Bill,
The suggestions you've received are good ones - use separate layers and
force the stem direction.
I suspect you are being told how to layout the voices. If it were up to
me, however, given that the rhythmic patterns are not the same, I would
split it into four staves. Combining SA and
At 8:31 PM -1000 9/23/05, Bruce K H Kau wrote:
I suspect you are being told how to layout the voices. If it were up
to me, however, given that the rhythmic patterns are not the same, I
would split it into four staves. Combining SA and TB when rhythmic
patterns differ is usually only done to
On Sep 21, 2005, at 9:03 PM, David W. Fenton wrote:
So far as I know the usual approach for this is to put the soprano in
layer 1 and the alto in layer 2 (same for tenor/bass). The default
layer options set layer 1 stems up when there are notes in layer 2,
and layer 2 stems down. By default,
On 21 Sep 2005 at 23:42, Mark D Lew wrote:
On Sep 21, 2005, at 9:03 PM, David W. Fenton wrote:
So far as I know the usual approach for this is to put the soprano
in layer 1 and the alto in layer 2 (same for tenor/bass). The
default layer options set layer 1 stems up when there are notes
At 12:38 PM 09/22/2005, David W. Fenton wrote:
On 21 Sep 2005 at 23:42, Mark D Lew wrote:
I like to leave the rest option as is. Then wherever the same value
rest is in both voices, I type asterisk in each layer to re-center
them.
Oy, I didn't know there was a keyboard shortcut for this!
Hello Finale;
I have been asked to do a choral piece, where the voices
are grouped two in the treble staff, and two
in the bass staff. The two upper voices must have stems pointing in the opposite
directions, regardless of their position on the staff. They also don't have the
same rhythmic
On 21 Sep 2005 at 23:56, [EMAIL PROTECTED] wrote:
I have been asked to do a choral piece, where the voices are grouped
two in the treble staff, and two in the bass staff. The two upper
voices must have stems pointing in the opposite directions,
regardless of their position on the staff.
