Re: [Frameworks] Processing KODAK Tri-X Reversal Film 7266

Unfortunately, I don't have access to d19, but does anyone know any substitution recipes for Sprint Standard film developer? The film stock is Kodak Tri-X 7266. I was also curious if it would be at all comparable to a recipe for kodak 400TX with Sprint Standard. big thanks Alexis On Wed, Nov 6,

Re: [Frameworks] Processing KODAK Tri-X Reversal Film 7266

I’ve been developing this film all night with success! Super fun. Esther urlus made a cool manual with some useful info... http://www.filmlabs.org/docs/toboldlygo.pdf I myself was wondering if anyone knew how many times you can use 1L of d19 (using russian tanks that take 50 ft) before it

[Frameworks] Processing KODAK Tri-X Reversal Film 7266

Hi all! I am trying to develop around 35 feet of KODAK Tri-X Reversal Film 7266. The darkroom I have access to uses Sprint Standard Film Developer, and I am looking for some recipes for processing. Any ideas on recipes? Or any other helpful tips and tricks? This is my first time processing this

[Frameworks] cfp: Decentring the Avant-garde: Landscape, Travel and the (Other’s) Gaze in Experimental Film and Video (special issue of PLL)

Dear Colleagues, I'm now working on the special issue of Papers in Language and Literature (Southern Illinois University, Edwardsville) on avant-garde and experimental film. On behalf of the journal's editor, Helena Gurfinkel, and myself acting as the guest editor, I'm posting the CFP for

Re: [Frameworks] A - very - Long Shot: how to get in touch with Michael Shamberg?

Hi, Also, it is almost always the case that, for any official music video, the record company that issued the record owns the rights to it. If there was no record company, then try to reach someone in the band? Best regards, Adam From: FrameWorks on behalf of Brecht Debackere Reply-To:

Re: [Frameworks] Filmmakers who use(d) visual scores or other forms of notation

Bradley Eros uses visual scores often and especially for his performances! On Thu, Oct 3, 2019 at 6:38 PM Roger Carr wrote: > I'm no longer using Frameworks, and don't foresee a future need. Would > you kindly take me off the mailing list? > > Roger > > On Wed, Oct 2, 2019 at 6:56 PM

Re: [Frameworks] A - very - Long Shot: how to get in touch with Michael Shamberg?

Hi Christopher, It seems like this is exactly the information I was looking for and I was looking at the wrong Michael Schamberg! So thank you very much for the information and rectification! Kind regards, Brecht. > On 6 Nov 2019, at 14:03, Chris G wrote: > > Hi Brecht, > > You might

Re: [Frameworks] FrameWorks Digest, Vol 114, Issue 8

Dear Brecht, I am sorry to inform you, but Michael passed away in 2014. We had the pleasure of meeting him in Baltimore, as he would often attend the Sight Unseen screenings. He was a very special man. I am not sure who may be the best contact. Sincerely, Meg

Re: [Frameworks] A - very - Long Shot: how to get in touch with Michael Shamberg?

Hi Brecht, You might want to check and see if you aren’t actually looking for Michael H. Schamberg who produced and directed several of New Order’s videos (Electronic featured NO’s Bernard Sumner). Unfortunately he died a few years ago. I’m not sure if they worked with both Michael Shambergs-

[Frameworks] A - very - Long Shot: how to get in touch with Michael Shamberg?

Dear all, While Michael Shamberg is better known for his commercial Hollywood productions, he also commissioned/produced a videoclip for the band Electronic’s track ‘Getting away with it’. This clip was made by none other than Chris Marker! I’m trying to get in touch with Michael Shamberg