Thanks for the interesting background Scott! Very useful (and a bit confusing).
Scott Stark
scottstark.com
Experimental Response Cinema
Flicker
-Original Message-
From: FrameWorks [mailto:frameworks-boun...@jonasmekasfilms.com] On Behalf Of
Scott Dorsey
Sent: Saturday, August 27, 2016
I've been using Kodak 5207 lately; other stocks in the past, whatever I can
drum up cheap or free.
Cleaning and lube, hm that sounds like a great idea! No idea how to do that
though. Any advice?
I never realized 35mm film stocks had different "pitches." I can see how that
might cause a
links
http://hi-beam.us9.list-manage2.com/track/click?u=e4e99825c1d97f8de6eaffad3=1395dbc860=4e65756555
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3=64ce2259ff=4e65756555
** This week [August 27 - September 4, 2016] in avant garde cinema
Bernd:
What kind of animation stand, what kind of camera? Is the Angenieux 28mm S2 a
pretty small lens? It’s usually found on Eclair CM3s unless the user chose
Cooke or Kinoptic lenses. (There is a 28mm f/3.5 but that’s mostly a still
camera lens, quite different.)
Thanks,
Jeff
> On Aug
yes, there are actually 2 reasons, 1st it’s not my own lens, 2nd it’s part of
an animation stand and needs to plug into the follow focus mechanics…
If it was my own lens, I would probably take the risk and follow some online
instructions how to dismantle the elements, clean them and then glue