Interesting, you no longer have the Space Systems plugin on your site, and it
doesn't come up at all in the Plugin Manager. Have you abandoned it or has it
been renamed and folded into another plugin perhaps?
J D Thomas
ThomaStudios
On Aug 16, 2014, at 4:54 AM, Jari Williamsson
the Scoring and Arranging branch.
On Sat, Aug 16, 2014 at 12:26 PM, j...@thomastudios.com
j...@thomastudios.com
wrote:
Interesting, you no longer have the Space Systems plugin on your site, and
it doesn't come up at all in the Plugin Manager. Have you abandoned it or
has it been
I went thru the same scenario when moving to Mac OS 10.6 Snow Leopard. Clearly
I'm not on Windoze, so take this with whatever grain of salt you need.
QuicKeys is completely deprecated and I don't see any resusccitation.
So I moved to Keyboard Maestro and it's great. But I don't know if they
Forget it. I've tried this too many times to remember I'm afraid. Something
about Finale steadfastly refuses to honor that request at any level. Abobe
Acrobat Pro does the same thing on my Mac, altho more surreptitiously.
My only way around is the cntl-click on a file. Major PITA.
Sorry.
It's been a while since I had to adjust this on my system, but there are two
settings to look at:
Allow dotted rests
Soften syncopations
Both are under MIDI/Audio Quantization Settings… (at least that's where they
are in Finale 2012. Can't recall 2011's location, but it's there.
J D Thomas
Postscript:
There are two settings for allow dotted rests, one each for simple and compound
meters.
On Oct 5, 2014, at 8:01 AM, Don Hart donhartmu...@gmail.com wrote:
I've been using Fin/Mac 2011 on a new machine (MacBook Air, 10.9.5) and the
program now seems to default to dotted half and
This happens to me pretty regularly in Finale Mac 2012. I don’t know why, but
restarting the Mac is the ONLY solution. I really believe this bug is related
to the stuck metatool bug I have dealt with for years. And the Finale folks,
whatever they’re called today, don’t seem to want to even
To my knowledge, the only time Finale will lock the systems is either by the
keyboard command, CMD-L, or if you physically move a measure to another system
using the old Mass Mover tool, now the Selection tool. Otherwise they stay
unlocked. I know this because there have been many times where
Ah yes, trashing preferences. Along with repairing permissions,
the-rebuild-the-desktop-file-of-OS9 bane of OS X.
And it’s all bullshit.
J D Thomas
ThomaStudios
On Dec 23, 2014, at 12:14 PM, Mike Greensill m...@mikegreensill.com wrote:
Yes Eric...we've all tried trashing preferences and
The only thing I can think of Chuck is the dreaded preferences crapola. Other
than that, I had occasion last week to try to sort out a Message app login
issue and I ended up zapping my PRAM. It not only fixed the issue, I
discovered it corrected myriad other small annoying buglets as well.
, 2014, at 8:41 AM, j...@thomastudios.com wrote:
The only thing I can think of Chuck is the dreaded preferences crapola.
Other than that, I had occasion last week to try to sort out a Message app
login issue and I ended up zapping my PRAM. It not only fixed the issue, I
discovered
Great info Robert. I saw Don’s post on Sheepsaver and looked into it briefly,
then got distracted with other tasks. I intend to look much deeper thanks to
your post. And a big thanks to Don.
J D Thomas
ThomaStudios
On Feb 4, 2015, at 8:41 AM, Robert Patterson rob...@robertgpatterson.com
Hello Vivian,
I have availability to do your project. You can contact me:
J D Thomas
ThomaStudios
(503) 656 6952
j...@thomastudios.com
On Feb 3, 2015, at 2:00 PM, Vivian Adelberg Rudow
vadelbergru...@comcast.net wrote:
Hello finale list,
I am looking for a copyist who can work
Once again Vivian, I am available to take on your project. I have extensive
Finale and Sibelius experience.
J D Thomas
ThomaStudios
j...@thomastudios.com
(503) 656 6952
On Feb 4, 2015, at 8:00 AM, Vivian Adelberg Rudow
vadelbergru...@comcast.net wrote:
Hi All,
So far I have seen
My apologies for sending this to the list. Was not my intent.
J D Thomas
ThomaStudios
On Feb 5, 2015, at 8:49 AM, j...@thomastudios.com wrote:
Vivian,
Attached is an example of a few random pages from a score to an opera I did
last year. Many, many voices were in this file, so I have
Hi Robert,
This might not be exactly what you had in mind initially, but I have the
Brother MFC-J6910DW all-in-one. It prints and scans up to 11x17 and I’ve been
very pleased with it overall. I’ve been using it for a little over a year.
And it won’t break the bank. I believe Brother has
The error you refer to is Finale unable to write a backup file, not your main
.mus file. Are your preferences pointing to a drive or folder that no longer
exists? Or it could be a preferences issue for that folder or disk, if you’re
on a Mac.
J D Thomas
ThomaStudios
On Feb 17, 2015, at
I have never, ever invoked any kind of Auto-Save in any Mac application. Cmd-S
is so ingrained in my grey matter and workflow that anything automated just
gets in my way. Almost like those asinine thingies insurance companies want to
you plug into the ODB port on our cars. But I digress, big
You may have to actually write out the notes for the gliss, place them in a
different layer and hide it. That’s one thought. Someone else may have a
better idea.
J D Thomas
ThomaStudios
On Jan 12, 2015, at 11:34 AM, Ryan ry.squa...@gmail.com wrote:
When I write a harp glissando, I use
I have done this a few times in the past. When I did it, it involved printing
out the pages normally and taping 3 and 3a together as a foldout. Or, if you
have 11x17 capability, you can print out 3/3a on tabloid landscape and then
fold it. It all depends on how you do the final assembly or
:12, j...@thomastudios.com wrote:
I have done this a few times in the past. When I did it, it involved
printing out the pages normally and taping 3 and 3a together as a foldout.
That was my plan. How can I trick the page numbering function into
thinking that page 4 is actually page 3b
IMO, it one of many bugs thruout the program. And the Lyric module is
especially prone. I did an opera last year and FinMac 20112 got the extensions
right about 85% of the time. The rest I had to manually adjust. I’ve tried
removing them with TGTools and then adding them again with the
What Barbara describes is for cross-staff notes. You want them on the SAME
staff. The only way to do that is using Special Tools and futz with the
reverse stem and beam angle.
If there are a LOT of these in your project, you could be in for a long day.
J D Thomas
ThomaStudios
On Feb 25,
It’s an annoying bug and or limitation to Finales graphic engine. And no,
there is no workaround. I’ve gotten using to Cmd-D but it’s still an
annoyance. And yes, it is there in 2012. I haven’t done enough file editing
in 2014 to state for sure whether or not it’s still there. Can’t say
On the Mac it’s Preferences View and there is a setting for handle size.
Should be something akin for Windoze.
J D Thomas
ThomaStudios
On Apr 28, 2015, at 2:03 PM, Patsy Moore pa...@mooremusic.org.uk wrote:
Hello Listers,
Because of endless difficulties with the change from Finale
This works occasionally so you might try it:
In the first measure of the coda, option-click in the measure with the Speedy
Entry tool selected. A rather verbose dialog box should appear. At the bottom
is a checkbox for Tie End. Check it and exit the dialog. This works on 2nd
ending
something silly).
Cheers,
Lawrence
On 12 May 2015 at 14:29, j...@thomastudios.com j...@thomastudios.com wrote:
In the Composite Time Sig dialog, put the 3+3+2+3+2 in the first upper
field. Then put the 8 in the first lower field. Then you’ll get your
desired look. Don’t populate
- wouldn't accept it.
On 12 May 2015 at 14:46, j...@thomastudios.com j...@thomastudios.com wrote:
The lower box needs an 8. Did you try that?
J D Thomas
ThomaStudios
On May 12, 2015, at 6:41 AM, Lawrence Yates yateslawre...@gmail.com
wrote:
Just tried that on Winfin2012 - doesn't
In the Composite Time Sig dialog, put the 3+3+2+3+2 in the first upper field.
Then put the 8 in the first lower field. Then you’ll get your desired look.
Don’t populate the rest of the fields.
J D Thomas
ThomaStudios
On May 11, 2015, at 12:59 PM, Michael Lawlor mjlaw...@virginmedia.com
on the
bottom line. I've done this lots of times.
Adam
On 05/12/2015 10:46 AM, j...@thomastudios.com wrote:
The lower box needs an 8. Did you try that?
J D Thomas
ThomaStudios
On May 12, 2015, at 6:41 AM, Lawrence Yates yateslawre...@gmail.com wrote:
Just tried that on Winfin2012
You’ll need to go into the chord suffix editor, delete the ‘b’, select the 4,
and check the box marked flat. That should get you what you want.
J D Thomas
ThomaStudios
On Jun 18, 2015, at 9:58 AM, Barbara Touburg btoub...@online.nl wrote:
Hello all,
I need to input a Bb chord with a 7b4
The error you’re experiencing is:
cmProfilesIdentical = -177, /* Profiles the same */
I would suspect no one responded because no one, including myself, knows
exactly what this error means or its solution.
I think a call or email to MM tech support is in your future.
Sorry I cannot
I did the crossgrade back at v4. Sibelius does take a lot of getting used to,
but that’s to be expected.
v4 was awful IMO, v5 a bit better, and v6 better still, all for my needs. v7
they redid the entire GUI and I hated it. It was the final straw for me to
abandon it; but YMMV.
The biggest
Hi Jim,
I feel your pain. So much so that I went online, seeming to remember I had
once dl’d the Finale 2012 menu myself for offline viewing. Alas, I couldn’t
find any link. But I did find this which may be of some assistance for you:
Note. You are not required to go online to view the
This may answer your question and help. I go back in forth between the two
view frequently when adding cue notes to a score. What I do in either view is
simply hilight the measure stack by Cmd-Clicking on a measure. Then I hit
Cmd-E to switch views. It goes right to the higlighted measures.
You could use the Move Rests plugin, which is especially helpful if you have a
large range of measure to move rests in. I use it all the time.
J D Thomas
ThomaStudios
> On Sep 1, 2015, at 1:59 PM, Barbara Touburg wrote:
>
> Hello all,
>
> Is there a way to move rests up
Good idea Christopher. But with a large copy paste, it might be a better idea
to copy and Insert to assure all key and time sigs make it over. Copy and
paste is very buggy in all versions of Finale, especially if any tuplets are
involved.
***
J D Thomas
ThomaStudios
Not meaning to hijack this thread, but I agree with Jon about 2014.5 being an
absolute slug when editing a large orchestral file. I am working on an opera
that ballooned to 7.3MB from 3MB when I converted it from Finale 2012 to 2014.
Everything takes an eternity when editing: changing tools,
Using the Resize tool, the one that looks like a %, click on one of the
affected staves. The ensuing dialog will tell you what size it is. I suspect
it’s less that 100%.
***
J D Thomas
ThomaStudios
> On Jun 24, 2016, at 11:14 AM, Thurletta Brown-Gavins
>
Export the Chord Suffix Library once you have it the way you want. Then import
it to the next file or to your default file.
***
J D Thomas
ThomaStudios
> On Feb 22, 2016, at 1:07 PM, Martin Nickless wrote:
>
>
> Hi there
> I'm currently
Darcy is spot on. Polychords are one chord over another, frequently just two
triads, separated by a horizontal line. They can intimate a larger chord form,
but are usually used when a specific voicing or sound is desired. As we all
know, a diagonal line is for an alternate bass note, which
You’re probably right as to older charts Craig. I’ve seen it before as well,
but not for a long time now. There might also be some fundamental difference
in regions at play here. When I worked in LA, minor 7th chords were written as
Cm7 or Cmi7, where as on the East coast it was notated as
Hi Chuck,
Which version of Finale? Measure Attributes is greyed out for me if I haven't
selected the measure first, either with the Measure Tool or the Selection Tool.
Did you select a measure before evoking the macro?
I’m using 2014 (not .5) and I probably have my setup a tad different
One word: BACKUP??
This could also be a OS issue. What version of Mac OS are you running. More
info on your Mac system could help out here.
***
J D Thomas
ThomaStudios
> On Apr 9, 2016, at 10:39 AM, Michael Dutka wrote:
>
> Hi, folks.
I have to agree with Christopher on 11 x 17 tabloid. I do print a LOT of
orchestra scores here, and I also have the luxury of a coil binding machine,
and it has always worked out fabulously. So ask your questions when
researching a print shop and be sure they have everything they need on hand
I just did this for a client’s work template. Go back into the Define Staff
Style dialog and uncheck EVERYTHING you don’t want to see, including the
selection Show Rests in Empty Measures. It should only take a few seconds.
***
J D Thomas
ThomaStudios
> On Mar 24,
Lon is right. Being a keyboard player myself, I’ve always considered this Bb/C
chord symbol as a means to dictate a specific voicing, moreso than C7sus4 or
even C9sus4, which is what the added D infers. Variations of density can be
had by Gm7/C and Bbma7/C. All of these tend to render a
I feel your pain Chuck. I was an ardent QK user until a while ago when I
realized it was becoming completely deprecated, and it is basically dead. I
tried iKey for a short while and then I switched to Keyboard Maestro.
Incredible application; well documented and supported. Alas, you will
John,
>
> Does Keyboard Maestro do all that QuicKeys does? If so, I’m in.
>
> Thanks,
>
> Chuck
>
>
>> On Mar 27, 2016, at 1:24 PM, j...@thomastudios.com wrote:
>>
>> I feel your pain Chuck. I was an ardent QK user until a while ago when I
>> real
As a possbile workaround: how about applying a Staff Style where you set it
for force collapse. I do this all the time to hide staves in a score where the
measures contain cue notes, thus disallowing hiding since there are actual
entries in the measures.
***
J D
Excellent! Glad to help.
***
J D Thomas
ThomaStudios
> On Mar 5, 2016, at 2:16 PM, Barbara Touburg <btoub...@online.nl> wrote:
>
> On 5-3-2016 23:11, j...@thomastudios.com wrote:
>> As a possbile workaround: how about applying a Staf
sabled). The only thing I've been able to
> do is use the Export Page command.
>
> On Wed, Apr 20, 2016 at 11:36 AM, j...@thomastudios.com
> <j...@thomastudios.com>
> wrote:
>
>> I have done this many times in the past. And you’re right, trying to do
>> it in
I have done this many times in the past. And you’re right, trying to do it in
Finale is a complete waste of time and effort.
I used InDesign but any good writer should work. I exported examples from
Finale as a tif and then imported into the final doc. A while back you could
also export as
You said you wanted a mid-measure bass clef for one measure, right? Then
Finale restating the treble clef at the next measure is as designed. Am I
missing something? If you get rid of it, the next measure continues in bass
clef. Isn’t that what you wanted?
***
J D
Speedy menu, available with the Speed Entry tool active. Then Speedy Options.
***
J D Thomas
ThomaStudios
> On Jul 13, 2016, at 9:57 PM, Linda Worsley wrote:
>
> Fin mac 2012
> How do I turn of "automatically fill with rests" in an incomplete
There is an option in the Group dialog that allows you to have a bracket if
only one staff is showing. It’s unchecked by default I believe.
HTH
***
J D Thomas
ThomaStudios
> On Jul 18, 2016, at 11:34 AM, Barbara Touburg wrote:
>
> I try to make
Try Robert’s plugin Mass Copy to clear everything having to do with note
positions. I’ve done this many times and that’s my workflow.
***
J D Thomas
ThomaStudios
> On Jul 15, 2016, at 10:13 AM, Dr. Raphael D. Thöne
>
rument list", do you mean in the Score Manager?
>
> Sent from my iPhone
>
>> On Aug 4, 2016, at 2:44 PM, "j...@thomastudios.com" <j...@thomastudios.com>
>> wrote:
>>
>> Check in MIDI assignment in the instrument list.
fter I release my finger from the synth.
>
>
> On Aug 4, 2016, at 2:44 PM, j...@thomastudios.com wrote:
>
>> Check in MIDI assignment in the instrument list. Sounds as if you have a
>> percussion sound applied where you don’t want it.
>>
>>
Check in MIDI assignment in the instrument list. Sounds as if you have a
percussion sound applied where you don’t want it.
***
J D Thomas
ThomaStudios
> On Aug 4, 2016, at 11:34 AM, Martin Banner wrote:
>
> I created a brand new file in Finale
Raphael poses a good question as to exactly what notes you’re using.
But, if you absolutely need that chord symbol, you’re going to have to create
the chord suffix yourself. It’s not really a standard chord symbol and it
doesn’t exist in any Finale suffix library.
***
OK. I’ll get the ball rolling here. Just received my notification that the
last version of Finale is now available. I rarely jump on things right away,
preferring all the rest of you early-adopters to be extended beta testers!
For $149 uprgrade fee, this version, for me, has to be much
To be honest, for me, new features are at the bottom of my wishlist. I need
Finale to run FASTER, especially with larger files, and more of the existing
bugs quashed. Anyone know if a demo version is available to try?
Robert, I found your discussion about internals within Finale most
Never mind, found it.
***
J D Thomas
ThomaStudios
> On Aug 16, 2016, at 12:05 PM, j...@thomastudios.com wrote:
>
> Anyone know if a demo version is available to try?
___
Finale mailing list
Finale@shsu.
You don’t specify how you entered the two notes, different layers or different
voices. But there is a setting under Document Options > Music Spacing >
Unisons > None that just might fix this for you.
***
J D Thomas
ThomaStudios
> On Jan 29, 2017, at 10:38 AM,
I installed the demo version of Finale, since MM said it’s fully functional for
30 days.
I opened an opera file that has been causing distress lately. A big file,
7.5mb for Finale, nearly 1400 measures, orchestra and about 24 vocal
characters. Opening the file took a bit less time than
You could change the part size to 11x17, but something I do all the time with
my student music which is still 8 ½ x 11 since the younger ones tend to lose
one page. What I do is to change the paper size only to 11 x 17, landscape
orientation, and then print 2-up from the print dialog. You
Assuming nothing here, but did you select both staves? And are they grouped?
***
J D Thomas
ThomaStudios
> On Oct 5, 2016, at 11:43 AM, Howey, Henry wrote:
>
> One of Finale's most useful tools has been the power to transpose keys while
>
This is another one of those really tedious workflows in Finale. I get around
this by using a macro program called Keyboard Maestro. It basically solves the
issue and only takes moment to program. I’ve even taken this approach when
doing a specific editing routine for a client, even if it
Measure tool. Once selected, two small handles will appear at the top of the
barline, topmost visible system. Click on the lower handle and you can
selectively move notes horizontally. Just be careful with multi-staved systems.
Is this what you’re asking about?
***
You don’t say how you’re entering the notes, nor what OS you’re using, Mac or
PC. But, if you use Speedy Entry, place your cursor on the note and hit +
twice, you should get the double sharp. If you still get ‘garbage’, it sounds
like a font issue.
***
J D Thomas
M
>
> Sent from my iPhone
>
>> On 18 Oct 2016, at 15:54, "j...@thomastudios.com" <j...@thomastudios.com>
>> wrote:
>>
>> I get this all the time from one of my more anal retentive clients! So I
>> just create the first one, get it the way
Being that this is a completely redundant notational request, my thinking is
the best and fastest way around it would be to create an expression for the 2nd
time signature, using the default font so it matches.
***
J D Thomas
ThomaStudios
> On Oct 18, 2016, at 7:43
I get this all the time from one of my more anal retentive clients! So I just
create the first one, get it the way I want it to look, and then copy to all
other staves using Robert’s Mass Mover from Patterson plugins. It works great
and fast.
If you don’t own this plugin set, you should.
Sorry, I thought I’d read time signature, not key.
***
J D Thomas
ThomaStudios
> On Oct 18, 2016, at 7:43 AM, Barbara Touburg wrote:
>
> I'm copying a piece that has the outgoing key signature *before* the
> barline and the new key signature
Keyboard Maestro. It will do exactly what you want and much more.
***
J D Thomas
ThomaStudios
> On Nov 16, 2016, at 12:40 PM, Michael Dutka wrote:
>
> Hi folks. Running 2010 on a MacBook Pro whose hard drive just died and had
> to be replaced
Wow, I didn’t realize this until I saw your message. I tried it and you are
correct, a double barline does remove an auto word extension. I had to
recreate the extension line manually. And if the extension spans two systems,
and you manually created the extension, it will span the systems.
Sorry, KM is Mac only.
You could go the the site, keyboardmaestro.com and send an email to Peter to
see if he has any plans to port the app over to Windows.
I do run W10 on a virtual machine and I have yet to find a comparable macro
utility ala KM. Still looking tho.
Thanks Raphael. I’ll give a go and see.
***
J D Thomas
ThomaStudios
> On Oct 31, 2016, at 11:54 AM, Dr. Raphael D. Thöne
> wrote:
>
> Macro Express works for Windows. Very good software.
Thank you Chuck for giving me my largest laugh of the day!!
***
J D Thomas
ThomaStudios
> On Oct 15, 2016, at 10:53 AM, Chuck Israels wrote:
>
> but perhaps his Miriam Makeba imitation isn’t working either :)
I agree with David and Raymond, 3/2.
***
J D Thomas
ThomaStudios
> On Dec 7, 2016, at 11:09 AM, Lee Dengler wrote:
>
> I have a theory question for all you theory buffs out there. I am writing a
> piece that is mostly in a slow 4/4 meter
You don’t say which version of Finale, or which platform. But it sounds like a
Hide Empty Staves or Optimized staves situation. If you own TGTools you can
fix it with Staff List Manager.
I had a similar issue with staves not showing up in a file I’d been working on
for a long time. There
You could create a new 8va Smart Shape and change the continuation setting for
them. But then you would have to replace all of them manually. Not fun if
there’s many of them. I thought one could edit the default appearance to
these, but I just checked and couldn’t find a way in.
I would try
Lawrence’s idea is a good one. But you will have to adjust measure numbers
after the fact. Not a big deal tho.
Thanks Lawrence. I’ll have to file this one away for future reference.
***
J D Thomas
ThomaStudios
> On Mar 29, 2017, at 10:00 AM, Lawrence Yates
I’ve done this occasionally, and the only way I’ve been able to achieve it is
my creating a measure expression and placing it in the file. If it’s a score
with multiple staves, use an expression set for All Staves. It’s a bit of a
kludge, but it does work.
***
J D
Hi Barbara,
When I do this in 14.5, using Speedy Entry, in the too many beats dialog, if I
tell it to move the extra notes into the next measure, it does just that. It
only fills the rest of the measure when I exit the Speedy edit pane, not
before. I do have fill with rests checked. Are you
If you’re using a Text Expression instead of Text Box you can create a new
category and set the parameters for that category to show top only in the score
and all staves in the parts. This is done in the Text Expression dialog.
***
J D Thomas
ThomaStudios
> On Jun 8,
If you’re using a Text Expression instead of Text Box you can create a new
category and set the parameters for that category to show top only in the score
and all staves in the parts. This is done in the Text Expression dialog.
***
J D Thomas
ThomaStudios
> On Jun
This has been a known bug in Finale for years, and I have been bitching about
it at least that long. Somehow, meta tool settings or something gets munged
and no matter what expression you try to enter, you always get the same one.
For me, it’s the last expression I entered, whatever it was.
Check your keyboard shortcuts under System Preferences. Sounds like you have a
conflict going on.
***
J D Thomas
ThomaStudios
> On May 7, 2017, at 10:37 AM, Steve Gruver wrote:
>
> I'm running Finale 25 on a MacBook Pro. I've setup Finale to
TGTools does what you’re looking for.
***
J D Thomas
ThomaStudios
> On Oct 16, 2017, at 12:45 AM, Claudio Pompili
> wrote:
>
> Mac Finale 25
>
> I want to align horizontally some Expressions that I’ve created in Technique
> Text
Yes it is Barbara.
Use the Selection tool and highlight the measure with the multi-rest you want
to move. Right-click and choose Mulitmeasure Rests > Edit. In the ensuing
dialog you can adjust the vertical positioning of the number.
***
J D Thomas
ThomaStudios
>
Additionally, you could change the settings for the dynamics already in the
file without having to delete the old ones and reassign new ones. But it’s
tedious; you have to edit each dynamic individually for its positioning and set
it where you prefer. You may also have to tweak the position
My preference for that instrumentation would be: Soprano, clarinet, violin, &
cello. Orchestra order be damned!
***
J D Thomas
ThomaStudios
> On Jun 11, 2018, at 12:17 PM, Michael Meyer wrote:
>
> Hoping for the (not-necessarily-Finale) knowledge of the list!
>
>
Forgot bass clarinet, I’d put it under the clarinet.
***
J D Thomas
ThomaStudios
> On Jun 11, 2018, at 12:28 PM, Michael Edwards wrote:
>
> [Michael Meyer:]
>
>> A student of mine wrote their end-of-year composition project for my Music
>> Theory class for soprano
jef,
Are the AI files truly AI or tiff? I don’t think I can be much help on your
F2010 front, but I have AI and I would be willing to try to convert the files
to something you might be able to use, like tiff or ?
PM me if that seems workable for you.
***
J D Thomas
You can’t get the multimeasure rests in the parts because you used real rests.
Finale is doing what it’s supposed to do.
If I understand your question, you want two different multimeasure rests,
correct? If so, you can edit individual MMR in the part and change it to
another shape you
Can’t remember if Staff Styles do this in F2008, but you might look to see if
you can apply a SS to the part only. The newer versions do allow this.
HTH.
***
J D Thomas
ThomaStudios
> On Dec 29, 2017, at 11:03 AM, dc wrote:
>
> Is it possible to
for hard rests too.
>
> On Fri, Dec 29, 2017 at 5:03 PM, j...@thomastudios.com <j...@thomastudios.com>
> wrote:
>
>> I did not know that Robert. Thanks for the headzup. Learn something new
>> every day!
>>
>> ***
>> J D
I did not know that Robert. Thanks for the headzup. Learn something new every
day!
***
J D Thomas
ThomaStudios
> On Dec 29, 2017, at 2:42 PM, Robert Patterson
> wrote:
>
> You can apply a staff style of "Blank Notation With Rests" to
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