On Oct 30, 2012, at 5:08 AM, Jonathan Walley wrote:
….In essence, it "internalized" federal, state, and local
censorship laws into a sort of corporate policy aimed at producing
films that would NOT be censored by external authorities once they
were released in theaters (although this still did so
>...the batch of 9 Brakhage films I've been restoring with Film
> Foundation funding do have titlecards, per their requirement. I consulted
> with Marilyn about the placement of the cards, and we agreed to compose
> them in very simple language, and put them at the beginning of each film,
> with a
Directors Lounge Screening:
Thorsten Fleisch
Berlin Premiere
Hex Suffice Cache Ten
Video and 16mm Filmprogramm
Selected from his private Educational Film Archive
Thursday, 1 November 2012
21:00 Uhr
Z-Bar
Bergstraße 2
10115 Berlin-Mitte
Thorsten Fleisch, artist and filmmaker who lives
in Berlin
Chuck is right - it's important to reiterate that the Production Code
(hereafter "the Code") was not a law, nor was the Production Code
Administration (the PCA, aka the Hayes Office) a government body. The
Code was developed by the major studios and aimed solely at THEIR
product. In essence, it "in
Hi Fred,
I agree with you about restoration titlecards. In some cases, funding agencies
require them as a condition of accepting that funding. Some archives always
have them as a matter of course, which often helps them to be identified with
the great work they're doing when the print shows w
Hi Scott,I appreciate that if it's the case, but I had yet to see it myself. The Gartenberg/Light Cone press release, the program notes at earlymonthlysegments.org, none of these mentioned it, which is what I was going on. I see that they're now at earlymonthlysegments, which I really appreciate.
