At 4:11 PM -0400 3/23/10, Andrew Stiller wrote:
On Mar 23, 2010, at 12:56 PM, John Howell wrote:
For questions like this I turn to "How to Write for Percussion" by
Samuel Z Solomon. He ... points out that it's important to know
the instrument you're writing for (ALWAYS a good idea!), since th
On Mar 23, 2010, at 12:56 PM, John Howell wrote:
For questions like this I turn to "How to Write for Percussion" by
Samuel Z Solomon. He ... points out that it's important to know the
instrument you're writing for (ALWAYS a good idea!), since they vary
from 4-octave to 5-octave instruments.
At 12:35 PM -0300 3/23/10, Adam Taylor wrote:
Never having played the marimba (due to being a clarinettist), or
having had access to a marimba player in the last ten years, I am
now faced with printing a piece to send to a marimbist in the US.
I'm currently unsure of how they prefer their music
Never having played the marimba (due to being a clarinettist), or having
had access to a marimba player in the last ten years, I am now faced
with printing a piece to send to a marimbist in the US. I'm currently
unsure of how they prefer their music to be laid out for solo work. The
piece is ni
