Dear all,
please help me with this:
I'm searching films of my grandfather Marcel Gaudart (Marc Gaudart). So far
I've found films in Ottawa (Library and Archives Canada), but I have hints that
lead to Mexico (Mexico City) and France.
Recently I was informed that CNC has a list of all films that
Hello Nadine,
I think you can have a quick look at the French films archives:
http://www.cnc-aff.fr/internet_cnc/Internet/ResultatRecherchePersonnalite.aspx?Menu=
[2]
or try this one but until August 28th
http://www.cnc.fr/web/fr/centre-de-documentation-paris [3]
And also, it depends
Daïchi Saïto's films, specially Trees of Syntax: Leaves of Axis, Never a
Foot Too Far, Even and All That Rises. He has written about his processes
in his book Moving the Sleeping Images of Things Towards the Light.
El 07/08/2014 04:40, Beebe, Roger W. beebe...@osu.edu escribió:
In the same
Here's another good example:
Richard Tuohy, Etienne's Hand (2011)
http://nanolab.com.au/etienne%27s%20hand.htm
https://vimeo.com/21512772
El Jueves 7 de agosto de 2014 13:03, Elena Duque elenadu...@gmail.com
escribió:
Daïchi Saïto's films, specially Trees of Syntax: Leaves of Axis,
You have to start with Pat O'neil.
On Wed, Aug 6, 2014 at 12:06 PM, Caryn Cline carynycl...@gmail.com wrote:
Dear Frameworkers,
If I were going to undertake a series of screenings showcasing optical
printer techniques, what work would you recommend? What is the best work
for understanding
Hello Frameworkers:
*Here*, in this very email, is contained information on how to submit to
one of the most exciting and confusing film festivals of our age - the
*BASEMENT
Media Fest* http://basementmediafest.com/. Follow me down below for some
elaboration
And while we're at it... my understanding was that Annabel Nicholson's
Slides (also mentioned in this series of posts) was actually made on a
contact printer, sliding pieces of film along at different speeds. I think
her piece would be particularly hard to do in an optical printer, because
its so
Kool, I can use it for my electric 12 string, no kidding.
Dominic
On Wed, Aug 6, 2014 at 6:31 PM, todd eacrett hell...@agit-prop.com wrote:
Shhh, don't tell everyone. It's one of the best poorly-kept secrets of
film/guitar tube electronics nerds. The Moviola/Magnasync URS is basically
the
that´s correct. she used the lfmc Debrie machine that is still in use at
No.w.here. Nicky.
-Original Message-
From: direc...@lift.on.ca
To: Experimental Film Discussion List frameworks@jonasmekasfilms.com
Sent: Thu, 7 Aug 2014 17:02
Subject: Re: [Frameworks] films using the optical
1n 1999 i liberated, along 2 moviola amps, several 16 reading mag track
heads that I still use to this day for concrete tape collages. They read
1/4 tape well enough. Hell, they even pick up the sound on mass transit and
garage cards...
Alexandre Larose - Ville Marie (2011)
https://www.filmfestivalrotterdam.com/en/films/ville-marie/
On Thu, Aug 7, 2014 at 12:36 PM, nicky.ham...@talktalk.net wrote:
that´s correct. she used the lfmc Debrie machine that is still in use at
No.w.here. Nicky.
-Original Message-
From:
contact form for the mexican National Film archive
http://www.cinetecanacional.net/controlador.php?opcion=acervo
http://www.cinetecanacional.net/controlador.php?opcion=contacto
2014-08-07 6:54 GMT-04:00 Angélica Cuevas Portilla angel...@cuevas.as:
Hello Nadine,
I think you can have a quick
Myself with the Buzz Aldrin All Stars:
http://esperanzacollado.org/Works/moon.html
On Monday, July 21, 2014, todd eacrett hell...@agit-prop.com wrote:
Alex MacKenzie's 3 x S8 performance nightsky
http://alexmackenzie.ca/nightsky.html
On Sun, 20 Jul 2014 12:57:15 -0400, Michael
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