Re: [Finale] Contrabass playback

2005-01-26 Thread Michael Simpson
From: John Howell [EMAIL PROTECTED] Subject: Re: [Finale] Contrabass playback To: finale@shsu.edu Message-ID: [EMAIL PROTECTED] Content-Type: text/plain; charset=us-ascii ; format=flowed At 8:58 PM +0100 1/25/05, Daniel Wolf wrote: John Howell wrote: At 10:20 PM -0800 1/24/05, Chuck Israels

[Finale] Re: Violin Sonata Orchestration (Ronald Krentzman)

2004-11-06 Thread Michael Simpson
Message: 2 Date: Fri, 05 Nov 2004 13:59:23 -0500 From: Ronald Krentzman [EMAIL PROTECTED] Subject: Re: [Finale] Violin Sonata Orchestration To: [EMAIL PROTECTED] Message-ID: [EMAIL PROTECTED] Content-Type: text/plain; format=flowed; delsp=yes; charset=iso-8859-15 You might want to check

[Finale] Re: Trombone clef in early music

2004-05-15 Thread Michael Simpson
Query: What about modern music? If I write a trombone part in alto clef, will it be tacitly understood that it is an alto trombone part? ___ Finale mailing list [EMAIL PROTECTED] http://lists.shsu.edu/mailman/listinfo/finale

[Finale] Re: Clefs

2004-05-15 Thread Michael Simpson
This raises a totally tangential issue -- why aren't more clefs taught in music lessons at an earlier point? Why is it only those who seem destined for collegiate music study who ever are taught about clefs? Question for you, David -- you play trombone, right? Most woodwinds only need to know