RE: FLUXLIST: Tribute to Jackson MacLow
Fluxlist, I believe the spoken agency in the light. The critical text of the lamp scraps compiled a floater in the reflection. What remains arises from the stanza inside the carnage brought to contemplation. Oh head hid in the night. Allan Revich
Re: FLUXLIST: collage cassettes/wd like to mail them
My whole life has been one collage piece - only now it has moved to discs and drives. --- Now playing: Jah Lloyd - Knife And Fork "In Western formal choral tradition, there's an aim for a blend so you cannot distinguish where the parts are coming from. With congregational singing, I could drive up to the church and they could be singing and I could tell you who was there, because the individual timbres of a voice never disappear. That congregational style is one of the things I think is important for democracy - the individual does not have to disappear, and it does not operate as an anticollective expression." -- Berice Johnson Reagon, singer/scholar
Re: FLUXLIST: Tribute to Jackson MacLow
hello--sometimes I cannot resist--take no offense--i love it--just playing 2 Poems for Jackson MacLowthe pilot light wish listlight as light in subfreezing ripstop ... after all this new night that's all unanimously green light ... on shortfall can leave in extremely higher surprise ... is something bright in aging earthtimes seized a carousel radio ... which ended wilth feature midnight candle's window, soft over aging peace ... in the laser deceleration slightly showing his modest bell ringer, a name he danced ... activly, closed for future composite to the pilot light wish list ...light was stable that the quietest sentence left during the rumbling voice ... directly the (garden) of the square sphere huddled together a chorus of intelligence ... fireworks on a smooth, tough gazette spirt behind our stone wall ... will save technologies at the top of a doorway, and you'll have some match-making ...nudges almost changing on the daily distance in the real ... festive drift to staring at the dark propelling after adorned with special meaning ...represents a spotlight filled from a touch from results that rarely ... put us in the top and we'll probably start there next year ... will save this one for later.Get the light stanza"I Believe the Spoken Agency in the light. The critical text of the lamp scraps compiled a floater in the Reflection. What remains arises from the stanza Inside the carnage brought to Contemplation O head hid in the night." "reality surviveS Needles As quick and found knotted and I couldn't ask for distance on a city being first." "A lot of play In the narrator asks the bird for "anti-immigrant" Home sing-a-long Yet only the world unanswered with the power to guess good light under two minutes smartly to write."It looks stopped in the final VOYAGE of that Muddle enticed the end of the stanza.
Re: Re: FLUXLIST: a fluxus experience
> > fluxy poetry book. The title :Wattahia . The first few pages go like this: 2) 3) 6) the sinking enizagam 7) > >On de shurrs from Geetchy Goony, Stoot aGuest his shirt a weegwom > >Flake his Frontage mashered on the dil (and run) > > Spot his fireplaze lenses rewolf > > > > On de muggidge Blank his tweezers > > Yank his gusher femily a weegwom > > Huff his solder on "no cheeldren" > > Gape his plow and Stoot a warning: "Hedults honly" > > > > I'll spare you the rest--unless of course you want me to go on the book > > was printed in 1298 > > > > > > Try the new Beta version of MSN Messenger - it's FREE!
FLUXLIST: Fw: [~ oNoVoX ~] fluxus yoko germany =="Schalten Sie Ihren Fernseher ab. 40 Jahre FLUXUS
don't read german myself--anyone can tell me?
don't readger
man myself
- Original Message -
From: "rjoly" <[EMAIL PROTECTED]>
To: "oNoVoX" <[EMAIL PROTECTED]>
Sent: Friday, February 18, 2005 2:15 PM
Subject: [~ oNoVoX ~] fluxus yoko germany =="Schalten Sie Ihren Fernseher
ab. 40 Jahre FLUXUS
fyi:
http://www.germangalleries.com/NBK/
Neuer Berliner Kunstverein
Chausseestrasse 128 / 129
10115 Berlin
Tel. 030 - 280 70 20; 280 70 19, Fax 030 - 280 70 19
Di + Fr 12 - 18 Uhr, Sa + So 12 - 16 Uhr
[EMAIL PROTECTED]
www.nbk.org
vorausgegangene Ausstellung / previous exhibition
Mittwoch, den 16. Februar 2005, 19 Uhr
"Schalten Sie Ihren Fernseher ab. 40 Jahre FLUXUS
Präsentation des Films von und mit Hartmut Jahn.
Der Film:
Eine Japanerin schwebt als Heiliger Geist durch ein Kirchenschiff. Ihr
Kleid besteht aus Tausenden von Papierwürfeln. Ein New Yorker hat die DNA
seiner Freunde aufgekauft. Er kombiniert ihre positiven Eigenschaften: die
der Freundin mit der doppelten Niere mit dem besten Lover. FLUXUS wollte
Anti-Kunst sein und wurde zu Kunst. Es wollte gegen das Ego sein und ist
geprägt vom Ego. Fluxus ist ein sehr erfolgreicher Fehlschlag, der Kunst
und Leben zusammenbringt. Ein Film über eine internationale
Künstlergeneration, die noch im hohen Alter mit Witz und Klarheit Stellung
bezieht.
Mit Ben Vautier, Nizza; Alison Knowles, Geoffrey Hendricks, Larry Miller,
New York; Takako Saito, Düsseldorf; Eric Andersen, Kopenhagen; Emmett
Williams, Berlin and Willem de Ridder, Amsterdam.
Das Projekt:
Der Film ist der erste Schritt des Projekts zu einer datenbankbasierten
medialen Kunstgeschichte.
Aus den Gesprächen mit den Künstlern von 50 Stunden Länge können ca. 500
audio-visuelle Sequenzen (O-Ton von Künstlern und Archivfilm) nach
Stichworten frei kombiniert werden, um Kunstgeschichte in einer lebendigen
Form zu erfahren. Weitere Künstler und Sammler sind hier beteiligt und z.T.
noch zu drehen: u.a. Daniel Spoerri, Nam June Paik, Yoko Ono, A-Yo,
M.Shiomi, Endre Tot, Michael Berger, La Monte Young, Jon Hendricks,
Vitautis Landsbergis, Francesco Conz, René Block.
Biografie / Filmografie
HARTMUT JAHN
Studium der Bildenden Kunst in Hannover und Berlin
Seit 1978 Arbeit mit Video, Film und Installation.
Mitbegründung des Künstlerateliers "Confu-Baja-Video" in Berlin 1982-94.
seit 1998 Professur für Filmgestaltung in Mainz
Als Regisseur beschäftigte er sich nach Fernsehspielen für das ZDF
("TransitTräume", "Alex") zunehmend mit neuen elektronischen Formen und
TV-Formaten ("Bleibende Werte", "Akt: Inge"). Co-Autor und Produzent des
Kino-Dokumentarfilms "Starbuck - Holger Meins" Beteiligung u.a. an den
Ausstellungen "Deutschlandbilder", "Sonambiente", "Gegenwelten II" und dem
"Marler Video Kunst Preis"
Seine Arbeiten sind international ausgezeichnet u.a. mit dem Deutschen
Videokunst-Preis des ZKM Karlsruhe, mit dem Bundesfilmpreis und mit dem
Golden Gate Award, San Francisco.
Filmografie (Auswahl):
Schalten Sie Ihren Fenrseher ab! 40 / 75 Min. 2004
Starbuck, Dokumentarfilm, 90 Min 2001
Konzert in Muh, Video, 9 Min. 1997
Bleibende Werte, Video, 58 Min. 1996
Akt: Inge - für Franz , Video, 6 Min. 1994
Weltmeister, Spielfilm (Produzent), 80 Min. 1993
Der Erdnussmann, Spielfilm (Produzent), 80 Min. 1992
Wheel of Fortune, Video, 12 Min. 1992
Deutsch-Deutsche Fragmente, Video, 20 Min. 1987
Berliner Blau, Kurzfilm, 15 Min. 1986
Transit-Träume, Spielfilm, 95 Min. 1985
Schwerter zu Pflugscharen, Dokumentarfilm, 30 Min. 1983
Über Holger Meins, Video, 110 Min 1982
If you don't tell the politicians what you want, they won't know, you have
to shout your message loud so they know.
-- Yoko's OXFORD U. TALK - 2002--
---SUMMER PRIZE DRAW
A Holiday, Flat Panel TV, Flowers, champagne and more...
Win ANY of these great prizes!!
http://ads.domeus.com/re?l=nyi0dI1bxgnuI0
In association with Dell, Interflora, Jetsave, Alders & SWIG
To unsubscribe from this group please click here:
http://uk.domeus.com/public/unsubscribe.jsp?gid=328269&uid=25254117&sig=LDLMGLDHBAFIFBNH
The use of domeus is subject to eCircle AG's terms and conditions:
http://www.domeus.co.uk/info/terms.jsp
FLUXLIST: How To Stream
HOW TO STREAM 1) Pinch your loaf and usher 2) Nag your lago in the closet 3) Dump your spine in the trunk 4) Age your folder in the faucet 5) Ham your hanger in the tampon 6) Cringe your index in the compost 7) Jump your slag and whistle John M. Bennett __ Dr. John M. Bennett Curator, Avant Writing Collection Rare Books & Manuscripts Library The Ohio State University Libraries 1858 Neil Av Mall Columbus, OH 43210 USA (614) 292-3029 [EMAIL PROTECTED] www.johnmbennett.net ___
Re: FLUXLIST: Tribute to Jackson MacLow
2 Poems for Jackson MacLow the pilot light wish list light as light in subfreezing ripstop ... light after all this new night that's all unanimously green light ... light on shortfall can leave in extremely higher surprise ... light is something bright in aging earthtimes seized a carousel radio ... light which ended will feature midnight candle's window, soft over aging peace ... light in the laser deceleration slightly showing his modest bell ringer, a name he danced ... light activity closed for future composite to the pilot light wish list ... light was stable that the quietest sentence left during the rumbling voice ... light directly the (garden) of the square sphere huddled together a chorus of intelligence ... light (fireworks) on a smooth, tough gazette spirt behind our stone wall ... light will save technologies at the top of a doorway, and you'll have some match-making ... light nudges light almost changing on the daily distance in the real ... light shares festive drift to staring at the dark propelling after adorned with special meaning ... light represents a spotlight filled from a touch from results that rarely ... light years put us in the top and we'll probably start there next year ... Get the light stanza "I Believe the Spoken Agency in the light. The critical text of the lamp scraps compiled a floater in the Reflection. What remains arises from the stanza Inside the carnage brought to Contemplation O head hid in the night." "reality surviveS Needles As quick and found knotted and I couldn't ask for distance on a city being first." "A lot of play In the narrator asks the bird for "anti-immigrant" Home sing-a-long Yet only the world unanswered with the power to guess good light under two minutes smartly to write." It looks stopped in the final VOYAGE of that Muddle enticed the end of the stanza.
Re: FLUXLIST: Tribute to Jackson MacLow
On Feb 18 2005, at 08:42, Fluxlist Admin Centre wrote: Tribute to Jackson MacLow on 5 March at 1 p.m. (free) at The Poetry Project, St. Mark's Church in-the-Bowery,131 East 10th Street @ Second Ave, New York City|212-674-0910 Thanks for this info. I'm just now finishing up a new electronic work in memory of Jackson Mac Low. Sound source is entirely made up of answering machine messages. At the end of the month it goes to Austria for hearing. rod --- Now playing: Curtis Amy - The Blues Message "I profoundly believe that there is on this horizon, as yet only dimly perceived, a new dawn of conscience. In that purer light, people will come to see themselves in each other, which is to say they will make themselves known to one another by their similarities rather than by their differences. Man's knowledge of things will begin to be matched by man's knowledge of self. The significance of a smaller world will be measured not in terms of military advantage, but in terms of advantage for the human community. It will be the triumph of the heartbeat over the drumbeat." ~ Adlai Stevenson
FLUXLIST: MAHAN GALLERY
http://mahangallery.com/index.asp http://mahangallery.com/index.asp just thought i would send this gallery link out to you all they are accepting proposals and slides = PLEASE CHECK OUT MY NEW WEBSITE http://www.crispinwebb.com __ Do you Yahoo!? Read only the mail you want - Yahoo! Mail SpamGuard. http://promotions.yahoo.com/new_mail
FLUXLIST: stewart home
speaking of stewart home, I didn't see this come thru, apologies if I've duplicated Begin forwarded message: From [EMAIL PROTECTED] Fri Feb 18 07:55:40 2005 [Inofficial pre-release of the paper. Viewable in its full pornographic glory, with images at http://userpage.fu-berlin.de/~cantsin/homepage/writings/pornography/ london-2005/pornographic-coding.pdf http://userpage.fu-berlin.de/~cantsin/homepage/writings/pornography/ london-2005/pornographic-coding.html - However, this URL is temporary only and will move in the next few days, so please don't pass it around.] Pornographic Coding Florian Cramer and Stewart Home Crash conference paper, Feb. 11, 2005 Program code is like pornography. It has linear logic, but no meaning. There is an accumulation of things already known. The focus is always on the same explicit facts. Repetition and boredom rule. (Adapted from a Neoist slogan) Art is sanctioned pornography. (Neoist slogan) 1 We demand a shamanic pornography Capitalist ``progress'' destroys the imagination through a frenzy of the visible. What we see we no longer need to imagine. A a famous zero from the popsicle academy was once moved to write that every time a man had an erection it was a triumph of the imagination. Power to the imagination, and to sex - for they are one and the same thing. Pornographers of the world close your eyes. You have nothing to lose but your bodily fluids! It is time to decondition ourselves by going beyond the known world. The shamans of old ingested psychedelic mushrooms, and today we are further armed with a battery of chemically synthesised drugs including ecstasy and LSD. These psychedelics are psychic elevators that can power us through the seven levels of human consciousness. The first four levels of consciousness can be reached in ordinary everyday life. Level Five requires either chemical assistance or long hours of arduous interaction with your computer, and when you hit this level sexual activity is vastly enhanced. Once you go above Level Five consciousness you don't necessarily need coitus. Indeed, at Level Six you are telepathic and sexually combined with your fellow hackers, and this integration is even greater at Level Seven (aka total fucking zero and one pornography). Drugs and code are the ancient and modern tools with which we can investigate our own minds while turning our bodies into one vast erogenous zone. Our message to purveyours of representational porn is HANDS OFF (OUR) EJACULATIONS (both male and female). WE WANT TO CUM IN ALL THE COLOURS OF ALL THE FLAGS OF ALL THE CONSULATES. As an initiated shaman Jean Cocteau was able to come through the sheer power of his imagination, he could do this without using his hands to manipulate his genitals. Let's keep our hands free to imput date on our computer terminals and use the convulsive power of codes to bring us to orgasm. 2 Pornography as popular computing The effectiveness of art is generally hard to judge. Pornography as one of the arts creates ecstatic perception, triggering arousal only through symbolic codes. Cybersex is by no means new, porn is its oldest device. Computation and programming have likewise been known in pornography for centuries. In the 120 Days of Sodom, Sade imagines a ceaseless execution of coded game rules. There is no single point of originality, but only combinations computed out of a set of sex partners and their organs. Porn as speculative programming has been long neglected. Along the lines of .walk by socialfiction.org, we demand psychogeographical computers built from pornographic imagination and shamanic sex acts. Carl van Bolen, author of The History of Eroticism (1966) and Eduard Fuchs, author of The History of Erotic Art, coin a programming language of Greek-Latin terms for those combinations. But only with modern day commercial pornography do those exhaustive computations became real. A mainstream porn video shop like Erotic Video Service in Berlin with its 24,000 tapes and DVDs for rent [http://www.evs-video.de] could be called a pornographic Library of Babel, based on a brute force algorithm of sheer masses of data. The poets of the French Oulipo group, the ``workshop of potential literature,'' which from the 1960s onwards explored algorithmics and formal restraints in writing, announced a chapter for pornography, Oupornpo, but this seems to have remained a dirty old man's joke. Contemporary writer Simon Strong makes up for it in his forthcoming novel 66mindfuck99 for which he created ``a list of criteria defining legal and extra-legal sex acts,'' arranging them with help of a spreadsheet to what he calls ``an optimal set of erotic episodes.'' Does the potential of pornography exhaust itself in the simple mechanics of sexual combinations? Surely not, although we want to show that it is too easy to sweepingly denounce this approach. Through its minimal variations in endless repetition, it is clear that pornography has become purely parodic, in
Re: Re: FLUXLIST: a fluxus experience
Yes, indeed, I realize it's a parody of Hiawatha (which, as you plainly understand, borders on parody all by itself). But it seems to have been "improved" by someone writing very much in the style of Don Marquis, writing as Archy the cockroach (Ah, little scatter-footed scarab!). BG > > From: "David-Baptiste Chirot" <[EMAIL PROTECTED]> > Date: 2005/02/18 Fri AM 08:32:24 EST > To: FLUXLIST@scribble.com > Subject: Re: Re: FLUXLIST: a fluxus experience > > It's in part a parody of Longfellow's famous poem "Hiawatha"--and the romatnic ideas of the wilderness, freedom. (let alone Indians) etc--now settled by suburbs--up for sale >From: badgergirl <[EMAIL PROTECTED]> >Reply-To: FLUXLIST@scribble.com >To: >Subject: Re: Re: FLUXLIST: a fluxus experience >Date: Thu, 17 Feb 2005 15:24:00 -0500 > >That sounds remarkably like Don Marquis (of Archy and Mehitable fame). Who is the author of this poetic gem? > > > > From: [EMAIL PROTECTED] > > Date: 2005/02/16 Wed PM 05:54:45 EST > > To: FLUXLIST@scribble.com > > Subject: Re: FLUXLIST: a fluxus experience > > > > there is (sadly) a wonderful used book store closing its doors and everything > > drastically reduced. I was perusing the shelves and found this incredibly > > fluxy poetry book. The title :Hiawatta . The first few pages go like this: On de > > shurrs from Geetchy Goony, > >Stoot a tipee witt a weegwom > >Frontage feefty fitt it mashered > > Hopen fireplaze---izzy payments > > > > On de muggidge izzy payments > > For one femily a weegwom > > In de liss a cluzz"no cheeldren" > > Stoot a warning "Hedults honly" > > > > I'll spare you the rest--unless of course you want me to go on the book > > was printed in 1928 > > > > > > Try the new Beta version of MSN Messenger - it's FREE!
FLUXLIST: How To Towel
HOW TO TOWEL 1) Guest his shirt and run 2) Flake his linguine on the dil 3) Spot his lenses on the rewolf 4) Blank his tweezers on the kcos 5) Yank his gusher on the gniknalc 6) Huff his solder on the enizagam 7) Gape his plow and sinking John M. Bennett __ Dr. John M. Bennett Curator, Avant Writing Collection Rare Books & Manuscripts Library The Ohio State University Libraries 1858 Neil Av Mall Columbus, OH 43210 USA (614) 292-3029 [EMAIL PROTECTED] www.johnmbennett.net ___
FLUXLIST: Tribute to Jackson MacLow
Tribute to Jackson MacLow on 5 March at 1 p.m. (free) at The Poetry Project, St. Mark's Church in-the-Bowery,131 East 10th Street @ Second Ave, New York City|212-674-0910 Judith A. Hoffberg Umbrella P.O. Box 3640 Santa Monica, CA 90408 To s*ubscribe to umbrella info: [EMAIL PROTECTED] http://colophon.com/journal http://colophon.com/ediblebooks/books2eat2003.html (310)399-1146, fax: 399-5070 Let a smile be your umbrella!
FLUXLIST: fluxart
Dear All, We have been contacted by Paul Robertson a dealer interested in Fluxus and a whole host of other areas, and we promised that we would post his details to the list with the invitation to sign up for his mailing list. We've explained that we do not advertise on Fluxlist, but after checking out his site and the amount of stuff he has available we have posted details to Fluxlist. We would like to do so every so often if no one has any strong objections as some of then pieces available are really quite interesting. Paul travels a lot 'hoovering up' as he puts it, harder to find pieces and also things which may have been overlooked in the past. Details are below (on the 1st page of the site - click on the photo to enter) Dad Paul Robertson HEART FINE ART LTD 1 Royal Mile Mansions 50 North Bridge Edinburgh EH1 1QN Scotland, United Kingdom Tel +44 131 225 8217 Fax: +44 131 226 3358 http://www.heartfineart.com
FLUXLIST: Fw: GRAVE STONES IN DEED - a part two of a new list from Heart Fine Art ltd
AS DESIGNED FOR BERNSTEIN'S BAR IN PARIS
Debord, Guy and Michele Bernstein
ROBERT BELGHANEM VIENT DE TEMPS A AUTRE A LA METHODE.
Paris: La Method, n.d. (1958)
12.8 X 8.5 mm black on yellow paper. Debord designed leaflet for an acoustic
concert at the Bar. "Consommation à partir de 300 frs." Fine
100 uk pounds
Debord, Guy and Michele Bernstein
LE SOIR APRES DIX HEURES SI VOUS NE RELISEZ PAS SCHOPENHAUER VOUS ETES
FORCEMENT A "LA METHODE" 2 rue Descarte.
Paris: La Method, n.d. (1958)
11.2 X 5.5 cm. black on red leaflet (text only) black on yellow paper.
Debord designed leaflet with a reproduced image of Florence "the
intellectual's guitarist". The flavour of Debord's humour is there in the
title. Again fine.
100 uk pounds
Debord, Guy and Michele Bernstein
FURAX C'EST BIEN FLORENCIE C'EST MIEUX. LA METHODE 2, rue Descarte.
45 X 28cm black/yellow poster as designed by Debord for the bar with a photo
of Florencie ("the intellectual's guitarist") who was a frequent performer
at the bar during its short existence. Rare. Fine.
175 uk pounds
WITH THE RARE GREEN BANDEAU
Debord, Guy
LA SOCIETE DU SPECTACLE
Paris: Buchet/ Chastel, 1967
20.5 x 14cm, 176pp plus card covers. First edition of this, the most
important post-marxist theoretical work. Perhaps like many political
theories, there is an insufficient rigour in the supplied concepts and
definitions to allow worthwhile scientific testing but the re-stating of
capitalism's hegemony as being mediated and upheld through psychological
mechanisms is important. Very good condition although an unprinted endpaper
is missing. This copy has joint with it the very rare green publisher's
wrapper (which while missing the edge of the inner flap is hardly ever
present). Rare especially with the wrapper.
1,750 uk pounds
Debord, Guy
LA SOCIETE DU SPECTACLE
Paris: Buchet/ Chastel, 1969
20.5 x 14cm, 176pp plus card covers. The second edition of this key
publication printed only two years later in 1969. Some marking to covers on
rear when a price sticker has been removed and slight browning to pages but
over all very good. Photograph on rear wrapper of Debord. Rare.
500 uk pounds
(De Chirico, Georges)
Vitrac, Roger
GEORGES DE CHIRICO. Les Peintres Francais Nouveaux Nr 29
Paris: Gallimard, 1927
15.5 x 12.5cm, 64pp plus original wrappers. The first monograph on the
surrealist painter in French. Frontispiece portrait of the artist by G.
Aubert and 48 b/w full page reproductions after works by the artist and 3
other works displayed within the essay text. An unnumbered copy after 230
copies on pur fil. Very good.
65 uk pounds
VARIOUS NEWSLETTERS FROM THE DEMARCO GALLERY
UMBRELLA. MAY 1972
Edinburgh: Demarco Gallery, 1972
11 x 21.7cm. B/w offset which opens to 4pp, 43.5 x 44cm. The gallery's
journal with many announcements and articles on art - here John Selqay's
sculptural pieces and an early Liz Lochead poem as well as a larger review
of the theatre performance of Faust by the Polski Theatre of Warsaw and
tales of Hoffman and Oedipus by two UK troupes. Also an article on Scottish
TVs new tv arts show (they were awful then and haven't improved at all
today). A mailed copy.
ADDED:
PARASOL. October 1973
Edinburgh: Demarco Gallery, 1973
19 x 9.5cm, which opens to a 4pp sheets of 38 x 38cm. First ever issue of
this magazine under this title issued by the gallery with texts relating to
Beuys' famous twelve hour lecture at Melville College and a double page
spread of almost 300 images of participants at the Edinburgh Arts 1973
event. Images of Kantor's Cricot Theatre and Beuys are also reproduced. An
important issue. Fine.
ADDED:
PARASOL TWO. November 1972
Edinburgh: Demarco Gallery, 1973
19 x 9.5cm, which opens to two 2pp sheets of 38 x 38cm. Second issue of this
magazine issued by the gallery to promote its activities. Sculptural works
by Roy Johnson and Bill Gillin are reproduced and there is a large article
on map making.
ADDED:
PARASOL THREE. December 1972
Edinburgh: Demarco Gallery, 1973
19 x 9.5cm, which opens to a single 2pp sheet of 38 x 38cm. Third issue of
Demarco's magazine. Short articles on Ainslie Yule, Derek Hyatt and John
Busby and Poll Donison as well as Joseph Beuys and Isla St Clair (!).
ADDED:
PARASOL February 1973
Edinburgh: Demarco Gallery, 1973
30 x 21cm, 8pp. B/w offset. Special edition of the magazine which has very
many small reproduced photographs - all taken by Demarco of various art
events and a lengthy text of his travels in France, Yugoslavia and Austria.
Slightly browned and previously folded for shipping but otherwise very good.
ADDED:
PARASOL November 1973
Edinburgh: Demarco Gallery, 1973
12 x 23cm. B/w offset which opens to 2pp, 36 x 46cm. Announcements for shows
by 4 Venetian artists including Paolo Patelli, Romano Perusini, Franco
Costalonga and, importantly, Anselmo Anselmi with 11 mostly sculptural works
reproduced in b/w and an cover image of the artists in a gondola on the
Grand Canal. A mailed copy.
ADDED:
PARASOL January 1974
Edinburgh: Dema
Re: Re: FLUXLIST: a fluxus experience
It's in part a parody of Longfellow's famous poem "Hiawatha"--and the romatnic ideas of the wilderness, freedom. (let alone Indians) etc--now settled by suburbs--up for sale >From: badgergirl <[EMAIL PROTECTED]> >Reply-To: FLUXLIST@scribble.com >To: >Subject: Re: Re: FLUXLIST: a fluxus experience >Date: Thu, 17 Feb 2005 15:24:00 -0500 > >That sounds remarkably like Don Marquis (of Archy and Mehitable fame). Who is the author of this poetic gem? > > > > From: [EMAIL PROTECTED] > > Date: 2005/02/16 Wed PM 05:54:45 EST > > To: FLUXLIST@scribble.com > > Subject: Re: FLUXLIST: a fluxus experience > > > > there is (sadly) a wonderful used book store closing its doors and everything > > drastically reduced. I was perusing the shelves and found this incredibly > > fluxy poetry book. The title :Hiawatta . The first few pages go like this: On de > > shurrs from Geetchy Goony, > >Stoot a tipee witt a weegwom > >Frontage feefty fitt it mashered > > Hopen fireplaze---izzy payments > > > > On de muggidge izzy payments > > For one femily a weegwom > > In de liss a cluzz"no cheeldren" > > Stoot a warning "Hedults honly" > > > > I'll spare you the rest--unless of course you want me to go on the book > > was printed in 1928 > > > > > > Try the new Beta version of MSN Messenger - it's FREE!
FLUXLIST: Fw: GRAVE STONES IN DEED - a part one of a new list from Heart Fine Art ltd
- Original Message - From: "Paul Robertson" <[EMAIL PROTECTED]> To: <[EMAIL PROTECTED]> Sent: Thursday, February 17, 2005 2:43 PM Subject: GRAVE STONES IN DEED - a part one of a new list from Heart Fine Art ltd "I don't have the education Walter. What are you talking about?" - Arthur Miller Not sleeping with Norma-Jean: Albrecht d., Alexandre, Anger, Apollinaire, Armelder, Bal, Baldessari, Belgium Surrealism, Bellmer, Ben, Berner, Bernstein, Block, Boltanski, Breton, Broodthaers, Bunuel, Bustamante, Byars, Castro, Chopin, Cavellini, Cohn-Bendit, Constant, Chopin, Coum Transmissions, Dali, Debord, De Chirico, Demarco , Duchamp, Export, Finlay, Fluxshoe. Gengenbach, Gibbs, Ginsberg, Gutai Group, Gysin, Hamilton, Heidsieck, Hesse, Higgins, Iannone, Johnson, Kippenberger, Klein, Kosuth, Kupferberg, Lettrism, Long, Mac Low, Magritte, Majakovsky, May, 1968 , Mayor, Mesens, Mayer, Merz, Messager, Monk, Morgan, Morris, Ono, OU, Paolozzi, pettibon, Roth, Salle, Serbian Surrealism, Studio Brescia, Torok, Twombly, Unik, Visual Poetry, Volta, Vuco, Williams,. Albrecht d. (Dieter) KALENDER 1990 FUR ROBIN CROZIER. UNIQUE BOOKWORK 1990 30.5 x 21.5cm, 13 pages (including cover). A resolutely home-made calendar which is based on collated xeroxed pages with hand additions and rubber stampings and handwritten notes as well as incorporating various artist postcards (by Crozier). The title is hand written in red and gold felt pen and, the all, hand-stapled to a card backing and spine. Condition is, well, homemade. Albrecht d. was a close friend and collaborator with Beuys and an active mail artist. 125 uk pounds WITH A LARGE AUTOGRAPH FROM KENNETH ANGER (Anger, Kenneth) Reekie, Paul ZAP - YOU'RE PREGNANT Edinburgh: Rebel Inc Publications, 1993 21 x 4.5cm, 20pp plus pictorial card covers. First edition of this collection of poems from the Press which was so closely associated with Trainspotting and Irving Welsh and the rise of Scottish radical youth writing. Here the poems are full of the usual youth-angst but on the rear endpapers there is a large autograph from Kenneth Anger: "For Paul / Magickal Greetings / Kenneth Anger". Very good although there are a few handwritten notes on the inside blank rear cover referring to a public performance by Kathy Acker possibly in the author's hand. 95 uk pounds Apollinaire, Guillaume LE PONT MIRABEAU n.p. (London): n.p. (Institute of Contemporary Art, London), n.d. (1968). Standard 45rpm, 7 inch record with a period recording of Apollinaire reading his poem about the bridge in Paris (originally recorded around 1911 at the Studio-Laboratoire des Archives de la Parole). The second side of the record is blank as issued. Very good. 50 uk pounds Baldessari, John THROWING A BALL ONCE TO GET THREE MELODIES AND FIFTEEN CHORDS Irvine, CA: The Art Gallery of the University of California, Irvine, 1973. 20.5 x 22cm, 32pp (printed recto only) plus card covers. Artist's book displaying overprinted photographs by Baldessari who is throwing a ball. By superimposing coloured musical staves on the various poses the artist hence creates three melodies and fifteen chords - as promised. One of 2,500 copies. Very good. 75 uk pounds (Belgium Surrealism) DOCUMENTS 34. INTERVENTION SURREALISTE. Nouvelle série. Nr. 1, juin 1934. Directeur : Jean Stéphane. Bruxelles: Intervention Surrealiste, 1934. 24 x 15cm, 104pp plus wrappers. Special number of this revue which considered surrealism in its two tendencies (crudely, Paris vs. Belgium). There are texts by Eluard, Magritte, Breton, Dali, Péret, Crevel, Tzara, Scutenaire and reproductions of works by Tanguy, Brauner, Duchamp, Ernst, Magritte, Man Ray, Nouge amongst others. The Magritte work is L'echelle de feu. There was no du tete issue and was only issued, as here, on papier couché blanc. Scarce. 375 uk pounds Bellmer, Hans DIE PUPPE Berlin: Gerhardt Verlag, 1962 17 x 20.8 cm, 190pp plus original pictorial wrappers (with the tipped on puppe vignette) and original pvc cover. The last of the published versions of Bellmer's classic surrealist book which displays the erotic possibilities of his modified dolls - this version was comprised of the contents of Die Puppe; Die Spiele der Puppe and Die Anatomie des Bildes. One of 2,000 numbered copies, this is still a desirable and much sought after publication. Very minor condition problems - the PVC cover has a little missing spot at the headband, a few of the middle edges show a small watermark but otherwise the book is still a very good copy. Scarce. 450 uk pounds ONE OF THIRTY SIGNED COPIES (Ben) LE POINT D'IRONIE nr. 6 Riede, Germany: Le Point d'Ironie, 1980 35 x 29cm printed plastic bag content of many artist's page multiples; most notable here is a signed Ben Vautier work - a rubber stamping of the text: BEN DOUBTE DE TOUT Y COMPRIS DE ... and a piece of Scotch tape over the artist's name handwritten in yellow crayon. Other multiples include works by Julien Blanine, Robin Crozier and Bill Caglione
FLUXLIST: How To Not
HOW TO NOT 1) Lack of inches in the planner 2) Lack of bushes in the spinner 3) Lack of finish in the wallet 4) Lack of grunt in the souping 5) Lack of grommet in the salads 6) Lack of cashers in the trance 7) Lack of dungeon in the sodas John M. Bennett __ Dr. John M. Bennett Curator, Avant Writing Collection Rare Books & Manuscripts Library The Ohio State University Libraries 1858 Neil Av Mall Columbus, OH 43210 USA (614) 292-3029 [EMAIL PROTECTED] www.johnmbennett.net ___
