Hi All:
Does anyone have contact information for Josh Pearson, formerly of the
Emergency Broadcast Network?
His website doesn't appear to list an email address.
Please contact me off list if you have any leads: joshua.guilford (at) gmail.com
Thanks very much!
Josh
Tom, Bryan, Roger
Thank you so much! The examples - of which I knew only one: "Blazing
Saddles" - sound very interesting and relevant. I will check them all out
and share any further information.
Ittai
On Wed, Jan 23, 2013 at 10:13 AM, Beebe, Roger wrote:
> Just to piggyback on/unpack Tom's
And for a very brief, but clear, article on understanding characteristic
curves, check out this link:
http://home.comcast.net/~amitphotography/article%20character%20curves%20dvickers.htm
-Jason Halprin
From: Scott Dorsey
To: frameworks@jonasmekasfilms.com
S
I hate to say it but. the old Basic Photography series from Ansel
Adams is dated as hell but it's the best introduction to sensitometry
that you will ever find.
Gamma tells you a little bit about the image scale... it tells you about
the midrange contrast. It doesn't tell you about highlight
Just to piggyback on/unpack Tom's mention of "Hapax Legomena"--it's actually 7
films (that can be considered as one larger unit). The title refers to words
that only appear once in the written record, in an author's work, etc. (In
ancient texts, this makes them especially difficult to decipher
Hi.
I read this document:
http://www.filmlabs.org/docs/inversiblenb.pdf
It refers to article:
"The nomenclature of photographic reversal effects"
You know where I can find this article?
Thanks
f.
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Dominic Case - Motion Picture Film Processing (1985, Focal Press)
Bernard Happe - Your Film and The Lab (1983, Focal Press)
On Wed, Jan 23, 2013 at 8:38 AM, mat fleming wrote:
> Dear all,
>
> Please can someone point me in the direction of a really good text which
> will help me understand G
Dear all,
Please can someone point me in the direction of a really good text which
will help me understand Gamma and it's practical application for a
filmshooter and self processor?
I'm getting into the use of machines for printing and processing and I'm
mixing my own chemicals now and I want to l
Hello Frameworks!
I am representing the 2013 Video Art and Experimental Film Festival, screening
February 7th-9th at Tribeca Cinemas. VAEFF, in its third year, aspires to
become a public gateway into the ever-expanding, fluctuating, and intersecting
worlds of experimental film and video art.
N
Hi Ittai,
Yours is an interesting pursuit! Much luck to you in your study. Your
thoughts reminded me of an interview I heard with David Lynch (forgive me,
I cannot remember where) where he spoke about the "eye of the duck" as
being an element of his films. Interestingly, I think he was referrin
This is interesting - thanks for asking a fresh question. As a "film person"
who started out in music decades ago, I have always envied and admired the
breadth and depth of musicology. Film studies is such a young field - we are
centuries behind.
Filmmaker Hollis Frampton made a film titled "H
Did you try amazon.fr?
http://www.amazon.fr/Paul-Sharits-Yann-Beauvais/dp/2840662434/ref=wl_it_dp_o_pC_S_nC?ie=UTF8&colid=63UVXAAAEWIJ&coliid=I38BNNKQMO24D6
Michael Betancourt
Savannah, GA USA
michaelbetancourt.com
twitter.com/cinegraphic | vimeo.com/cinegraphic
www.cinegraphic.net | the avant-
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