Apparently Notion for iPad cannot edit lyrics. Here's a comparison between
Notion and Symphony Pro:
http://techinmusiced.wordpress.com/2011/12/17/a-preliminary-comparison-of-notion-and-symphony-pro/
From that article:
Notion 1.0 doesn’t allow for lyrics–but it CAN import lyrics. If you write a
Ryan,
This is a limitation of Finale. Whatever value you give for minimum measure
width, Finale gives as much space for the default whole measure rest as it
would for a whole note.
However, you can remedy this with Jari's plug-in: JW Space Empty Rests (hey,
why didn't he tell you that?).
When I look at the info for my Maestro Default File, the Hide Extension flag
is greyed-out, but not set: I think this means that the file simply doesn't
have an extension. I'd try omitting the extension.
Michael
On 12 Jan 2012, at 18:28, Robert Patterson wrote:
I am trying to replace the
For the moment all I can think of is this:
Hide certain bar lines with a staff style, then replace them with graphic bar
lines created with the Expression tool.
Michael
On 18 Jan 2012, at 11:30, Giovanni Andreani wrote:
I apologize for the double thread; I'm reposting this message thank's
There's also a recording of the piece, which could give additional insight into
the composer's wishes. Go to the link originally given:
http://www.marcgosselin.fr/compositeur/pour-instruments.html
and click on the playback arrow next to Fantasme (as already stated, ouvrir
will open a PDF of the
Wide fermatas are old notation: Mozart used them, for instance. In his operas
you can find instances of wide fermatas over two or more notes. In most cases
it's the singer who has several notes while the orchestra holds one note, but
there are cases where the fermata extends over more than one
with the wide fermata. I'd add dictated
since it apparently accompanies dance moves.
On 11 Feb 2012, at 19:24, John Howell wrote:
At 11:32 AM +0100 2/11/12, Florence + Michael wrote:
Wide fermatas are old notation: Mozart used
them, for instance. In his operas you can find
instances
In the parts it's the same as in the score (at least in the Bärenreiter
edition): the violins (who play a dotted half + quarter) have a long fermata
extending over the whole measure, the other instruments (who play a quarter on
beat one followed by rests) have a long fermata extending over the
On 22 Apr 2012, at 09:54, Steve Parker wrote:
It really can be a useful thing! I've never had a problem with signing to
someone that the cue I'm giving is their cue rather than their entrance.
Steve P.
How do you show the musician difference between a cue and an entrance?
Michael
Do you mean that all the music after the place where the two beats are missing
is shifted two beats to the left? If that's the case, you can do this:
- select all the measures from the one where the two beats are missing to the
end of the piece.
- drag and drop this selection two beats to the
Yes: only use rests when absolutely necessary for clarity, or when the music is
in strict counterpoint. Here's what Elaine Gould writes in her comprehensive
guide to music notation, Behind Bars, in the section on part writing for
keyboard instruments:
Keyboard writing can move from a single
As far as the simplify key command in Finale is concerned, 6 sharps is as
simple as 6 flats. Combining this command with the correct transposition for
producing Gb major in E major sections (a diminished third instead of a major
second) should provide you with what you need. If you set the Bb
If you want one time signature for each section, the best way is to create a
certain number of systems that only show time signatures. For these systems,
you hide everything (staff lines, bar lines, etc.) apart from the time
signatures. You set the systems which actually have music in them to
Put in the marks until you get to the letter J. Control-click on the handle of
this expression to make the context menu appear and choose Edit Rehearsal Mark
Sequence. You can now restart the sequence at K.
The same technique can be used to reset the sequence for a new movement.
Michael
On 11
On 7 Jan 2006, at 18:45, Andrew Stiller wrote:
opt-shift clicking USED to be the same as drag-and-drop; but now
drag-and-drop does NOT give you the dialogue box that opt-sh clicking
gives you. So if you know for sure that you are going to want the
same items copied as the last time, use
http://www.turandot.hu/
I don't know anything about it. Has anybody tried it?
Michael
On 25 Jan 2006, at 23:56, Henry Howey wrote:
I've lost/forgotten its name and website. Help?
Henry Howey
Professor of Music
Sam Houston State University
Box 2208
Huntsville, TX 77341
(936)
Here's how you can get two thin systems side by side on one page of a
score:
- In the Page Layout menu, un-check the option Avoid Margin
Collisions.
- Drag the widths of the systems to make them as slim as desired.
- Position the systems on their respective pages so that the first
system is
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