Because I am unclear about just what was received by FIS members
and what was not, I am copying my response to Salthe and my response
to Pedro below. Kindly excuse the repeat performance if it is one--
it won't happen again!

Cheers,
Maxine

Response to Pedro:

With respect to nonhuman animal dances, in The Descent of Man and Selection in Relation to Sex, Darwin describes the "Love-Antics and Dances" of male birds, and later, more generally, describes male "love-dances"—-all in the
context of male-male competition, or what Darwin describes in upward of
460 pages,starting with mollusks and crustaceans and beetles and working his
way through fish, amphibians, reptiles, birds (four chapters), mammals
(two chapters), then finally and specifically human mammals (two chapters),
as “the law of battle.”
Jane Goodall describes a movement sequence that is part of a male
chimpanzee's kinetic repertoire, a sequence that a male performs in conjunction with his "sexual signalling behavior" or "courtship display." “The bipedal swagger,” as she identifies the behavior or display, is typically an upright male sequence
of movements and occurs only rarely in females.
Primatologist C. R. Rogers amplifies Goodall’s description of a male’s bipedal swagger in describing what he identifies as a male chimpanzee’s “short dance.” Female choice in relation to male-male competition is described by Darwin, particularly in relation to birds, but also in suggestive ways with respect to mammals. More recently, the topic of female choice was taken up by William Eberhard. His hypothesis: “sexual selection by female choice, proposes that male genitalia function as ‘internal
courtship’ devices” (Eberhard 1985).
Simply as an event of possible evolutionary interest and one that is both innovative and
provocative, I attach a write up of “A Human Enclosure at Edinburgh Zoo”

Cultural differences exist not only in dance but in everyday life—-for example, in everyday interpersonal spatial relationships. Cultural distinctions in these relationships are commonly made in terms of whether one is in front of or behind another, whether one is above or below another; whether one is small or large in relation to another, and so on. Anthropologist Raymond Firth, who studied Tikopia culture, wrote of the postural and gestural practices of Tikopians and then compared
their practices to those of his own experience in British culture.
In the process of doing so, Firth made interesting observations with respect to the different practices. In The Roots of Power: Animate Form and Gendered Bodies, I discussed Firth’s research and the research of others and gave an evolutionary genealogy
of diverse intercorporeal relationships.

As for Tango: I do not know what the “informational implications” of Tango might be, but I might well ask Adriana Pegorer who teaches Tango-Argentino-style, a style that she says is different from ballroom Tango that requires swift head turning. She has taught Tango to visually impaired people for years and has also combined Tango with Contact Improvisation, an internationally practiced form of dance that commonly involves non-dancers as well as dancers. (Her work is mentioned in an extended endnote on cultural differences in an article titled “On Movement and Mirror Neurons: A Challenging and Choice Conversation” that was published in Phenomenology and the Cognitive Sciences.)

And thanks for your reminder regarding food, where it goes, and what it does, all of which recalled Richard Wrangham and Rachel Carmody’s thesis in Catching Fire.

Cheers,
Maxine

Response to Salthe:

Theories are based on first-person observations. Observations are first-person real-life, real-time experiences and are duly recorded in support of theory. Descent with modification was a theory that Darwin put forth on the basis of his observations that had to do with morphology, but not only with morphology. See, for example, his last book on worms and the intelligence of worms; see also his third book devoted to emotions. I am unaware of Darwin’s denying a concern with origins and would appreciate knowing more about his denial by way of a reference. I know that what he did not deny was “[t]hat many and grave objections may be advanced against the theory of descent with modification through natural selection” (Origin of Species, p. 435). Clearly, “descent with modification” has to do not just with morphology but with history. History has to do with timelines, and in this instance with origins and extinctions. I would add that because “descent with modification” involves a history and not just a morphological comparison as in your human hand and chicken foot example, the phrase is actually pertinent to the current discussion in evolutionary biology as to how single-celled organisms gave rise to multi-celled organisms. If, as is currently suggested, the way a protein wiggles can result in a mutation so that its function in turn changes, then “modifications” can determine origins, in this instance, the origin of multi-celled over single-celled organisms. Again, I don’t know where Darwin discredited his “origin” of species and I would greatly appreciate knowing where, but his use of the term in biology doesn’t necessarily mean a big bang moment. Descent with modification means, as you say, a “change of existing forms,” and such changes via natural selection equal in the passage of time the origin of new species. As to your question of how a phenomenologist could view movement in relation to living forms that do not move, I would answer first that there is a new science focused on plant neurobiology in which not just plant growth but plant movement is recognized. I would also add with respect to your mentioning that “Plants move slowly by growth” that I would definitely align Aristotle’s thinking with phenomenology, namely, his recognition of three primary kinetic modes: change, movement, and growth, and his highly relevant estimation of Nature: ““Nature is a principle of motion and change. . . . We must therefore see that we understand what motion is; for if it were unknown, nature too would be unknown.” (It might be of interest to note that in a letter to William Ogle, who had translated Aristotle’s Parts of Animals and sent Darwin a copy, Darwin wrote, “Linnaeus and Cuvier have been my two gods, though in very different ways, but they were mere school-boys to old Aristotle.”) Finally, it is relevant to point out that responsivity is a well-recognized biological characteristic of life forms. Even plants respond, and not some not just to light, but to plants in their immediate surrounds. Husserl’s identification and description of the perceptual-cognitional disposition of animate organisms in terms of “receptivity” and “turning toward” is complementary to the biological character of responsivity.
Maxine
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