John Howell [EMAIL PROTECTED] wrote:
Then I guess they don't play Ravel, Debussy, or Gershwin as they were
intended to be played.
or Bizet, or Massenet, or several other French composers of the later 19th C.
Someone mentioned a very early use by Meyerbeer, but hey, he was an
opera guy,
Here are a few samples of works I've done for different composers. Varied range of styles which should give you an idea of what's possible. These aren't the most avant-garde stuff I've done, but still. There are other examples on this site (The Canadian Music Center) which I wasn't involved in.
David W. Fenton [EMAIL PROTECTED] wrote:
On 7 Oct 2006 at 13:40, Richard Smith wrote:
Some really good music by some respected composers is being written
for wind ensemble and many composition students are being advised that
the best way to hear one's music performed is to write for band,
John Howell [EMAIL PROTECTED] wrote:
OK, I just looked it up in A Practical Guide to
Percussion Terminology by Russ Girsberger, and
it's just as complicated as I thought it would be.
Glöckchen: tubular bells; chimes
Glocke: bell
Glocken: chimes
Glockenartig: like a bell; bell-like
At 12:13 PM +0100 10/9/06, Ken Moore wrote:
If you just want to write music and hear it played, without worrying
about making a living from it, you get to know lots of good
amateurs, and this category is rather better stocked with wind and
brass than with strings, in my experience.
Ken
Do any of you have any idea where I can get a set of performance
materials for any of Telemann's works for recorder and orchestra?
I have had no joy from Google, nor from J.W. Pepper or Theodore Front.
Any suggestions would be most welcome.
Andrew Stiller
Kallisti Music Press
On 10/9/06, Andrew Stiller [EMAIL PROTECTED] wrote:
Do any of you have any idea where I can get a set of performancematerials for any of Telemann's works for recorder and orchestra?
http://www.schott-music.com/shop/Sheet_Music/Recorder/Recorders_Strings_Piano/
Schott has them. I did look for
Gary Garritan is in the process of joining the list. He was caught in one
of the security loops last week, but he should be here soon.
Along with Michael Goode (RECORDARE, Tobias Giesen (TGTOOLS), and Robert
Patterson (Patterson Tools), he will be in good company.
Henry Howey
Professor of Music
At 3:35 PM -0400 10/9/06, Andrew Stiller wrote:
Do any of you have any idea where I can get a set of performance
materials for any of Telemann's works for recorder and orchestra?
I have had no joy from Google, nor from J.W. Pepper or Theodore Front.
Any suggestions would be most welcome.
Henry E. Howey wrote:
Gary Garritan is in the process of joining the list. He was caught in one
of the security loops last week, but he should be here soon.
Along with Michael Goode (RECORDARE, Tobias Giesen (TGTOOLS), and Robert
Patterson (Patterson Tools), he will be in good company.
I own some sets of Telemann's recorder and strings music published by
Barenreiter.
The A Minor Suite published by Schirmer is full of errors and questionable
notes and needs careful correction.
Guy Hayden, Music Director and Conductor
The Northern Neck Orchestra
Kilmarnock, VA USA
On Oct 9, 2006, at 12:25 PM, Ken Moore wrote:
Also a keyed glockenspiel is jeu de timbres as required for
Turangalila.
Actually, no. Jeu de timbres means literally set of chimes and is
the standard French term for the regular glockenspiel. Messiaen
designates the keyboard glockenspiel as
On Oct 9, 2006, at 1:38 PM, John Howell wrote:
Ken makes a rather nice point in that sentence, and one that truly
shows how fuzzy the absolutist definitions can become. In particular,
the use of strings in ensembles which are clearly bands, are called
bands, and play literature intended
On 09.10.2006 Andrew Stiller wrote:
Do any of you have any idea where I can get a set of performance materials for
any of Telemann's works for recorder and orchestra?
I happen to have a complete set of score and parts of the relatively
well-known suite in A minor, published by Hänssler, No
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