I have made several films with live jazz soundtracks performed and composed by
Lisa Mezzacappa:
Found and Lost
Glorious Ravage
and my Naval Compression uses an excerpt from a composition by Duke Ellington.
-----Original Message-----
From: frameworks-request <frameworks-requ...@jonasmekasfilms.com>
To: frameworks <frameworks@jonasmekasfilms.com>
Sent: Thu, Nov 9, 2017 4:00 am
Subject: FrameWorks Digest, Vol 90, Issue 8
Send FrameWorks mailing list submissions to
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Today's Topics:
1. Re: Jazz Music and Avant-Garde Film (Stephen Broomer)
2. Re: Jazz Music and Avant-Garde Film (Stephen Broomer)
3. Re: Jazz Music and Avant-Garde Film (Ignacio Tamarit)
4. Re: Jazz Music and Avant-Garde Film (Adam Hyman)
5. Re: Jazz Music and Avant-Garde Film (Kate Ewald)
6. Re: Jazz Music and Avant-Garde Film (Adam Hyman)
7. Re: experimental/feminist films with a woman's voice-over
narration? (Sandra Davis)
8. Research advise about the Anthology Film Archives
(Santiago Fernandez)
9. Jazz Music and and Avant-Garde (Marcelle Pecot)
10. Laibach on screen (Bernard Roddy)
----------------------------------------------------------------------
Message: 1
Date: Wed, 8 Nov 2017 13:03:49 +0000
From: Stephen Broomer <stephen_broo...@hotmail.com>
To: Experimental Film Discussion List <frameworks@jonasmekasfilms.com>
Subject: Re: [Frameworks] Jazz Music and Avant-Garde Film
Message-ID:
<by1pr13mb01655af60870c91c945ecde78b...@by1pr13mb0165.namprd13.prod.outlook.com>
Content-Type: text/plain; charset="utf-8"
Hi Albert,
Jack Chambers' R34 features a section of Ayler's Bells for the last stretch of
it.
Joyce Wieland's Rat Life and Diet in North America has a violent cacophony of
free jazz at the beginning that I've not been able to identify.
Joyce's Water Sark has an improvisational soundtrack by Carla Bley & Mike
Mantler (of the Jazz Composers Orchestra) with Ray Jessel (Broadway composer
and later novelty songwriter).
Likewise, her Peggy's Blue Skylight is named for the Mingus composition and
features Paul Bley playing it on the soundtrack.
There are passages of jazz in the collage soundtracks of Arthur Lipsett. (Sorry
for the Canada-centric response!)
I feel like there's a Kuchar movie that has the Scott Lafaro bass solo from
Ornette Coleman's Free Jazz on the soundtrack...
There's another Hy Hirsch film, Gyromorphosis, that uses Django by the MJQ/John
Lewis.
There's always Pull My Daisy.
Stephen
Sent from my iPhone
On Nov 8, 2017, at 3:14 AM, Albert Alcoz
<albertal...@gmail.com<mailto:albertal...@gmail.com>> wrote:
Hello,
I was wondering about the connections between jazz music and avant-garde film
after watching Bridges-Go-Round (1958) by Shirley Clarke, with the soundtrack
version created by Teo Macero.
There should be plenty of avant-garde and experimental films where the
soundtrack is instrumental jazz music. Maybe the field of Visual Music should
be the most represented but i'm sure there are other films like the one by
Michael Snow that uses, in this case, free jazz music or improvisation.
Does anyone remember some other avant-garde films with jazz soundtracks?
Right my list is as follows:
Begone Dull Care (1949) by Norman McLaren. Music by Oscar Peterson
Films No. 1 (1948) by Harry Smith. Music by Dizzy Gillespie
Chasse des Touches (1959) by Hy Hirsh. Music by Thelonious Monk
Catalog (1961) by John Whitney. Music by Ornette Coleman
New York Eye and Ear Control (1964) by Michael Snow. Music by Albert Ayler, Don
Cherry, etc.
Thanks in advance,
Albert Alcoz
--
http://visionaryfilm.net/<http://www.visionaryfilm.net/>
http://albertalcoz.com/<http://www.albertalcoz.com/>
_______________________________________________
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Message: 2
Date: Wed, 8 Nov 2017 13:12:37 +0000
From: Stephen Broomer <stephen_broo...@hotmail.com>
To: Experimental Film Discussion List <frameworks@jonasmekasfilms.com>
Subject: Re: [Frameworks] Jazz Music and Avant-Garde Film
Message-ID:
<by1pr13mb0165c3c82b32a221c7b76b138b...@by1pr13mb0165.namprd13.prod.outlook.com>
Content-Type: text/plain; charset="utf-8"
Ah geez, can?t forget: Phill Niblock?s Magic Sun featuring Sun Ra & the
Arkestra.
S
On Nov 8, 2017, at 8:03 AM, Stephen Broomer
<stephen_broo...@hotmail.com<mailto:stephen_broo...@hotmail.com>> wrote:
Hi Albert,
Jack Chambers' R34 features a section of Ayler's Bells for the last stretch of
it.
Joyce Wieland's Rat Life and Diet in North America has a violent cacophony of
free jazz at the beginning that I've not been able to identify.
Joyce's Water Sark has an improvisational soundtrack by Carla Bley & Mike
Mantler (of the Jazz Composers Orchestra) with Ray Jessel (Broadway composer
and later novelty songwriter).
Likewise, her Peggy's Blue Skylight is named for the Mingus composition and
features Paul Bley playing it on the soundtrack.
There are passages of jazz in the collage soundtracks of Arthur Lipsett. (Sorry
for the Canada-centric response!)
I feel like there's a Kuchar movie that has the Scott Lafaro bass solo from
Ornette Coleman's Free Jazz on the soundtrack...
There's another Hy Hirsch film, Gyromorphosis, that uses Django by the MJQ/John
Lewis.
There's always Pull My Daisy.
Stephen
Sent from my iPhone
On Nov 8, 2017, at 3:14 AM, Albert Alcoz
<albertal...@gmail.com<mailto:albertal...@gmail.com>> wrote:
Hello,
I was wondering about the connections between jazz music and avant-garde film
after watching Bridges-Go-Round (1958) by Shirley Clarke, with the soundtrack
version created by Teo Macero.
There should be plenty of avant-garde and experimental films where the
soundtrack is instrumental jazz music. Maybe the field of Visual Music should
be the most represented but i'm sure there are other films like the one by
Michael Snow that uses, in this case, free jazz music or improvisation.
Does anyone remember some other avant-garde films with jazz soundtracks?
Right my list is as follows:
Begone Dull Care (1949) by Norman McLaren. Music by Oscar Peterson
Films No. 1 (1948) by Harry Smith. Music by Dizzy Gillespie
Chasse des Touches (1959) by Hy Hirsh. Music by Thelonious Monk
Catalog (1961) by John Whitney. Music by Ornette Coleman
New York Eye and Ear Control (1964) by Michael Snow. Music by Albert Ayler, Don
Cherry, etc.
Thanks in advance,
Albert Alcoz
--
http://visionaryfilm.net/<http://www.visionaryfilm.net/>
http://albertalcoz.com/<http://www.albertalcoz.com/>
_______________________________________________
FrameWorks mailing list
FrameWorks@jonasmekasfilms.com<mailto:FrameWorks@jonasmekasfilms.com>
https://mailman-mail5.webfaction.com/listinfo/frameworks
_______________________________________________
FrameWorks mailing list
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https://mailman-mail5.webfaction.com/listinfo/frameworks
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Message: 3
Date: Wed, 8 Nov 2017 11:23:40 -0300
From: Ignacio Tamarit <tamarit.igna...@gmail.com>
To: Experimental Film Discussion List <frameworks@jonasmekasfilms.com>
Subject: Re: [Frameworks] Jazz Music and Avant-Garde Film
Message-ID:
<CAPnVr4Tc4rd6Sov=iv1xmfnt6jo+cv_7ott5wcyewwt7hga...@mail.gmail.com>
Content-Type: text/plain; charset="utf-8"
Hola Albert,
Joaquim Puigvert Exp N? 1 y Exp N? 2 (1958-59)
Steven Woloshen "Camera takes five" (2003)
"1000 Plateaus" (2004 - 2014)
"Casino" (2016)
xoxo
<https://www.avast.com/sig-email?utm_medium=email&utm_source=link&utm_campaign=sig-email&utm_content=webmail>
Libre
de virus. www.avast.com
<https://www.avast.com/sig-email?utm_medium=email&utm_source=link&utm_campaign=sig-email&utm_content=webmail>
<#DAB4FAD8-2DD7-40BB-A1B8-4E2AA1F9FDF2>
2017-11-08 10:12 GMT-03:00 Stephen Broomer <stephen_broo...@hotmail.com>:
> Ah geez, can?t forget: Phill Niblock?s Magic Sun featuring Sun Ra & the
> Arkestra.
>
> S
>
> On Nov 8, 2017, at 8:03 AM, Stephen Broomer <stephen_broo...@hotmail.com>
> wrote:
>
> Hi Albert,
>
> Jack Chambers' R34 features a section of Ayler's Bells for the last
> stretch of it.
>
> Joyce Wieland's Rat Life and Diet in North America has a violent cacophony
> of free jazz at the beginning that I've not been able to identify.
>
> Joyce's Water Sark has an improvisational soundtrack by Carla Bley & Mike
> Mantler (of the Jazz Composers Orchestra) with Ray Jessel (Broadway
> composer and later novelty songwriter).
>
> Likewise, her Peggy's Blue Skylight is named for the Mingus composition
> and features Paul Bley playing it on the soundtrack.
>
> There are passages of jazz in the collage soundtracks of Arthur Lipsett.
> (Sorry for the Canada-centric response!)
>
> I feel like there's a Kuchar movie that has the Scott Lafaro bass solo
> from Ornette Coleman's Free Jazz on the soundtrack...
>
> There's another Hy Hirsch film, Gyromorphosis, that uses Django by the
> MJQ/John Lewis.
>
> There's always Pull My Daisy.
>
> Stephen
>
> Sent from my iPhone
> On Nov 8, 2017, at 3:14 AM, Albert Alcoz <albertal...@gmail.com> wrote:
>
> Hello,
>
> I was wondering about the connections between jazz music and avant-garde
> film after watching *Bridges-Go-Round* (1958) by Shirley Clarke, with the
> soundtrack version created by Teo Macero.
>
> There should be plenty of avant-garde and experimental films where the
> soundtrack is instrumental jazz music. Maybe the field of Visual Music
> should be the most represented but i'm sure there are other films like the
> one by Michael Snow that uses, in this case, free jazz music or
> improvisation.
>
> Does anyone remember some other avant-garde films with jazz soundtracks?
>
> Right my list is as follows:
>
> *Begone Dull Care* (1949) by Norman McLaren. Music by Oscar Peterson
>
> *Films No. 1* (1948) by Harry Smith. Music by Dizzy Gillespie
>
> *Chasse des Touches* (1959) by Hy Hirsh. Music by Thelonious Monk
>
> *Catalog* (1961) by John Whitney. Music by Ornette Coleman
>
> *New York Eye and Ear Control *(1964) by Michael Snow. Music by
> Albert Ayler, Don Cherry, etc.
>
> Thanks in advance,
>
> Albert Alcoz
>
>
> --
> http://visionaryfilm.net/ <http://www.visionaryfilm.net/>
> http://albertalcoz.com/ <http://www.albertalcoz.com/>
>
> _______________________________________________
> FrameWorks mailing list
> FrameWorks@jonasmekasfilms.com
> https://mailman-mail5.webfaction.com/listinfo/frameworks
>
> _______________________________________________
> FrameWorks mailing list
> FrameWorks@jonasmekasfilms.com
> https://mailman-mail5.webfaction.com/listinfo/frameworks
>
>
>
> _______________________________________________
> FrameWorks mailing list
> FrameWorks@jonasmekasfilms.com
> https://mailman-mail5.webfaction.com/listinfo/frameworks
>
>
--
Ignacio Tamarit
Lumiton Museo Usina Audiovisual
Cabral 2354, Munro, Vicente L?pez.
Tel.: 4721-9255.
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Message: 4
Date: Wed, 08 Nov 2017 08:25:11 -0800
From: Adam Hyman <a...@lafilmforum.org>
To: "Experimental Film Discussion List
<frameworks@jonasmekasfilms.com>" <frameworks@jonasmekasfilms.com>
Subject: Re: [Frameworks] Jazz Music and Avant-Garde Film
Message-ID: <d6286f45.747cc%a...@lafilmforum.org>
Content-Type: text/plain; charset="us-ascii"
Filmforum screened Joyce Wieland's Rat Life and Diet in North America
recently and Mark Toscano was able to identify it.
"The free jazzish music in Rat Life and Diet is from this excellent JCO
record"
https://www.discogs.com/The-Jazz-Composers-Orchestra-The-Jazz-Composers-Orch
estra/master/39895
Best regards,
Adam Hyman
Los Angeles Filmforum
From: Stephen Broomer <stephen_broo...@hotmail.com>
Reply-To: "Experimental Film Discussion List
<frameworks@jonasmekasfilms.com>" <frameworks@jonasmekasfilms.com>
Date: Wed, 8 Nov 2017 13:03:49 +0000
To: "Experimental Film Discussion List <frameworks@jonasmekasfilms.com>"
<frameworks@jonasmekasfilms.com>
Subject: Re: [Frameworks] Jazz Music and Avant-Garde Film
Hi Albert,
Jack Chambers' R34 features a section of Ayler's Bells for the last stretch
of it.
Joyce Wieland's Rat Life and Diet in North America has a violent cacophony
of free jazz at the beginning that I've not been able to identify.
Joyce's Water Sark has an improvisational soundtrack by Carla Bley & Mike
Mantler (of the Jazz Composers Orchestra) with Ray Jessel (Broadway composer
and later novelty songwriter).
Likewise, her Peggy's Blue Skylight is named for the Mingus composition and
features Paul Bley playing it on the soundtrack.
There are passages of jazz in the collage soundtracks of Arthur Lipsett.
(Sorry for the Canada-centric response!)
I feel like there's a Kuchar movie that has the Scott Lafaro bass solo from
Ornette Coleman's Free Jazz on the soundtrack...
There's another Hy Hirsch film, Gyromorphosis, that uses Django by the
MJQ/John Lewis.
There's always Pull My Daisy.
Stephen
Sent from my iPhone
On Nov 8, 2017, at 3:14 AM, Albert Alcoz <albertal...@gmail.com> wrote:
> Hello,
>
> I was wondering about the connections between jazz music and avant-garde film
> after watching Bridges-Go-Round (1958) by Shirley Clarke, with the soundtrack
> version created by Teo Macero.
>
> There should be plenty of avant-garde and experimental films where the
> soundtrack is instrumental jazz music. Maybe the field of Visual Music should
> be the most represented but i'm sure there are other films like the one by
> Michael Snow that uses, in this case, free jazz music or improvisation.
>
> Does anyone remember some other avant-garde films with jazz soundtracks?
>
> Right my list is as follows:
>
> Begone Dull Care (1949) by Norman McLaren. Music by Oscar Peterson
>
> Films No. 1 (1948) by Harry Smith. Music by Dizzy Gillespie
>
> Chasse des Touches (1959) by Hy Hirsh. Music by Thelonious Monk
>
> Catalog (1961) by John Whitney. Music by Ornette Coleman
>
> New York Eye and Ear Control (1964) by Michael Snow. Music by Albert Ayler,
> Don Cherry, etc.
>
> Thanks in advance,
>
> Albert Alcoz
>
>
> --
> http://visionaryfilm.net/ <http://www.visionaryfilm.net/>
> http://albertalcoz.com/ <http://www.albertalcoz.com/>
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Message: 5
Date: Wed, 8 Nov 2017 11:55:07 -0500
From: Kate Ewald <katherine.ew...@gmail.com>
To: frameworks@jonasmekasfilms.com
Subject: Re: [Frameworks] Jazz Music and Avant-Garde Film
Message-ID:
<CAKAkbPwCgfWcQa3AAQbXgpEqAj28TG=Ye8QaiTtB9MLkGp8=0...@mail.gmail.com>
Content-Type: text/plain; charset="utf-8"
Hi Albert,
Ephraim Asili's *Many Thousands Gone* uses an improvised score from a jazz
saxophonist, although I don't know his name. My understanding was that
they did two takes - the first completely improvised without seeing the
film prior, and the second take with only the first viewing under his
belt. Ephraim then edited the two takes together for what is now the full
score, with permission from the musician.
You can see the full film on his vimeo: https://vimeo.com/105169029
Cheers,
Kate Ewald
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Message: 6
Date: Wed, 08 Nov 2017 09:08:10 -0800
From: Adam Hyman <a...@lafilmforum.org>
To: "Experimental Film Discussion List
<frameworks@jonasmekasfilms.com>" <frameworks@jonasmekasfilms.com>
Subject: Re: [Frameworks] Jazz Music and Avant-Garde Film
Message-ID: <d62879a6.7480a%a...@lafilmforum.org>
Content-Type: text/plain; charset="us-ascii"
Good call.
The vimeo page that you linked to includes the name of the musician in the
text - jazz multi-instrumentalist Joe McPhee.
McPhee is fantastic.
From: Kate Ewald <katherine.ew...@gmail.com>
Hi Albert,
Ephraim Asili's Many Thousands Gone uses an improvised score from a jazz
saxophonist, although I don't know his name. My understanding was that they
did two takes - the first completely improvised without seeing the film
prior, and the second take with only the first viewing under his belt.
Ephraim then edited the two takes together for what is now the full score,
with permission from the musician.
You can see the full film on his vimeo: https://vimeo.com/105169029
Cheers,
Kate Ewald
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Message: 7
Date: Wed, 8 Nov 2017 12:10:13 -0500
From: Sandra Davis <eugel...@aol.com>
To: frameworks@jonasmekasfilms.com
Subject: Re: [Frameworks] experimental/feminist films with a woman's
voice-over narration?
Message-ID: <15f9c9c5b29-c08-8...@webjas-vaa083.srv.aolmail.net>
Content-Type: text/plain; charset="utf-8"
Dear Ben,
just noticed your post:
Following feature one dominant "story telling" female voice, although other
voices/non-vocal sound interwoven on track
A PREPONDERANCE OF EVIDENCE ? ? 3 women of different generations speaking of
their experience living in female bodies (real stories)
IGNORANCE BEFORE MALICE ? ? journey through healing a fractured body / soul
following an accident?
FOR A YOUNG FILMMAKER ? ?poem of memory and place ?Pt 1 of trilogy
SAISONNIER ? part 2 of trilogy
Sandra Davis?
-----E-mail d'origine-----
De : Diane Kitchen <dkitc...@uwm.edu>
A: Experimental Film Discussion List <frameworks@jonasmekasfilms.com>
Envoy? le : Di, 5 Nov 2017 9:49
Sujet : Re: [Frameworks] experimental/feminist films with a woman's voice-over
narration?
Re: ?Note below, ?Dear Internet, ?I am who I say I am. ? -- DK
On Nov 4, 2017, at 11:30 AM, Diane Kitchen wrote:
This?sender?failed?our?fraud?detection?checks?and?may?not?be?who?they?appear?to?be.?Learn?about?spoofing
Feedback
BEFORE WE KNEW NOTHING??(1988) and ROOTS, THORNS??(1993), two films I made with
the Ashaninka people of eastern Peru, have female voice-over and Ashaninka
voices.
On Nov 2, 2017, at 9:42 AM, Ben Ogrodnik wrote:
Hi all,
I am requesting some film suggestions for a list of experimental, independent,
and/or feminist-leaning films that contain a woman -- or multiple women --
providing voice-over narration to the images.?
The works can be from any era, in any format: documentary, animation, fiction,
found-footage, anthropological, installation-based, etc.
Some well-known examples of this tradition would be: Laura Mulvey and Peter
Wollen's Riddles of the Sphinx, 1977; Michelle Citron's Daughter Rite, 1978; or
Su Friedrich's Sink or Swim, 1990.
Any examples of woman-voiced films that may be lesser known, or made outside
EuroAmerican settings, would be greatly appreciated as well!
Thanks so much.
Sincerely,
Ben
--
Ben Ogrodnik
Department of Film Studies // History of Art and Architecture
University of Pittsburgh
_______________________________________________
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https://mailman-mail5.webfaction.com/listinfo/frameworks
_______________________________________________
FrameWorks mailing list
FrameWorks@jonasmekasfilms.com
https://mailman-mail5.webfaction.com/listinfo/frameworks
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Message: 8
Date: Wed, 8 Nov 2017 17:31:35 +0000 (UTC)
From: Santiago Fernandez <nicolopol...@yahoo.com>
To: Experimental Film Discussion List <frameworks@jonasmekasfilms.com>
Subject: [Frameworks] Research advise about the Anthology Film
Archives
Message-ID: <2138767411.4525623.1510162295...@mail.yahoo.com>
Content-Type: text/plain; charset="utf-8"
Dear Frameworkers,
If I may, I?m asking for advise from anybody who has any research experience
with the Anthology Film Archives. I?m doing my PhD dissertation on one of Stan
Brakhage?s films and I have a limited time frame in which I can do the trip to
New York and examine the print in a flat table. Following the terms published
in their site I requested an appointment six weeks ago - 12 labor days later I
had no answer and I phoned the person in charge. He was very polite and
explained to me that, yes, he got my e-mail but still had to go through? other
requests before mine. I emphasized why I was requesting their service and told
him I would wait for his reply.
Yet: my time frame is closing and I still have no reply. My question: is it
usual for them to take this long?? When should I consider that my request was
dismissed or forgotten before I insist?
For correctness sake I?d appreciate if you could answer to this message
privately.
Thanks in advance.
Santiago Fern?ndez Lorenzo
nicolopol...@yahoo.com
a01304...@itesm.mx
Tecnologico de Monterrey Campus Ciudad de Mexico (ITESM CCM)
Departamento de Estudios Human?sticos
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Message: 9
Date: Wed, 8 Nov 2017 14:05:27 -0500
From: Marcelle Pecot <marcellepe...@yahoo.com>
To: frameworks@jonasmekasfilms.com
Subject: [Frameworks] Jazz Music and and Avant-Garde
Message-ID: <a6d89cfb-9ad2-4186-89bb-419a42237...@yahoo.com>
Content-Type: text/plain; charset="utf-8"
On Nov 8, 2017, at 7:00 AM, frameworks-requ...@jonasmekasfilms.com wrote:
Send FrameWorks mailing list submissions to
frameworks@jonasmekasfilms.com <mailto:frameworks@jonasmekasfilms.com>
To subscribe or unsubscribe via the World Wide Web, visit
https://mailman-mail5.webfaction.com/listinfo/frameworks
<https://mailman-mail5.webfaction.com/listinfo/frameworks>
Shirley Clarke Bridges-Go-Round It?s on YouTube.
or, via email, send a message with subject or body 'help' to
frameworks-requ...@jonasmekasfilms.com
<mailto:frameworks-requ...@jonasmekasfilms.com>
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<mailto:frameworks-ow...@jonasmekasfilms.com>
When replying, please edit your Subject line so it is more specific
than "Re: Contents of FrameWorks digest..."
Today's Topics:
1. Oona Nelson (Gene Youngblood)
2. Jazz Music and Avant-Garde Film (Albert Alcoz)
3. Risco Cinema - Contemporary Experiments on Film (Lucas Murari)
4. Re: Jazz Music and Avant-Garde Film (Pablo Marin)
From: Gene Youngblood <ato...@comcast.net <mailto:ato...@comcast.net>>
Subject: [Frameworks] Oona Nelson
Date: November 7, 2017 at 9:34:20 AM EST
To: frameworks@jonasmekasfilms.com <mailto:frameworks@jonasmekasfilms.com>
Does anyone have contacts for Oona?
From: Albert Alcoz <albertal...@gmail.com <mailto:albertal...@gmail.com>>
Subject: [Frameworks] Jazz Music and Avant-Garde Film
Date: November 8, 2017 at 3:13:59 AM EST
To: Experimental Film Discussion List <frameworks@jonasmekasfilms.com
<mailto:frameworks@jonasmekasfilms.com>>
Hello,
I was wondering about the connections between jazz music and avant-garde film
after watching Bridges-Go-Round (1958) by Shirley Clarke, with the soundtrack
version created by Teo Macero.
There should be plenty of avant-garde and experimental films where the
soundtrack is instrumental jazz music. Maybe the field of Visual Music should
be the most represented but i'm sure there are other films like the one by
Michael Snow that uses, in this case, free jazz music or improvisation.
Does anyone remember some other avant-garde films with jazz soundtracks?
Right my list is as follows:
Begone Dull Care (1949) by Norman McLaren. Music by Oscar Peterson
Films No. 1 (1948) by Harry Smith. Music by Dizzy Gillespie
Chasse des Touches (1959) by Hy Hirsh. Music by Thelonious Monk
Catalog (1961) by John Whitney. Music by Ornette Coleman
New York Eye and Ear Control (1964) by Michael Snow. Music by Albert Ayler, Don
Cherry, etc.
Thanks in advance,
Albert Alcoz
--
http://visionaryfilm.net/ <http://www.visionaryfilm.net/>
http://albertalcoz.com/ <http://www.albertalcoz.com/>
From: Lucas Murari <lucasmur...@gmail.com <mailto:lucasmur...@gmail.com>>
Subject: [Frameworks] Risco Cinema - Contemporary Experiments on Film
Date: November 8, 2017 at 5:34:27 AM EST
To: frameworks@jonasmekasfilms.com <mailto:frameworks@jonasmekasfilms.com>
?CONTEMPORARY FILM EXPERIMENTS?
Programs cured by Kim Knowles
Support: Aberystwyth University and Edinburgh International Film Festival and
Fagulha Films.
Audit?rio da Cinemateca
Museu de Arte Moderna do Rio de Janeiro
Av. Infante Dom Henrique, 85, Parque do Flamengo, Rio de Janeiro
<https://maps.google.com/?q=Av.+Infante+Dom+Henrique,+85,+Parque+do+Flamengo,+Rio+de+Janeiro&entry=gmail&source=g>.
1? PROGRAM - 13 de novembro (Monday), 18h.
PERSPECTIVES ON ANTHROPOCENE (88min)
Presentation: Kim Knowles
Discussion: Helena Martins (PUC Rio) e Kim Knowles (Aberystwyth University)
Movies:
- Le Pays Devast?, Emmanuel Lefrant, Fran?a, 2015, 12 mins
- The Atom Station, Nick Jordan, Reino Unido, 2015, 14 mins
- Sound of a Million Insects, Light of a Thousand Stars, Tomonari Nishikawa,
Jap?o, 2014, 2 mins
- Into the Great White Open, Michaela Grill, ?ustria, 2015, 16 mins
- Disporting with a Shadow, Paul Clipson, Estados Unidos, 2015, 4 mins
- Blua, Carolina Charry Quintero, Col?mbia, 2017, 25 mins
- The Place I Will Have Left, Lena Ditte Nissen, Alemanha, 2017, 15 mins
2? PROGRAM- 14 de novembro (Tuesday), 18h.
GESTURES AND TEXTURES - Contemporary Experimental Films in the UK (56 min)
Presentation: Kim Knowles
Discussion: Ana Kiffer (PUC Rio) e Kim Knowles (Aberystwyth University)
Movies:
- Abject Noise, Bea Haut, RU, 2014, 3 mins
- Attraction, Martha Jurksaitis, RU, 2014, 11 mins
- Aligning, Jenny Baines, RU, 2013, 3 mins
- Double Dapple, Mary Stark & David Chatton Barker, RU, 2016, 3 mins
- Primal, Vicky Smith, RU, 2016, 10 mins
- For Maynard, Tanya Syed, RU, 2016, 26 mins
Organization:
Departamento de Letras PUC-Rios PUC-Rio
Programa de P?s-gradua??o em Literatura, Cultura e Contemporaneidade (PPGLCC)
RISCO Cinema
Cinemateca do MAM Rio
Fagulha Filmes
Support:
Aberystwyth University
Edinburgh International Film Festival
<https://facebook.us12.list-manage.com/track/click?u=4613c3cfc4cf4a9b36103b593&id=93177420bb&e=8fc06f5f8c>
E-mail de contato:
riscocin...@gmail.com <mailto:riscocin...@gmail.com>
From: Pablo Marin <pamari...@yahoo.com <mailto:pamari...@yahoo.com>>
Subject: Re: [Frameworks] Jazz Music and Avant-Garde Film
Date: November 8, 2017 at 6:36:59 AM EST
To: Experimental Film Discussion List <frameworks@jonasmekasfilms.com
<mailto:frameworks@jonasmekasfilms.com>>
Reply-To: Pablo Marin <pamari...@yahoo.com <mailto:pamari...@yahoo.com>>
Hi Albert,
Daybreak Express (1953), by D.A. Pennebaker
Music by Duke Ellington.
https://www.youtube.com/watch?v=gDqBoUYpMq4
<https://www.youtube.com/watch?v=gDqBoUYpMq4>
Best!
Pablo Mar?n
Buenos Aires
On Wednesday, November 8, 2017 5:14 AM, Albert Alcoz <albertal...@gmail.com
<mailto:albertal...@gmail.com>> wrote:
Hello,
I was wondering about the connections between jazz music and avant-garde film
after watching Bridges-Go-Round (1958) by Shirley Clarke, with the soundtrack
version created by Teo Macero.
There should be plenty of avant-garde and experimental films where the
soundtrack is instrumental jazz music. Maybe the field of Visual Music should
be the most represented but i'm sure there are other films like the one by
Michael Snow that uses, in this case, free jazz music or improvisation.
Does anyone remember some other avant-garde films with jazz soundtracks?
Right my list is as follows:
Begone Dull Care (1949) by Norman McLaren. Music by Oscar Peterson
Films No. 1 (1948) by Harry Smith. Music by Dizzy Gillespie
Chasse des Touches (1959) by Hy Hirsh. Music by Thelonious Monk
Catalog (1961) by John Whitney. Music by Ornette Coleman
New York Eye and Ear Control (1964) by Michael Snow. Music by Albert Ayler, Don
Cherry, etc.
Thanks in advance,
Albert Alcoz
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http://albertalcoz.com/ <http://www.albertalcoz.com/>
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Message: 10
Date: Wed, 8 Nov 2017 13:25:57 -0600
From: Bernard Roddy <tactilecor...@gmail.com>
To: Experimental Film Discussion List <frameworks@jonasmekasfilms.com>
Subject: [Frameworks] Laibach on screen
Message-ID:
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Liberation Day
Laibach serves provocateur "director"'s stunt. If we were wondering how
compromise looks . . ahem, and who could not be wondering that today? . .
this film, which is screening at Facets until Nov. 11, would be my vote for
"production values" entry into the "experimental" film discussion.
*The Wall Street Journal* today shows Trump on its cover page urging the
North Koreans to "come to the table and make a deal." Film artists . .
come to the table.
This director of *Liberation Day*, listed as a "North Korean expert on
Facets page devoted to the film, shows you how it's done. Just try taking
Laibach to perform in North Korea. We used to watch to see the compromises.
But compromise would not be why the cinema was empty when I attended its
first night. I had a conversation with the projectionist (during his stint
at the desk before start-time): This part of Facets is non-profit, and that
explained to me how the thing could even get to Facets. (I had been
wondering how many people would be familiar enough with Laibach and its
significance for art to take interest).
It's not as if we need a behind-the-scenes like this. What has become
interesting is the look of compromise . . in anything and everything on the
screen.
Bernie
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