On 26 May 2011 at 15:40, John Howell wrote:
> I rather suspect that the use of a slash through the
> stem was probably not yet standardized for grace notes in von Webers's
> time, but I don't know for sure. And I wonder whether that slash was
> original, or was added by a later engraver.
Just to
At 9:50 AM -0700 5/26/11, Ryan wrote:
Hi List,
A little unsure about the proper interpretation of this grace note in a Carl
Maria von Weber tune.
Clicking the link will download a 32KB jpg: files.me.com/ryanwbeard/dsc94z
The link doesn't seem to be a valid link. Oops! I lied. It didn't
wor
Coming before the two note figure it should certainly be a short grace note
(see Leopold Mozart's "Violinschule" or Daniel Gottlob Türk's "Klavierschule").
In this situation, two sixteenths followed by an eighth would be an unusual
rhythm: if Weber had wanted it to sound that way, he would have
Hi List,
A little unsure about the proper interpretation of this grace note in a Carl
Maria von Weber tune.
Clicking the link will download a 32KB jpg: files.me.com/ryanwbeard/dsc94z
Should the grace note come before the beat? Or should it come on the beat,
making the resulting rhythm 2 sixteenth
