Simple entry got an overhaul in 2k4. I've cut my note entry time by about
40% because you don't have to pick up the mouse and you can enter a bunch of
other things besides notes (clef, key, time, artics, expressions...)
On 2/27/05 1:47 PM, David W. Fenton [EMAIL PROTECTED] saith:
Yes. And
On 28 Feb 2005 at 9:45, Allen Fisher wrote:
Simple entry got an overhaul in 2k4. I've cut my note entry time by
about 40% because you don't have to pick up the mouse and you can
enter a bunch of other things besides notes (clef, key, time, artics,
expressions...)
Well, I enter notes (Speedy
At 06:18 27.02.2005, you wrote:
With regard to simple entry, does anyone else other than me prefer to use
voices instead of layers to indicate secondary/contrapuntal musical
elements?
I must confess I have not used voices for maybe fifteen years or so;-) I
found it so un-intuitiv(?) - I prefer
On Feb 28, 2005, at 3:59 PM, Kurt Gnos wrote:
But I guess there are many things in Finale that can be done
differently - from entering notes (not just with different tools, also
in different ways) until formatting and printout. There are also
people who like lyrics mass edit, which I cannot
On Feb 26, 2005, at 11:50 PM, Cindy Pribble wrote:
What I hate about it is that I cannot globally remove or add only one
layer from the staff.
I'm not sure I'm understanding your objection here. Doesn't it work to
choose select active layer only from the menu, then select the entire
staff to
Brian Williams wrote:
With regard to simple entry, does anyone else other than me prefer to use
voices instead of layers to indicate secondary/contrapuntal musical
elements?
The advantages of voices are clear:
1) You can execute them on the fly in the middle of a measure.
I don't understand this
Brian Williams wrote:
With regard to simple entry, does anyone else other than me prefer to use
voices instead of layers to indicate secondary/contrapuntal musical
elements?
The advantages of voices are clear:
1) You can execute them on the fly in the middle of a measure.
I don't understand this
Most of the time I use layers, but there are times when voices work
well. I like the advantage of adding a second voice above or below
the existing voice when the divisi is short. You control the stem
direction by the position of the cursor (insertion point). If it's
below the original note,
Ok ... I'm a tyro on this one ... how does one activate the voices
function. I've always used layers, didn't know there was an option.
Dean
On Feb 27, 2005, at 12:19 AM, Mark D Lew wrote:
On Feb 26, 2005, at 11:50 PM, Cindy Pribble wrote:
What I hate about it is that I cannot globally remove or
David W. Fenton wrote:
On 27 Feb 2005 at 16:00, Jari Williamsson wrote:
I don't understand this statement. In Simple Entry you _can_ enter
layers on the fly in the middle of a measure (which you can't with
Speedy). Just select the note where you want the layer to start (in an
existing layer),
On 27 Feb 2005 at 20:42, Jari Williamsson wrote:
David W. Fenton wrote:
On 27 Feb 2005 at 16:00, Jari Williamsson wrote:
I don't understand this statement. In Simple Entry you _can_ enter
layers on the fly in the middle of a measure (which you can't with
Speedy). Just select the note where
Dear List,
With regard to simple entry, does anyone else other than me prefer to use
voices instead of layers to indicate secondary/contrapuntal musical
elements?
The advantages of voices are clear:
1) You can execute them on the fly in the middle of a measure.
2) You have complete control over
On Feb 27, 2005, at 12:18 AM, Brian Williams wrote:
Dear List,
With regard to simple entry, does anyone else other than me prefer to
use
voices instead of layers to indicate secondary/contrapuntal musical
elements?
Can anyone think of any other common musical situations in which
layers are
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