Martin Banner wrote:
Go to www.hinshawmusic.com
There's a brand new book on this subject written by Rob Monath, entitled
By The Book.
Thanks for the link -- have you read the book? $14 for a 77-page book
seems like a pretty steep price for not a lot of book!
I'd love to know if anybody
Kim Patrick Clow wrote:
*Andrew Stiller* [EMAIL PROTECTED]
mailto:[EMAIL PROTECTED] wrote:
...but eventually I figured out that
there was a don't ask, don't tell system in operation: you call up a
microfilm from the stacks, don't tell anybody you're going to copy it,
then
Title: Re: [Finale] OT : Research and Copyrighted
Microforms head
At 11:01 PM -0400 7/20/06, Kim Patrick Clow wrote:
On 7/20/06, Dennis Bathory-Kitsz [EMAIL PROTECTED]
wrote:
Saur can copyright the images themselves
-- not their content, which can be
copied out by hand or transcribed by an OCR
But that's exactly what leaves me confused. Why exactly are their copies of the original, whether photographs, scans, or whatever, copyrightable when there is exactly zero added intellectual content? --
I think (and this is pure conjecture), the photographs themselves are copyrighted. It'd
At 11:44 AM 7/21/06 -0400, John Howell wrote:
I think Dennis mean copying from the original, not a facsimile of the
original.
No, copying content from the 'facsimile' is what I meant. Copyright
subsists in the photograph itself, which is not truly a facsimile...
Why
exactly are their copies of
At 6:41 AM -0400 7/21/06, dhbailey wrote:
I'd love to know if anybody has read this book and can give us a
review slanted to those of us in the engraving/publishing field as
well as to performers to know if it's really valuable information or
simply rehashing the same details we go over on
A couple of folks on the 18th-century list posed these questions. I
assume that they are looking for fonts to use in text, not in a
notation program. I'll be happy to pass on your replies, but please
make them simple; when it comes to the inner workings of computers,
I'm a Bear of Little
I have been updating a piece from FinMac 3.5 to 2K4, and have run into
a problem.
The piece is a song cycle in which each song is in a different file. I
had noticed that all the files open rather sluggishly: it takes a
second or two for the notes to appear after the staff does. This one
file,
Thanks so much for the explanation and response!
- Jacki
On Jul 19, 2006, at 5:32 PM, A-NO-NE Music wrote:
Jacki Barineau / 2006/07/19 / 05:14 PM wrote:
Later on, the same chord is used that does include a G... Does this
change things?! :)
Yes, very much.
The reason why 6/9 chord is
First and foremost, I am not a lawyer (IANAL). Secondly, it might be
useful in discussing legal opinions to cite relevant case law. The
most important case for US copyright law is 'Feist v. Rural', which
was decided by the Supreme Court, and held that a minimum level of
creativity was required
At 02:34 PM 7/21/06 -0700, Rafael Ornes wrote:
http://www.panix.com/~squigle/rarin/corel2.html
This case applies to photographs as reproductions.
Do we know how much of the Saur is simple reproduction vs. an enhanced
and/or three-dimensional photograph? Knowing nothing about them, I perhaps
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