At times it would help the layout process if 3 and 3 were used (stem
directions would shift), and since I am using slurs it seems to me
that 3
and 3 with a slur would, interpretively, be the same as 6 beamed
together,
so if I can help myself using 3 and 3 it's acceptable.
Agree or
On Jun 23, 2004, at 6:38 AM, Allen Fisher wrote:
This is how my primary client works. He expects me to take his very bad
chicken scratch scores and turn them into something others can read
easily.
He doesn't care how it is done. He trusts me to make descisions on
layout
and beaming.
Yep, that
Mark D Lew wrote:
On Jun 23, 2004, at 6:38 AM, Allen Fisher wrote:
This is how my primary client works. He expects me to take his very bad
chicken scratch scores and turn them into something others can read
easily.
He doesn't care how it is done. He trusts me to make descisions on layout
and
I am engraving some piano works where also I've been given quite a bit of
latitude as regards editing-type decisions. In some situations of
arpeggiated LH passages the composer sometimes has, for example, used 6
notes beamed togather (12/8 meter) or other times 3 and 3. There's no
material
On Jun 22, 2004, at 2:53 PM, Richard Huggins wrote:
I am engraving some piano works where also I've been given quite a bit
of
latitude as regards editing-type decisions. In some situations of
arpeggiated LH passages the composer sometimes has, for example, used 6
notes beamed togather (12/8
