No wait, it was a 2013 publication. Ross Lipman was the writer and archivist. It's very interesting given the aesthetics and technicalities of preservation, with lines like: "The most fundamental sea change wrought by the so-called digital revolution is the loss of the singular work." Lipman, however, is particularly sensitive to Conner's conception of that work, and it is Conner himself who complicated the process of fixing the identity of this particular work.
---------- Forwarded message --------- From: Bernard Roddy <roddy...@gmail.com> Date: Thu, May 2, 2019 at 8:50 PM Subject: Narratives of Copyright Play To: <frameworks@jonasmekasfilms.com> Hey everyone: I'm teaching a course in a computer science program in which I devote a week to intellectual property. The use of found footage became more interesting as a result of looking for cases with which to raise ethical debate and present new terms of analysis. In a slight departure from the expected narrative of the ethical dilemma faced in employment circumstances by the computer programmer or data analyst (security analysis seems to be the major to go wtih), I looking at a 2003 text from Artforum on the preservation of a film by Bruce Conner (Crossroads, 1976). Has anyone seen this film? But also, are there other such sources that anyone can think of for this kind of discussion? I am thinking of the whole matter of engaging a court system but in terms that are sympathetic with moving image artistic practice. Bernie
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