Fin mac 2012.
I have an orchestral score I'm working on that has one staff (Second
violins) that does not sound. It has all the same settings in the score
manager as Violin I. All the strings are in several layers, Layer 1 arco,
layer 2 pizz, etc. and the second violin part is playing in the
Courtesy accidentals (ANYWHERE) are for the weak. If you *need* them in the
part, then that means you're not following the key signature. Back to
school!
patricksheehanmu...@gmail.com
-Original Message-
From: Christopher Smith [mailto:christopher.sm...@videotron.ca]
Sent: Sunday,
This is nuts!
Steve P.
On 19 Nov 2013, at 15:36, Patrick Sheehan patricksheehanmu...@gmail.com
wrote:
Courtesy accidentals (ANYWHERE) are for the weak. If you *need* them in the
part, then that means you're not following the key signature. Back to
school!
I wouldn't go that far. A courtesy accidental is very helpful on those
occasions when you really mean to have an F# and and F-nat at the same time in
an otherwise tonal piece. More of a this is not a printing error thing.
Granted, a non-courtesy would do just fine in that instance, too.
Sent
I agree. My notation experience goes way back to well before computers entered
the scene and it was all done by hand. I was schooled in LA where, as is the
case pretty much everywhere, you never, ever have enough rehearsal time. So
the music should be notated explicitly where absolutely no
I agree with J. D. Thomas here: one thing is dealing with the Viennese
classical style where, after modulating a fifth above one should know that
the original fourth degree has to be raised a semitone, another thing is
dealing with other styles, where the insertion of patterns different from
Nut, I don't know. It is certainly the opinion of one who enjoys the
delicious crunchy sound of wrong notes.
On Tue, Nov 19, 2013 at 9:43 AM, Steve Parker st...@pinkrat.co.uk wrote:
This is nuts!
Steve P.
On 19 Nov 2013, at 15:36, Patrick Sheehan patricksheehanmu...@gmail.com
wrote:
Yum!!
On Nov 19, 2013, at 9:45 AM, Robert Patterson rob...@robertgpatterson.com
wrote:
Nut, I don't know. It is certainly the opinion of one who enjoys the
delicious crunchy sound of wrong notes.
On Tue, Nov 19, 2013 at 9:43 AM, Steve Parker st...@pinkrat.co.uk wrote:
This is nuts!
Weak? Then I've known and played with SO Many Weak Players,
from the San Francisco Symphony, and virtually ALL groups I've ever played in.
Players who mark their parts to be SURE of the accidentals.
Check your precious Finale Parts sometime, see what the players marked in.
Or the Conductor.
See
There's a reason they are called courtesy.
Chuck
On Nov 19, 2013, at 10:07 AM, Jim Dukey oldm...@yahoo.com wrote:
Weak? Then I've known and played with SO Many Weak Players,
from the San Francisco Symphony, and virtually ALL groups I've ever played in.
Players who mark their parts to be
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