I thank you folks for the info, but I'm a bit confused (not at all an
unusual circumstance) ... I thought this was the use of cross staff
notation, at least that's the tool I used to get this particular
format. So, I'm not quite sure what is meant there. I do agree, now
that I know it's ok.
I think it looks a bit cluttered. Try putting the hairpins below the staff.
This will remove any doubt about where the crescendos and diminuendos begin
and end.
Guy Hayden
-Original Message-
From: finale-boun...@shsu.edu [mailto:finale-boun...@shsu.edu] On Behalf Of
Dean M. Estabrook
Se
Dean M. Estabrook wrote:
Your wisdom, please. Could some of you who are experts in notation for
piano please check out the attached PDF and let me know if the
notation I have for the piano acc. is within the realm of Kosher?
If, perchance, the method I'm using is ok, is the placement of the
I've seen piano music like this, but I'd use cross-staff notation -- put the
beam between the staves. As to the hairpins, put them above the staff.
That's more like what I see in piano music.
James Gilbert
> Your wisdom, please. Could some of you who are experts in notation for
> piano please ch
