I heartily second Reed's use and attention with copy art--(i call
it xollage as i do xeroxed collage as main part of my xeroxed
works)
of course there is always the play (LUDENS) aspect of "the work"
that is
from vocation to vacation
and
Estimados:
myself i have found is often very good and useful
and direct as
one so well says here--
to go with "lower artistic impulses"
i.e. what myself and alex
cook are interested in and have thought to think of as "wreckcreation"
> Who is Thomas Bernhard, if you don't mind me asking?
Austrian writer. "Half a sentence of Thomas Bernhard", Goetz once wrote..
A lot of his play were performed by Bernhard Minetti, rather unique...
And the subject reminds to Sigmar Polke.
Actually, I have nothing against artists and the art world
per se my activity just falls along a different line- the sort of
post-punk DIY "say you're an artist and you are" school
validated by Joseph Beuys' ideas and much Fluxus as
formulated by Maciunas. My chosen field of work
xerigraphy (or co
Josh Ronsen wrote:
> Reed Altemus wrote:
>
> >Please elaborate on what you mean by a "higher artistic impulse". You mean like an
>aesthetic innovation or just doing what is called "right work".
>
> I don't know if I can describe exactly what I am talking about. Everytime I try to
>define it,
Reed Altemus wrote:
>Please elaborate on what you mean by a "higher artistic impulse". You mean like an
>aesthetic innovation or just doing what is called "right work".
I don't know if I can describe exactly what I am talking about. Everytime I try to
define it, I come up with a contradictory
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