Re: [Frameworks] Optical soundtracts at Colorlab - all good?

2016-09-24 Thread Adam R. Levine
I literally just got a print back from Colorlab this week - sounds great! -Adam ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks

Re: [Frameworks] Optical soundtracts at Colorlab - all good?

2016-09-23 Thread Scott Dorsey
The "frequency parameters" are not really a fixed thing. There is a frequency response at nominal level, which is one thing. Then there is a frequency response at an elevated level or a lower level, which are going to be different. ALL of the optical sound cameras are going to be spiky in the mi

Re: [Frameworks] Optical soundtracts at Colorlab - all good?

2016-09-23 Thread Jeff Kreines
Colorlab is very serious about optical sound. They have a modernized 16mm Westrex recorder with the latest electronics, and also a 35mm Westrex recorder that does stereo — including Dolby SR, and Digital Dolby (if you can pay the Dolby license fee). I’ve been there a few times, and am always

Re: [Frameworks] Optical soundtracts at Colorlab - all good?

2016-09-23 Thread Buck Bito - Movette
Hi Lyra, I have no experience with ColorLab's optical sound, but this page from Gibbs Chapman may have the parameters you're looking for: http://www.gibbschapman.com/non.opti.htm -Buck Bito Lawrence "Buck" Bito Movette Film Transfer 1407 Valencia St. San Francisco, CA 94110 (Valencia at 25th St.)

[Frameworks] Optical soundtracts at Colorlab - all good?

2016-09-23 Thread Lyra Hill
Hello, I'm about to have my soundtrack printed to optical and am considering using Colorlab's in-house service. In the past I have always used DJ Audio in LA, then synched my track with my AB rolls myself before sending everything to the lab. I've been really happy with DJ Audio's sound quality b