FLUXLIST: THE SAME PERFORMANCE IN A WEB PAGE FORMAT
http://www.crispinwebb.com/FULL/index.htm crispin webb www.crispinwebb.com www.crispinwebb.com www.crispinwebb.com www.crispinwebb.com www.crispinwebb.com Do you Yahoo!? Yahoo! Tax Center - File online by April 15th
FLUXLIST: A PERFORMANCE FROM THE BASEMENT OF CRISPIN WEBB
http://www.crispinwebb.com/pics.pdf This is a low quality pdf file just view the file at 100 percent and it will look fine crispin www.crispinwebb.com www.crispinwebb.com www.crispinwebb.com www.crispinwebb.com www.crispinwebb.com Do you Yahoo!? Yahoo! Tax Center - File online by April 15th
FLUXLIST: Fwd: U N R E A D A B I L I T Y
Date: Wed, 14 Apr 2004 10:57:46 -0400 From: John Lowther [EMAIL PROTECTED] Subject: U N R E A D A B I L I T Y To: JOHN BENNETT [EMAIL PROTECTED] X-Mailer: Apple Mail (2.543) Original-recipient: rfc822;[EMAIL PROTECTED] U N R E A D A B I L I T Y The Atlanta Poets Group (taalntaopestgropu), Eyedrum Art Music Gallery (ydrmb), The Nameless (eyedrum's new imprint) and Perforations (_ _ _ _ _ _ _ _ _ _ _s) bring you UNREADABILITY, a Call for Work (yurdleayydhyihu)... U R N E D A B A L I I Y T * Many Calls for Unreadable (poemy call) what's the first thing that came to mind? Hegel to Danielle Steel, Robert Frost to Khlebnikov. how would you do both find/make/provoke poetry *and* _ Unread.(rhymes with 'deed') A doing against the grain with eyes and words. Read the unread? Unread the read? is this negating? deforming? transformative? political (as our desires are marketed to and resolutely slip away)? something-something-something i can't read? the hole in every whole? where the ink ran. what *was* the first thing that came to mind? readability but unreadability, inside out. rust patterns resolve to letters. ever sent. this candle is inadequate. unreadability is unanswered here, this is just the call after all just the call, you send the work calling back, unreadably. N U E R A D A I B L I T Y * This is a show / gathering / performance / publication on several levels -- here are the parts of the hole U N R A E D A L I B I T Y * May 19th, a Wednesday - 8pm - $3 __Language Harm__ is a odd-months-only event at eyedrum, hosted by the a.p.g. The theme will be UNREADABILITY. looking for poetry works that could be projected during the event (a 2nd night could be added - 20th - for more poetry films or animations if enough come in). R U N E A D A I L B I T Y * Unnamed Unreadable Poetry Show - a week or more in May overlapping the above. ...this will be a very transient exhibit. there is going to be a large art show going on in eyedrum's space and other large rooms in the building. i propose to post an exhibit of unreadable poetry in one of the side hallways. these will all be standard sized page printouts of attachments -- nothing will be returned to you -- (but it will be documented on the Perforations site with screen sized versions of all the pieces submitted submitter's names and links bios and such) Y U N R E A D A B I I L T * Perforations issue - ...interested in waxing unreadable on unreadability? here is the best place for this. U R N E A B A D L I T I Y * Limited Edition publication from THE NAMELESS ...the plan is to do a small edition box -- perhaps 50 copies of it -- with a CD of material from the show -- a different selection of pages in each box -- a unique cut piece of a large work of unreadable art/poetry (to be made during performance / projection night, May 19) -- other unmentionable unreadables -- each box with unique mixture of works U R N E D A A B I L T I Y * HOW TO SEND AND WHAT TO SEND, WHERE WHEN There will be not only the PERFORATIONS release, but also an event called UNREADABLE at eyedrum art and music gallery. Co-editors for both events will be Robert Cheatham, [EMAIL PROTECTED], and John Lowther, [EMAIL PROTECTED] Any media is acceptable for either perforations or the eyedrum event. However, the perforations material must be web-ready, in any of the standard web formats (Flash, PDF, streaming audio, standard HTML, etc.) Queries considering web materials as well as submissions may be sent to Robert Cheatham, [EMAIL PROTECTED] Materials for live presentation at eyedrum can be VHS, DVD, paper, audio, etc. Queries and submissions concerning the live presentation at eyedrum may be sent to John Lowther, [EMAIL PROTECTED] When to send is soon! By May 1st at the absolute latest if make contact now and let us know something is coming please. perforations is an aspect of Public Domain, Inc., a non-profit organization located in Atlanta, Georgia. http://www.pd.org Eyedrum Art and Music Gallery is a non-profit organization also located in Atlanta. For more information and mailing address for materials, go to http://www.eyedrum.org. U N R E A D A B I L I T Y * P E R F O R A T I O N S www.pd.org/topos/perforations.html * E Y E D R U M www.eyedrum.org * A T L A N T A P O E T S G R O U P www.atlantapoetsgroup.net __ Dr. John M. Bennett Curator, Avant Writing Collection Rare Books Manuscripts Library The Ohio State University Libraries 1858 Neil Av Mall Columbus, OH 43210 USA (614) 292-3029 [EMAIL PROTECTED] www.johnmbennett.net ___
FLUXLIST: nope
nope nope, the guest poise one accident, lithe, a glans a spinal collision, cypress, to throw the retraction saucer, bereave, the deck fleck the breeze, saucy, the protraction to flow unless collusion, a final plan as blithe occident, one noise gusts the pope John M. Bennett Jim Leftwich __ Dr. John M. Bennett Curator, Avant Writing Collection Rare Books Manuscripts Library The Ohio State University Libraries 1858 Neil Av Mall Columbus, OH 43210 USA (614) 292-3029 [EMAIL PROTECTED] www.johnmbennett.net ___
FLUXLIST: breccia
breccia genus, broke at once genus, planar, revisionary threw planar, office they started breccia, naval amputee, the revisionary, derived pleasure from then chain surprise derived threw, surprise would simplify office broke at their breccia, chain got very pleasure would get the naval, then the redhaired dark hood redhaired very amputee, the dark hood simplify from started once John M. Bennett Jim Leftwich __ Dr. John M. Bennett Curator, Avant Writing Collection Rare Books Manuscripts Library The Ohio State University Libraries 1858 Neil Av Mall Columbus, OH 43210 USA (614) 292-3029 [EMAIL PROTECTED] www.johnmbennett.net ___
FLUXLIST: PMULC
PMULC even spilling you inrained elos a ekil gnihsug bungee flapping spread yr lung hgiht ry ni gniknis hsac FOCUSED SUCOL rash blinking thing yr dry ynnuf gnippan daed ry gnud flushing like a mole deniated wenk gnillib naelc SUMP John M. Bennett __ Dr. John M. Bennett Curator, Avant Writing Collection Rare Books Manuscripts Library The Ohio State University Libraries 1858 Neil Av Mall Columbus, OH 43210 USA (614) 292-3029 [EMAIL PROTECTED] www.johnmbennett.net ___
FLUXLIST: Stove
Stove stains sugar loop tumbled hat sore you couch push the dung lamp the bub bled noose shaking out a head yr boiler nubs !cash stun lag heap bush tryst cabled to yr ham sock was that ah table heaving !rub my crash sent the !ash sentient sheep oh beetles quivering on the stove John M. Bennett __ Dr. John M. Bennett Curator, Avant Writing Collection Rare Books Manuscripts Library The Ohio State University Libraries 1858 Neil Av Mall Columbus, OH 43210 USA (614) 292-3029 [EMAIL PROTECTED] www.johnmbennett.net ___
FLUXLIST: Each flame
Each flame each lug nut each throat wheel each ton bleat teach snore lube teach brat sump teach feel sore reach lap throat reach dank shorts reach log mist screech tug blang screech mere fool screech phone drip leech dung frame leech wrought napkin leech rump flute beach mount taunt beach mung lean beach smote bunch peach rung slack peach bore knife peach back head quiche wrong clap quiche drunk towel quiche bang list rang cloud nope rang bunch clamor rang mud flame John M. Bennett __ Dr. John M. Bennett Curator, Avant Writing Collection Rare Books Manuscripts Library The Ohio State University Libraries 1858 Neil Av Mall Columbus, OH 43210 USA (614) 292-3029 [EMAIL PROTECTED] www.johnmbennett.net ___
Re: FLUXLIST: If KINKaid is BAD .. then what is Monika?
Title: If KINKaid is BAD .. then what is Monika? 12 - Original Message - From: Ray Noman To: FLUXLIST ; malE ; Bron Fionnachd-Fein Sent: Wednesday, April 14, 2004 8:49 PM Subject: FLUXLIST: If KINKaid is BAD .. then what is Monika? If KINKaid is BAD .. http://www.kinkadecentral.com/Then what is Monika? ... http://www.wfu.edu/users/graybp0/trash/backgrounds/monika.jpgA score between 1 10 please1 = Very Boring5 = Who Cares10 = Very Bad12 = Large Breasts Ray _from way out on the edgeeMail: [EMAIL PROTECTED] (when the servers up)
FLUXLIST: whatdidyoudotoday?
http://phmonfouga.online.fr/whatdidyoudotoday/ -http://www.monfouga.net/
RE: FLUXLIST: whatdidyoudotoday?
Merci bien Philippe! j'ai envoye une p'tite poste- c'est beau de lire les nouvelles des autres-- a demain, david-baptiste From: "Philippe Monfouga" [EMAIL PROTECTED] Reply-To: [EMAIL PROTECTED] To: [EMAIL PROTECTED] Subject: FLUXLIST: whatdidyoudotoday? Date: Thu, 15 Apr 2004 16:35:31 +0200 http://phmonfouga.online.fr/whatdidyoudotoday/ - http://www.monfouga.net/ Check out MSN PC Safety & Security to help ensure your PC is protected and safe.
FLUXLIST: What I did today - I went in circles
I viewed an email on Fluxlist from David-Baptiste Chirot responding to a Fluxlist email from Philippe Monfouga who had found David-Baptiste Chirot's entry on the What did you do today website at http://phmonfouga.online.fr/whatdidyoudotoday/
Re: FLUXLIST: wet nothings
"rien de rien . . . non . . . je ne regrette rien . . " --edith piaf From: [EMAIL PROTECTED] Reply-To: [EMAIL PROTECTED] To: [EMAIL PROTECTED] Subject: Re: FLUXLIST: wet nothings Date: Wed, 14 Apr 2004 15:44:23 EDT rien spirit engulfs folds in on itself flicker of love rien silk ribbon ties that spirit entwines a flicker feathered spirit dance by Madawg Painter of Dark curator of empty tuna cans University of Cannery Row Monterey California Persistent heartburn? Check out Digestive Health & Wellness for information and advice.
Re: FLUXLIST: wet nothings
In a message dated 4/14/04 7:18:13 PM, [EMAIL PROTECTED] writes: ien spirit engulfs folds in on itself flicker of love rien silk ribbon in tides inspired entwines a flicker feathered spirit dance very nice ! Madawg
Re: FLUXLIST: If KINKaid is BAD .. then what is Monika?
Monika has obviously been doing Atkins
RE: FLUXLIST: Your message to kory.dillman@siricomm.com #225494815#
From: [EMAIL PROTECTED] Reply-To: [EMAIL PROTECTED] To: [EMAIL PROTECTED] Subject: FLUXLIST: Your message to [EMAIL PROTECTED] #225494815# Date: Mon, 12 Apr 2004 12:37:12 -0700 If you don't want to read all this: JUST CLICK "REPLY" AND THEN "SEND" Your email with subject Re: FLUXLIST: Thomas Kinkade? Not the most famous. John Berger?Not the first. has been blocked because your email address "[EMAIL PROTECTED]" is not recognized as a regular correspondent. The email system has saved a copy of your message and will deliver it to me once you are registered as a correspondent.To be automatically registered, simply reply to this message, leaving the subject line intact. I'm sorry for the inconvenience, but I'm sure you appreciate the need to do something about SPAM Limited-time offer: Fast, reliable MSN 9 Dial-up Internet access FREE for 2 months!
FLUXLIST: for the poets and those with nowt better to do
..that's not saying that the poets have nowt better to do like though but i have tried (once or twice) over the past few yaers to unravel these lyrics by Renalso and the Loaf - surely one of the UK's finest exports! Hambu Hodo He fat o san di o su He on show way fro omela Ze an he ar o moto --Hambu n hambu hodo In te ho ue o dul mids Ark an he rav mi end 'said Ze an he ar o moto --Hambu n hambu hodo Don ad ot n pris a loon Srage ews fro an o he sar ze an he ar o moto --Hambu n hambu hodo I get the hamburger and hotdog reference and the house of dull minds bit - but what's the system?? 'tis a goodly 16 years or so that i have been troubled..(actually it's more, but that's another story) bes shes o al o he lux ist a an
Re: FLUXLIST: Slought Foundation
Thank you Candace, I'm always interested in asemic texts. This is something to follow up. Steve. Steve Armstrong Publisher Wegway P. O. Box 157 Station A Toronto, Ontario Canada M5W 1B2 416 712 2716 http://www.wegway.com - Original Message - From: LeClaire, Candace [EMAIL PROTECTED] To: [EMAIL PROTECTED] Sent: Tuesday, April 13, 2004 1:35 PM Subject: FLUXLIST: Slought Foundation Hello Everyone, I just wanted to share this with you. If anyone will be in the Philadelphia area in the next few weeks, these events/projects might be worth seeing... Candace. -- From: Slought Announcements Reply To: Slought Announcements Sent: Tuesday, April 13, 2004 1:20 PM To: [EMAIL PROTECTED] Subject: Opening This Saturday at Slought Foundation Slought Foundation is located at 4017 Walnut Street, Philadelphia. We are open to the public, except during installation, Wednesday through Saturday, from 11:00am to 6:00pm. Exhibitions and events, unless noted otherwise, are free to the public. For more information, call Aaron Levy at 215.222.9050 or visit us on the web at http://slought.org/calendar/ Public Override Void Software and installation by Jim Carpenter. Curated by Aaron Levy and Jean-Michel Rabaté. For more information: http://slought.org/content/11207/ Opens Saturday, April 17, 2004; 6:30-8:00pm | Free Reception and Public Conversation: Thursday, April 29, 2004; 6:30-8:00pm | Free Slought Foundation presents Public override void, a vault installation featuring Jim Carpenter's Electronic Text Composition (ETC) project, on display from April 17-May 20, 2004. The opening reception on Thursday April 29, 2004 from 6:30-8:30pm has been organized in conjunction with a live presentation by Carpenter and a public conversation between Bob Perelman, Nick Montfort, and Jean-Michel Rabaté (50 min). The installation includes self-service poetry stations and wall panels of code, and takes its name (Public override void) from an actual string of code embedded in the software program. Information on the public conversation is available: http://slought.org/content/11199/ The Electronic Text Composition Project's Poetry Engine is a suite of software components that allow a user to generate aesthetic texts. Drawing word associations from its language database, the Engine's grammar uses a probability-based approach to constructing syntactic constituents, which it aggregates into utterances, which it in turn aggregates into compositions. The project postulates that the construction of its texts does not actually occur within the software-these constructions, absent authorial intent and divorced from any underlying message, assume their status as poems only as they are read. The process of textual construction is firmly situated within the reader, not the software. Over the last year a dozen poems composed with the Poetry Engine's aid and submitted under the pen name Erica T. Carter have been accepted for publication in a number of little magazines and literary journals. As evidence of the project's success (or perhaps indicative of its failure), one editor accepted a poem with the comment, I found your works intriguing, but have to admit I couldn't wrest the meaning from them. Framing (Haacke's Condensation Cube) For more information: http://slought.org/content/11208/ Opens Saturday, April 17, 2004; 6:30-8:00pm | Free Slought Foundation presents Framing (Haacke's Condensation Cube), a vault installation organized by Aaron Levy featuring Hans Haacke's Condensation Cube of 1963-65, on display from April 17-May 20, 2004. This installation inaugurates a new series at Slought Foundation showcasing notable conceptual practices that invite a reconsideration of the effect framing has on critical interpretations. An essay on Haacke written in the 1980s by curator and critic Edward Fry (d. 1992) is also available: http://slought.org/content/21085/ In his early work, artist Hans Haacke was concerned with systems and processes. His Condensation Cube of 1963-65 [Clear acrylic, water, light, air currents, temperature, climate in exhibition situation; 30 x 30 x 30 cm; Collection of Edward Fry and Sandra Ericson] demonstrates the dependency of a relatively closed system on the environment in which it is situated: changes in temperature lead to the evaporation of water and its condensation on sidewalls of the cube. Haacke's condensation cube is a pedagogical tool still pertinent to understanding conceptual art and contemporary life. Questions to consider include: how does one frame or contextualize a work such as the condensation cube? What are its contents? To what degree is the cube a screen on which we can project our interpretations? Can this box be understood as a storage device, and if so, what is it storing? Slought Foundation Online: * Slought Foundation | Slought.org * visiting information directions * online audio archives * donate
Re: FLUXLIST: Your message to kory.dillman@siricomm.com #225494815#
Title: Re: FLUXLIST: Your message to [EMAIL PROTECTED] #225494815# On 16/4/04 4:19 AM, David-Baptiste Chirot [EMAIL PROTECTED] wrote: From: [EMAIL PROTECTED] Reply-To: [EMAIL PROTECTED] To: [EMAIL PROTECTED] Subject: FLUXLIST: Your message to [EMAIL PROTECTED] #225494815# Date: Mon, 12 Apr 2004 12:37:12 -0700 If you don't want to read all this: JUST CLICK REPLY AND THEN SEND Your email with subject Re: FLUXLIST: Thomas Kinkade? Not the most famous. John Berger?Not the first. has been blocked because your email address [EMAIL PROTECTED] is not recognized as a regular correspondent. The email system has saved a copy of your message and will deliver it to me once you are registered as a correspondent. To be automatically registered, simply reply to this message, leaving the subject line intact. I'm sorry for the inconvenience, but I'm sure you appreciate the need to do something about SPAM Limited-time offer: Fast, reliable MSN 9 Dial-up Internet access FREE for 2 months! http://g.msn.com/8HMAENUS/2734??PS=
Re: FLUXLIST: for the poets and those with nowt better to do
In a message dated 4/15/04 11:51:45 AM, [EMAIL PROTECTED] writes: He fat o san di o su He on show way fro omela Ze an he ar o moto --Hambu n hambu hodo In te ho ue o dul mids Ark an he rav mi end 'said Ze an he ar o moto --Hambu n hambu hodo Don ad ot n pris a loon Srage ews fro an o he sar ze an he ar o moto --Hambu n hambu hodo He likes your sandy butt He's on the way from Ella's He and Ella are an item Hamburger hoedown In the house are dull minds Ark and he like your butt He and Ark are an item too Oh! Hambuger hoedown! Don went crazy in prison Drank some strange brew He and Don like each other too! Hamburger hoedown!! translation by Madawg
