Hi frameworkers,
My name is Eliseo Ortiz and I am a PhD student in Critical Media Practices
at the University of Colorado, Boulder. I am reaching out to you to share
an anti-*ICE *collective project called *The Foundations of Detention*.
This is an photography initiative I launched recently in
AEO-Light is a tool that does the exact reverse and therefore may be of
interest here. It takes images of optical soundtracks from a film scanner
output (overscan tiff or dpx image sequences) and converts them into
digital audio files.
https://usc-imi.github.io/aeo-light/#about
On Tue, Sep 8,
Dear frameworkers and labworkers!
this came through LaborBerlin today:
Someone in Germany needs to get rid of two animation stands!
Not sure where, maybe Berlin, maybe somewhere else...
The bigger one is a CRASS make, the smaller one I don’t know.
If no one adopts them, they will go to the
Hi Scott (et al),
Not for 35mm, necessarily, but there is a very active 16mm Auricon group on
facebook that might have some tips or starting points. Not necessarily for
Scott, as I'm guessing you already know, but these were TV news cameras
that recorded optical sound directly on the film - no
Ahh, I get it, you want a digital image of what the soundtrack would like and
you want to plot it out as part of your filmout.
This turns out not to be an easy thing to do because of the frame lines...
it is very very hard to get the bottom of one frame to line up perfectly with
the top of the
