> I was thinking it would be an expensive process to remove digitally.
It's not necessarily _monetarily_ expensive. You can do it manually if you can
afford the time. Of course, you want as clean a transfer as possible, but there
are still likely to be some big nasty dust spot every X number of
The bibliography in CAMERA OBSCURA CAMERA LUCIDA (Amsterdam University Press, 2003), edited by Richard Allen and Malcolm Turvey, is the most extensive I'm aware of.
Original Message
Subject: Re: [Frameworks] Annette Michelson's collected essays
From: Chuck Kleinhans
Thanks Jeff and Scott for your feedback. I was thinking it would be an
expensive process to remove digitally. Hopefully the problem will be solved in
the cleaning of the negs. I won't mention the lab or the transfer house because
I use both for my own work and I've never had problems with the
On Jun 26, 2014, at 2:00 PM, Scott Dorsey wrote:
> Then they can add them in post!
Ugh! Heresy!
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
kinettaarchival.com
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Jeff Kreines writes:
>On Jun 26, 2014, at 12:20 PM, Scott Dorsey wrote:
>> What I want to know is what lab processed this film and how can I avoid them?
>
> Some people like chemical stains, and dirt and dust, Scott! Don?t be so
> judgmental!
>
Then they can add them in post!
--scott
___
Most, if not all, of her writing remains readily available to anyone with
access to a college or university library. The harder to find stuff might be
specific program notes or catalogue essays.
Does anyone know if there’s a comprehensive bibliography available?
On Jun 26, 2014, at 5:09 AM,
The Kala Art Institute and the San Francisco Cinematheque present Gravity
Spells: Bay Area New Music and Expanded Cinema Art.
This unique performance series celebrates the release of a limited edition
hand-made gatefold double LP of music paired with four DVD's of original
film featuring collabor
On Jun 26, 2014, at 12:20 PM, Scott Dorsey wrote:
> What I want to know is what lab processed this film and how can I avoid them?
Some people like chemical stains, and dirt and dust, Scott! Don’t be so
judgmental!
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
kinettaarchival.com
__
What I want to know is what lab processed this film and how can I avoid them?
--scott
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Roger:
We use horribly expensive film restoration software for dust-busting (as it’s
called in the trade). It’s part of a package that costs more than a decent new
car, so I’m not recommending it for casual use. (As a result my car is a 1995.)
It deals with both black and white dust and dirt
Hi folks,
A few weeks back there was some conversation happening around removing dust
marks from a digital transfer of film. I am wondering what processes were being
suggested to use to remove the marks digitally. I recently shot a Super 16mm
film for a fellow filmmaker and we just got the trans
Annette Michelson's projected two-volume collection of her writings
remains a work in progress.
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