Re: FLUXLIST: why is your self image an offensively shrill purple

2006-04-13 Thread Cecil Touchon
Sheila Murphy wrote: why is the omicron no longer a daft blue? harken to heralded confit in a mint blue dorsal fin redact what you refine repair what you recoup condone what you confess compare what you unleash to what you ooze is anybody whistling? give me a deserved A for my conscience and I

RE: FLUXLIST: Why Revich?

2005-04-21 Thread John M. Bennett
M, love that puspal matsohbrie! John At 10:21 AM 4/20/2005 -0400, you wrote: Why Revich? 1) For the puspal in your shirt dunk 2) For the gintab in your muck bread 3) For the airdonut in your corp throttle 4) For the booming in your knott shurt 5) For the Matzohbrie in your clip

RE: FLUXLIST: Why Revich?

2005-04-20 Thread Allan Revich
Why Revich? 1) For the puspal in your shirt dunk 2) For the gintab in your muck bread 3) For the airdonut in your corp throttle 4) For the booming in your knott shurt 5) For the Matzohbrie in your clip ladder 6) For the fun-for in your plop simper 7) For the remort-guage in

Re: FLUXLIST: why sumo is better than karate

2001-07-14 Thread Patricia
V. Good!!! This happens here daily. Countess Rrose Calico is the sumo, Count Vladimir de mews Russian Blue the karate kid. Will he never learn? (although he has taken to sneak attacks from the rear and side, he is the smaller of the two, bless him) Rod Stasick wrote:

Re: FLUXLIST: Why George Maciunas opposed the Avant-Garde Festivals

2000-03-27 Thread Reed Altemus
Thanks for clearing this up Ken. RA Ken Friedman wrote: Reed Altemus writes, "I'm thinking perhaps Maciunas had little reason to see Charlotte's Festivals as competitive with his Fluxus program, in which case I conclude that he was just generally threatened by women who were doing things

Re: FLUXLIST: Why?

2000-03-25 Thread Heiko Recktenwald
art books and "find" artists whose work interests me. Flux dada etc. was never taught me. All to fill in the big gaps. Fluxus and Dada was to new for serious discussion in school. But it was no problem, to study the things directly. Max Ernst was born some miles from here, in Bruehl. And there

Re: FLUXLIST: Why?

2000-03-25 Thread Heiko Recktenwald
Population explosion -- the sudden flood of "new entrants" into a cultural field is major explanation of why cultural fields change, according to sociologists of art like Pierre Bourdieu (who's work I greatly admire). And why is french art today so boring ? The pill ??? No, I dont believe

Re: FLUXLIST: Why?

2000-03-25 Thread Heiko Recktenwald
How would you call the time between the cage class and this armystyle artmovement with general, officers and soldiers, with Al Hanson dissenting, "Prefluxus" ? any meaningful sense as thatcranky old fart, George Maciunas. Thanks a lot ;-)

Re: FLUXLIST: Why?

2000-03-25 Thread George Free
Heiko writes: Population explosion -- the sudden flood of "new entrants" into a cultural field is major explanation of why cultural fields change, according to sociologists of art like Pierre Bourdieu (who's work I greatly admire). And why is french art today so boring ? The pill ???

Re: FLUXLIST: Why?

2000-03-25 Thread Ann Klefstad
Different in the US. It was hard to find out about here, at least in the midwest. AK -- From: Heiko Recktenwald [EMAIL PROTECTED] To: [EMAIL PROTECTED] Subject: Re: FLUXLIST: Why? Date: Saturday, March 25, 2000 12:31 AM art books and "find" artists whose work interest

Re: FLUXLIST: Why?

2000-03-25 Thread George Free
Heiko writes: The "baby boom" is to simple as an explanation for what was going on in the 60s, my first idea when I read this. I agree. Its not a matter simply of a quantitative population increase, but of the effect that this increase has on the existing social structure (see below).

Re: FLUXLIST: Why?

2000-03-24 Thread Roger Stevens
Patricia writes "Re your friend's friend's bitter opposition to your Fluxus type performance - perhaps he felt threatened in his friendship, or perhaps he just plain doesn't get it (fluxus)... " I always think that Fluxus is like a joke in that you "get it" or you don't.

Re: FLUXLIST: Why?

2000-03-24 Thread Heiko Recktenwald
I always think that Fluxus is like a joke in that you "get it" or you don't. Maybe fluxus can too easily become a lie (sp ?).

Re: FLUXLIST: Why?

2000-03-24 Thread Heiko Recktenwald
any meaningful sense as that cranky old fart, George Maciunas. Thanks a lot ;-)

Re: FLUXLIST: Why?

2000-03-24 Thread Terrence J Kosick
Terrence writes; On of my most memorable art school classes/teachers at the U of British Columbia was Roy Kyookas's 3 yr. class on studio art communication. It was a 6 unit class. We were to meet once a week. Everyone showed up the first day except Roy. That was it. We later were told by the

Re: FLUXLIST: Why?

2000-03-24 Thread Reed Altemus
The result, of course, was a rich explosion of art and art activity; one of the very best and liveliest art periods ever to come along, the consequences of which are still playing themselves out thirty years later. The artists of the sixties and seventies managed to completely change the

Re: FLUXLIST: Why?

2000-03-23 Thread Sol Nte
Don wrote: I have many stories to tell how my art has influenced my status as an art professor throughout my career. The negative effects far outweigh any positive effects my work may have had. Most administrators are poorly educated in the arts, at least the ones I have been unfortunate to work

RE: FLUXLIST: Why?

2000-03-23 Thread Porges, Timothy
-Original Message- From: Sol Nte [SMTP:[EMAIL PROTECTED]] Sent: Thursday, March 23, 2000 10:53 AM To: [EMAIL PROTECTED] Subject: Re: FLUXLIST: Why? The connection, nearly always drawn but almost never thought through, between fluxus and dada, is a topic as old

Re: FLUXLIST: Why?

2000-03-23 Thread Reed Altemus
Right. "Porges, Timothy" wrote: -Original Message- From: Sol Nte [SMTP:[EMAIL PROTECTED]] Sent: Thursday, March 23, 2000 10:53 AM To: [EMAIL PROTECTED] Subject: Re: FLUXLIST: Why? The connection, nearly always drawn but almost never thought throug