now at last I can give Sibelius a red hot go.
Will be interested to see how resizeable the dialog boxes too. Some of
them are currently awful and Finale has this all over Sibelius.
The
I think Jari made a plugin for that.
Alternatively if on Mac go to Speedy Entry Tool, option click on the
bar containing the note, press Next until the dialog box refers to the
note you want to not play, and then click on the Playback checkbox.
(this all from memory but it's not unstraightfor
Me too. I have a 27" iMac with a 2nd 24" monitor attached in portrait
mode. Worth every cent. Screen real estate is gold and improves
productivity substantially. I have a laptop at work and it's almost
painful in comparison.
Matthew
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On 24/05/2011, at 5:22 AM, Chuck Isr
What about harp parts? Anyone remove staves in those?
Matthew
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On 05/04/2011, at 8:32 AM, Darcy James Argue
wrote:
Hi Steve,
Yeah, there is basically no good reason not to remove empty staves
on piano parts, other than mindless fidelity to tradition. And
believe me,
Yeah, well, the situation was probably that the engraver had little to
no time to do it, and wasn't paid that much, and there was no adequate
proof reader on the publisher end with time to go over their work.
Not that that's an acceptable excuse, espec for a big company like
Peters, but it se
As I recall, there is the "Measure Width" function in TGTools which
gives some proportionality to bars rest and multi-bars rest. Works
well - well it used to.
Maybe what you're proposing takes this further.
Matthew
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On 30/01/2011, at 8:50 PM, Jari Williamsson > wrote:
I remember some years ago seeing a collection of 100 different
recordings/arrangements of Gershwin's 'Summertime' that had been done
by a variety of folks since its composition.
Matthew
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On 29/01/2011, at 1:32 AM, Richard Yates
wrote:
No Finale content here (except t
