i will be at new e-mail addy from now till january;
sent body part to; [EMAIL PROTECTED]
thanks;
terrence
"narvis & ...pez" wrote:
> >I support pedro ...pez' efforts and I urge you to reschedule this
> >promptly.
>
> hi all
> thanks pkharris & congratulations
Greetings in Flux :-)
I am JigsaWoman - a writer, songwriter and multimedia artist living in San
Diego.
I am here to celebrate, explore, learn, question and participate.
My particular interests are collage, mail art, performance art and
installations.
I thank you for creating and maintaining this
well, I spent the weekend looking for whales (I don't think I've ever seen
one... saw some small distant fins(?) breaking the water off Pacifica...),
along the California coast... I set-up my new 'birding' scope with
photo-adapter (4000mmm) and probably took many pictures of distant grey
fog... p
You know,I recently saw a photo of you, Eric, from the time period to which
you often refer. Actually you were quite fetching. To those women in the
street, I mean.
Badger (goddamnit I'm serious about everything!) Girl
--
>From: Eric Andersen <[EMAIL PROTECTED]>
>To: [EMAIL PROTECTED]
In the '60s Fluxus was really hated by everybody. The art world, the music
scene, the woman in the street, the cab driver. We were all considered lunatics.
If you really wanted to complicate your cultural and otherwise political life,
you just had to tell people that you were one of them who had p
High, dear Don!
>(...) information on Beuys. Eric may not approve of him.
>Other "Old timer" Fluxus artists may not approve of Beuys,
>but I like him.
>
Reading the Fluxlist I never found any disapprovement of Beuys
either from Eric Andersen neither from 'Other "Old timer" Fluxus artists'.
>He
Whether or not SF, it's here.
http://grungefonts.8m.com/font6.htm
Recommendation: if you do not want font files to go walkabout, remove their
serifs.
Petal
alan bowman wrote:
> Dear ,
>
> It would appear that the offer of a certain font made by our Publishing
> divis
> Fluxus was probably the most political incorrect you could be in the '60s.
In which sense ?
I remember seeing some John Lennon docu, well Yoko Ono etc, asking myself
how such a stupid person could make such great music.
Maybe the slogans would be differenmt today, hopefully.
H.
--- alan bowman <[EMAIL PROTECTED]> wrote:
>
> Can any one help us to save face here?
"...save face..." (heeeheee...)
__
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narvis & ...pez wrote:
> what about the recents fluxlist box, & the fluxstamp project
> (& roger steven's cageanian poetrybook) these are not
> a "fluxumm aesthetic sharing" or do we don't move in an strategy
> to go on a new "flux the way" of process art?
I don't know. I haven't seen any of the
It is not so strange. Maciunas was a wonderful person and a very energetic
organizer. In the early '60s he lived like a monk and his whole world was
centered around festivals and publishing. The differences between us was very
clear and nobody tried to hide them. Maciunas urged us to sign a manife
Dear ,
It would appear that the offer of a certain font made by our Publishing
division cannot in fact be met.
It would also appear that although we do have the font, we cannot copy it,
and the original zip file has gone walkabout...
Can any one help us to save face her
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