On Sep 20, 2007, at 7:14 PM, Ruth H. Randle wrote:
I have been given a handwritten piece of Klezmer music to
transcribe, called
Baym Rebn Sude. There are no chords, just a simple melody line. My
problem is
this: It has 1 sharp (F) and 2 flats (B and E)! I was told that a)
it is a very
Will someone please explain- I words of one syllable please- what Mirroring
actually is?
In ten years of Finale I've never known- and certainly never used it.
Cheers K in OZ
Keith Helgesen.
Ph: (02) 62910787.
Mob 0417-042171
-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL
AFAIK this was *very* occasionally used to indicate a minor key.
In this case G minor- completely reinforced by the scale of G minor as
quoted in the message. I'm not really familiar with my minor modal variants
but I suspect a 'hyper' scale form thus D to D but in G minor.
The key sig works by
He wasn't using Mirroring in the same sense that Finale has Mirrors.
He was just using the term to indicate taking a selected passage and
copying it to a different location.
Mirrors as Finale uses the term means telling Finale that you want
measures 100-120 (for example) to be exact copies of
On 21.09.2007 dhbailey wrote:
He wasn't using Mirroring in the same sense that Finale has Mirrors. He was just using
the term to indicate taking a selected passage and copying it to a different location.
Sorry David, but I was indeed refering to Mirrors as they are used by
Finale. I don't
On 20.09.2007 keith helgesen wrote:
Will someone please explain- I words of one syllable please- what Mirroring
actually is?
In ten years of Finale I've never known- and certainly never used it.
In addition to what David has already mentioned: Mirrors, imo, are an
extremely useful way in
On Sep 21, 2007, at 3:58 AM, dhbailey wrote:
Mirrors as Finale uses the term means telling Finale that you
want measures 100-120 (for example) to be exact copies of measures
20-40. That way any edits you make in measures 20-40 are
immediately copied to measures 100-120. You can't make
dc wrote:
Johannes Gebauer écrit:
I am having problems in 2k7 mirroring passages using the method to
shift-option-click on the target measure. This doesn't work with
mirroring, it seems, and I am now remembering there was a bug
somewhere. Can someone tell me what the workaround was?
I just
On 21.09.2007 dhbailey wrote:
You get a mirror when you ctrl-shift-click? All I get is a duplicate set of
data which doesn't change when the first data is changed.
You have to activate this function in the mass edit menu (up to 2k7, not
sure about 2k8).
Johannes
--
In a message dated 9/19/07 6:06:31 AM, [EMAIL PROTECTED] writes:
And hyphens, please, hyphens!!!
I second, third or 200th that one.
The hyphen thing is ridiculous!
Vivian
Vivian Adelberg Rudow
Most recent performances:
CALL FOR PEACE, Esther Landau, flute plus tape, performance Walden
Dick Hauser / 07.9.20 / 1:17 AM wrote:
We looked at the startup screen and noted that the crash occured when
the message initializing midi came up (after the initializing Core
Midi) and so started to look at possibilities that something there
was amiss. We moved the Plug-in components out
Hmm. This is reminiscent of an issue I've encountered many times
when adding a Measure Expression. I'll click on the measure, go thru
the steps to create the expression, and when I return to the score,
no expression. It's actually been attached to another measure on the
page, and is
On Sep 21, 2007, at 8:32 AM, A-NO-NE Music wrote:
They didn't ask you for the crash log?
Why do you not post the crashed thread here as I suggested.
I missed that request, Hiro.
I offered up the crash log but the tech didn't want it. My initial
post included the first bit of it but it's
Thank you, Chris, Dick and Keith for your very helpful comments.
Your discussions are often way above my head, but I admire the
way that listers are always willing to help even with the simplest
questions as well. And Chris, your descriptive term D Fraygish
is wonderful!
Ruth Randle
On 21.09.2007 David W. Fenton wrote:
You can't make anything different between the two
sets of measures.
Er, isn't that what the tilting mirrors were for? I've never used
them, but the idea was that you could do certain things that would
make the mirror appear different from the original.
dc wrote:
dhbailey écrit:
You get a mirror when you ctrl-shift-click? All I get is a duplicate
set of data which doesn't change when the first data is changed.
Well, first, you have to go in the Mass Edit menu and tick Mirror if you
want a mirror!
I said I didn't work with mirrors much.
On 9/21/07, dc [EMAIL PROTECTED] wrote:
Has anyone tried converting Sibelius 4 files to Finale with the Dolet 3
plug-in? There is no demo version, so I'm wondering how good the conversion
is. What are the limitations? What happens to the figured bass, since
Finale doesn't have an equivalent
I've noticed this particularly when dealing with staves that have
been reduced with the Percent Tool (whatever the real name is.)
Christopher
On 21-Sep-07, at 12:39 PM, ThomaStudios wrote:
Hmm. This is reminiscent of an issue I've encountered many times
when adding a Measure Expression.
At 8:44 PM -0400 9/18/07, Christopher Smith wrote:
On Sep 18, 2007, at 7:12 PM, Adam Taylor wrote:
I've seen discussions on this list about binding of score and
parts, as well as printing of parts. I was just wondering what
weight of paper people here think is the best for printing score
and
I've seen discussions on this list about binding of score and
parts, as well as printing of parts. I was just wondering what
weight of paper people here think is the best for printing score
and parts for a concert band work. Regular paper just feels too
light for me.
You are right to think
Thanks, David, Johannes, Christopher et al. for explanations.
I tend to do the sections, then - as David does, cut and paste.
I can certainly see the advantage of mirrors in 'change of mind by client
etc' situation!
Thanks as ever
Keith in OZ
Keith Helgesen.
Ph: (02) 62910787.
Mob
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