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http://hi-beam.us9.list-manage1.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=4a4d7fedd1&e=4e65756555 ** This week [April 9 - 17, 2016] in avant garde cinema ------------------------------------------------------------ Enter your event announcements by going to the Flicker Weekly Listing Form (http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=62442a3bb6&e=4e65756555) . To receive the weekly listing via email: Subscribe (http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=8b2ff2f07e&e=4e65756555) . To unsubscribe see the link at the bottom of this email. Other Species, Other Minds 4/17 (#anchor10) NEW FILM/VIDEO: "Bedford Cheese (2012/2016)" by Michael Woods http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=b17c87ad4b&e=4e65756555 NEW CALLS FOR ENTRIES: WNDX Festival of Moving Image (Winnipeg, Manitoba, Canada; Deadline: June 01, 2016) http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=6c11437693&e=4e65756555 ARTErra (Portugal; Deadline: April 30, 2016) http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=6f0de27d1b&e=4e65756555 X SHORTini Film Festival 2016 (Augusta, Italy; Deadline: May 15, 2016) http://hi-beam.us9.list-manage1.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=2c237cbbe8&e=4e65756555 Flamingo Film Festival (Fort Lauderdale; Deadline: April 15, 2016) http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=9456168e87&e=4e65756555 DEADLINES APPROACHING: Video Art Festival Miden (Kalamata, Greece; Deadline: April 10, 2016) http://hi-beam.us9.list-manage2.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=472e14aeef&e=4e65756555 Call for artists: SELF IDENTITIES | Buenos Aires (Buenos Aires, Argentina; Deadline: April 15, 2016) http://hi-beam.us9.list-manage2.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=f68a6f8117&e=4e65756555 ARTErra (Portugal; Deadline: April 30, 2016) http://hi-beam.us9.list-manage1.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=8027e8b23f&e=4e65756555 Flamingo Film Festival (Fort Lauderdale; Deadline: April 15, 2016) http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=a2b2a68a82&e=4e65756555 Events are sorted alphabetically BY CITY within each DATE. This week's programs (summary): * Experiments In Cinema Festival Continues Through Sunday (#anchor1) [April 9, Albuquerque, NM] * Sacred Ground & Perpetual Motion – the Animated Cosmos of Karen Aqua (#anchor2) [April 9, Cambridge, Massachusetts] * Salise Hughes’ Spaces Between Cities + (#anchor3) [April 9, San Francisco, California] * Points of Departure… Alfred Guzzetti (#anchor4) [April 10, Cambridge, Massachusetts] * Shapeshifters Cinema Presents Killer Banshee (#anchor5) [April 10, Oakland] * Stardust/Starman: Dangerous Minds & Pantylines Clif Taylor + Jess Holzworth (#anchor6) [April 13, Tucson, AZ] * Alchemy Artists' Filmmaking Symposium (#anchor7) [April 14, Hawick, Scotland] * When the Eye Quakes. the Cinema of Paolo Gioli - Filmmaker In Person (#anchor8) [April 16, Cambridge, Massachusetts] * Rick Prelinger's No More Road Trips + (#anchor9) [April 16, San Francisco, California] * Other Species, Other Times: New video Art From India (#anchor10) [April 17, Austin, TX] * When the Eye Quakes. the Cinema of Paolo Gioli - Filmmaker In Person (#anchor11) [April 17, Cambridge, Massachusetts] * Land's Red - Paolo Gioli In Person (Room B-04) (#anchor12) [April 17, Cambridge, Massachusetts] * Cold Worm (Time, Auto-Corrected) (#anchor13) [April 17, Los Angeles, California] SATURDAY, APRIL 9, 2016 4/9 Albuquerque, NM: Experiments in Cinema http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=15ad1db283&e=4e65756555 4pm, Guild Theater EXPERIMENTS IN CINEMA FESTIVAL CONTINUES THROUGH SUNDAY http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=01b8237d6a&e=4e65756555 4/9 Cambridge, Massachusetts: Harvard Film Archive http://hi-beam.us9.list-manage1.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=95001f2f2f&e=4e65756555 7PM, 24 Quincy Street SACRED GROUND & PERPETUAL MOTION – THE ANIMATED COSMOS OF KAREN AQUA Drawn to art and fashion design at an early age, Karen Aqua (1954 – 2011) was a student of illustration in the 70s at the Rhode Island School of Design when she was bewitched during a presentation by visiting animator Frank Mouris. Upon witnessing drawings coming to life, Aqua immediately immersed herself in the peculiarly magical, labor-intensive world of film animation. Her thesis film, Penetralia, features a figure whose eye-opening, transformative journey through cosmic innerspace and back beautifully encapsulates what would become a lifelong, creative journey through the individual and universal consciousness. Introduction by Ken Field and Janeann Dill Vis-á-Vis US 1981, 16mm, color, 12 min Perpetual Motion US 1992, 16mm, color, 5 min Ground Zero / Sacred Ground US 1997, 35mm, color, 9 min Roswell: Not Just Aliens Directed by Karen Aqua, Ken Field and 3rd & 5th grade students at El Capitan and Military Heights Elementary Schools, Roswell, NM US 2008, digital video, color, 5 min Untitled scratch film US date unknown, digital video, color, 4 min In the Shadows of Monadnock Directed by Karen Aqua, Ken Field and the 7th grade at Mountain Shadows School, Dubin, NH US 2007, digital video, color, 6 min Heavenly Bodies US 1980, 16mm, color, 3 min Kakania US 1989, 16mm, color, 4 min Sesame Street films US 1991 – 2004, digital video, color, TRT: 4 min Penetralia US 1976, 16mm, color, 4 min Sensorium Directed by Karen Aqua and Ken Field US 2007, digital video, color, 5 min Taxonomy US 2011, digital video, color, 4 min Sympathetic Magic US 1992, 16mm, color, 8 min Night Vision US 1982, digital video, b/w, 2 min Insomnia US 1978, digital video, b/w, 2 min Syncopation US 1975, digital video, color, 2 min 4/9 San Francisco, California: Other Cinema http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=5c80279a36&e=4e65756555 8:30, ATA Gallery 992 Valencia Street SALISE HUGHES’ SPACES BETWEEN CITIES + A collaboration, and a celebration, shot in many formats and with a inspiring spectrum of styles! Twenty experimental makers across four continents have joined, Exquisite Corpse-style, the heads to the tails of their respective contributions, towards the compilation of this expansive yet radically subjective ”road movie”. Among the cohorts taking up this omnibus challenge are Pip Chodorov, Margaret Rorison, Jesse Malmed, Ben Popp, Charles Chadwick, Stephen Broomer, Dustin Zemel, Reed O’Beirne, and Salise Hughes and Doug Katelus, the latter two slated for intros and Q&A. Locations include Berlin, Barcelona, Baltimore, Seoul, Newcastle, Toronto, New York, Chicago, Portland, Los Angeles, the Bay Area (Post Costa and Colma!!), and Seattle, where this ecumenical project was cooked up by Salise and her EXcinema org—an enlightened effort to build our precarious community across national and geographical borders. Come early for Doug’s long-haired keyboard flourishes accompanying The Drifting of the Continents. $6. SUNDAY, APRIL 10, 2016 4/10 Cambridge, Massachusetts: Harvard Film Archive http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=2461b7df26&e=4e65756555 7PM, 24 Quincy Street POINTS OF DEPARTURE… ALFRED GUZZETTI Air Guzzetti takes the pulse of a certain cross-section of the American left in the early 1970s and comes up with a complex portrait of a time that Scott MacDonald has described as “both exhilarating and frightening.” For example, calm, elegant pans are accompanied by radio reports on political torture. The elaborate soundtrack often juxtaposes two voices, one in each channel, while a collage of documentary footage shot on the streets of Cambridge and Boston alternates with staged moments and with tender portraits of Guzzetti’s friends. US 1971, digital video, color & b/w, 18 min Evidence If Air is the portrait of a group of people in a specific place, Evidence expands to include the whole US. During a cross-country road trip with Richard Rogers, Guzzetti placed mounts on the car, so the camera could fasten securely to either the front fender or the passenger door. He paired the resulting footage with music and recordings from the car radio to provide a snapshot of the nation in the turbulent early 1970s. US 1972, 16mm, color, 16 min Rosetta Stone The first in Guzzetti’s “Language Lessons” video cycle, Rosetta Stone may provide a kind of key to the others, including The Curve of the World, if only through its scrolling mantra, “Within a short time, all knowledge and consciousness of this form of writing was lost.” New screens materialize inside the central screen; they may be windows or mirrors or both. Guzzetti’s multiple dialects intersect yet do not appear to actually touch, while all things solid seem held together by motion and the vacillations of memory and interpretation. US 1993/2001, digital video, color, 10 min The Curve of the World The moving image allows Guzzetti to follow simultaneous, separate paths—some through the cryptic metaphor of dream, some through ordinary reality, others purely emotional and abstract. The paths are also territorial demarcations: flags, borders, the Berlin Wall, the edge of the earth, the work of art. These may be precise boundaries yet they are sometimes invisible, often ephemeral. They mark the difference between inside and outside, synthetic and natural, past and present, experience and memory. US 1994/99, digital video, color, 6 min Under the Rain An elliptical journey through China, but which China, whose China? The China of the imagination, of memory, of dream, of mediated culture? Serene rural landscapes alternate with the clang of city life as Guzzetti’s rippling, rhythmic structure displaces and disorients while holding onto certain constants, such as movement, change and the moon. US 1997, digital video, color, 11 min Time Exposure A return to Guzzetti family history grows out of photographs taken by the filmmaker’s father, and one street scene in particular. This film/video essay about the tension between still photography and the passage of time revisits not only the 1930s but also the 1970s, during the making of Family Portrait Sittings. Ultimately, Guzzetti’s musings spiral out from one photograph to a moving consideration of the mysteries of existence. US 2012, digital video, b/w, 11 min 4/10 Oakland: Shapeshifters Cinema http://hi-beam.us9.list-manage1.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=198c75b100&e=4e65756555 7:30-9:30PM, Temescal Art Center, 511 48th St. SHAPESHIFTERS CINEMA PRESENTS KILLER BANSHEE “is it safe to go outside?” is a three-part media performance by Killer Banshee exploring queer identity in development, question and crisis. Get your head busted on the sidewalk, celebrate a relationship that nobody thought would be, and fight to finish healthcare 20 years in the making! A live media exploration into the obstacles and experience of dedication through video projection, image manipulation and sound. Killer Banshee (Eliot K Daughtry and Kriss De Jong) interprets technology and identity, combining material from personal and public archives to explore gesture, time and place. They expose hidden meanings within media constructs in unexpected ways. WEDNESDAY, APRIL 13, 2016 4/13 Tucson, AZ: Exploded View http://hi-beam.us9.list-manage1.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=4f23a27fe7&e=4e65756555 7:30, 197 E Toole Ave STARDUST/STARMAN: DANGEROUS MINDS & PANTYLINES CLIF TAYLOR + JESS HOLZWORTH Probing into the deep psyche of music, fame and film this evening poses two exceptional in-person artist’s forays and genius spins on the infinite iterations of Rock & Roll. Jess Holzworth is a visual artist & video maker who employs her hyper-collage aesthetic to the making of stunning music videos for bands including Beck, Black Bananas, M.I.A., and Deep Valley. These and more of Holzworth’s videos will be screened tonight. Next, join meticulous historian Clif Taylor/Chick Cashman, dragged through the ashes of glam hell, in live discussion on the essence of rock and roll- a cosmological montage and performance manifesto, preaching + playing cosmic cowboy bullshit all while weaving a web between Cassavetes’ Killing of a Chinese Bookie, Bewitched and high heels ad infinitum! THURSDAY, APRIL 14, 2016 4/14 Hawick, Scotland: Alchemy Experimental Film & Moving Image http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=5dc6bcf915&e=4e65756555 1pm-6pm, Tower Mill, Heart-of - Hawick, Hawick, TD9 0AE Scotland ALCHEMY ARTISTS' FILMMAKING SYMPOSIUM The 2016 Alchemy Film and Moving Image Festival, Scotland’s international festival dedicated to experimental film and artists’ moving image, will open on Thursday 14th April with the Filmmaking Symposium; an unique event that in its past 3 years has proven to be immensely successful. Open to all, and aimed at both aspiring and established filmmakers or artists working within moving image, the Symposium features talks and presentations by revered filmmakers and leading industry figures. It provides a rare opportunity to meet and mingle with a range of experts closely involved the making, funding, and distribution of experimental films and artists’ moving image, along with students and fans of the arts. This year’s high calibre of internationally recognized speakers that will share their insights and experience are: Leighton Pierce (Los Angeles, USA) Filmmaker and Dean of CalArts School of Film/Video. http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=804bb1ab12&e=4e65756555 / http://hi-beam.us9.list-manage2.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=db72ddef82&e=4e65756555 / Lucy Reynolds (London, UK) Curator and course leader of the MRes: Moving Image at Central Saint Martins. http://hi-beam.us9.list-manage2.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=eb2f176b53&e=4e65756555 Madeleine Molyneaux (New York & Los Angeles, USA) Director of Picture Palace Pictures, an international artist’ film Production Company. http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=66b4b2e0dc&e=4e65756555 / Steven Bode (London, UK) Director of Film and Video Umbrella, a commissioning agency for artists’ film. http://hi-beam.us9.list-manage1.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=20bbb216b4&e=4e65756555 / Bryan Konefsky (New Mexico, USA) Artistic director of Experiments in Cinema. http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=375920aadd&e=4e65756555 / http://hi-beam.us9.list-manage1.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=2fb6f4363c&e=4e65756555 SATURDAY, APRIL 16, 2016 4/16 Cambridge, Massachusetts: Harvard Film Archive http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=dafbb56543&e=4e65756555 7PM, 24 Quincy Street WHEN THE EYE QUAKES. THE CINEMA OF PAOLO GIOLI - FILMMAKER IN PERSON Commutations With Mutation (Commutazioni con mutazione) Composed using three different formats that have been made to co-exist: super-8, 16mm and 35mm on a single 16mm support, clear leader. The variations in size caused the original framelines to overlap, subjecting them—and with them their images—to a singular diabolical rhythm. – Paolo Gioli Italy 1969, 16mm, b/w & color, silent, 7 min According to My Glass Eye (Secondo il mio occhio di vetro) The semi-scientific character of this work is in some degree due to the stereo-stroboscopic visual mechanism employed in its making. The careful and paradoxical loading up of profiles alternating between negative and positive is aligned along the axis of a soundtrack of super-synchronized percussions, giving rise to a complexity which can be deciphered only by an attentiveness of the degree required for a visual psychological test. – PG Italy 1971, 16mm, b/w, 11 min Pinhole-film (The Man Without A Movie Camera) [Film stenopeico (L’uomo senza macchina da presa)] This film, as the Vertovian title indicates, was made without a movie camera, more precisely with a device custom-made to restore to images freedom from optics and mechanics. The act of substituting my device for a traditional movie camera is part of a project I have continued from that moment on towards weaning myself from a consumer technology, a toxin to pure creativity. This strange movie camera is a simple little hollow tube, one centimeter thick, two centimeters wide... with two reels to hold 16mm film pulled manually causing alternations of time and space. The images enter simultaneous through 150 holes distributed along one side in proximity to each frame, that come to make up 150 tiny pinhole cameras, also called stenopeic from the Greek stenos = narrow and from the stem op- from oráo = to see. – PG Italy 1973/1981/1989, 16mm, b/w & color, silent, 13 min When the Eye Quakes (Quando l’occhio trema) It all started with the notorious Buñuelian sliced eyeball, that surprises us every time! The anxiety of the incision is transformed into a saccadic, uncontrolled anxiety precisely of the eye and its pupil. – PG Italy 1991, 16mm, b/w, silent, 11 min The Perforated Cameraman (L’operatore perforato) Italy 1979, 16mm, b/w, silent, 9 min Filmarilyn This brief film, it seems to me to exist, finally, as if it I had found it somewhere completely forgotten, as if it had been some unsuccessful pre-cinematic experiment. – PG Italy 1992, 16mm, b/w, silent, 9 min 4/16 San Francisco, California: Other Cinema http://hi-beam.us9.list-manage1.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=0d3712372a&e=4e65756555 8:30, ATA Gallery 992 Valencia Street RICK PRELINGER’S NO MORE ROAD TRIPS + Conscientiously caretaking the Cultural Commons, our Genial Helmsman Rick Prelinger graces the gallery once again with his open-hearted audience-participatory feature. His Lost Landscapes screenings are legendary for their communal memory-sharing and respect for the “human scale” of the amateur. Here Rick stitches and hitches a dream-ride through the American Century out of a collection of 9,000 personal travelogs filmed 1924-1979, its narrative tracing a composite auto journey from Atlantic to Pacific. Viewers supply the track with out-loud commentary, not only revealing stories embedded in the landscapes, but also speculating on what we do now, with the necessity of a fossil-fuel halt at hand. Come early for eye-poppers from OC’s own library, including the dazzling Car of Your Dreams, the Grand Canyon in 3-D, and the West Coast launch of Incite#6, the “Forever” issue, with free Artists’ Multiples! SUNDAY, APRIL 17, 2016 4/17 Austin, TX: Experimental Response Cinema http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=b176352e21&e=4e65756555 4:30pm, Alamo Ritz, 320 E 6th St. OTHER SPECIES, OTHER TIMES: NEW VIDEO ART FROM INDIA Experimental Response Cinema presents Other Species, Other Times: New Video Art From India a program curated by UT Professor Lalitha Gopalan and Anuj Vaidya. The screening includes videos by Sonia Khurana, Ranbir Kaleka, Munir Kabani, Nikhil Chopra, Jana Prepeluh, Neha Choksi, Tejal Shah, Sahej Rahel and Shambhavi Kaul. In a reversal of exhibition practices, this program lines up single channel video art and installations in a repertory film space, and suggests novel ways of considering bodies in movement. These bodies are neither discrete nor constant; they challenge borders and boundaries, and prefer entanglements with other species and other kinds. Varied in their consideration of the digital and in their use of performance practices, the works are primarily by artists living in Mumbai, Goa and New Delhi. 4/17 Cambridge, Massachusetts: Harvard Film Archive http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=d74e15dcb5&e=4e65756555 7PM, 24 Quincy Street WHEN THE EYE QUAKES. THE CINEMA OF PAOLO GIOLI - FILMMAKER IN PERSON Natura obscura With 45 pinholes distributed along a 50 centimeter long hollow tube, I made this film. The purpose was to shoot the seasons... I always shot in the crepuscular half-light of dawn and dusk, since there was too much light during the day. – PG Italy 2013, 16mm, color, silent, 8 min Anonymatograph (Anonimatografo) This film was shot one frame at a time using laborious extreme optical close-ups. Anonimatograph: the reanimated image of an unknown amateur filmmaker at the beginning of the century who become conventional as he settles down, movie camera in hand, indoors and outdoors surrounded by war and by his sisters. – PG Italy 1972, 16mm, b/w, 26 min Slit-scan Figures (Il finish delle figure) Extracted from rolls of 35mm film on which I had made exposures using the photofinish technique. That is, images intended as photography, and therefore as still images. – PG Italy 2009, 16mm, b/w, silent, 9 min Children I have always been interested in the sequencing of images in books, where the possibility exists of imposing movement onto still images. – PG Italy 2008, 16mm, b/w, silent, 6 min When Bodies Touch (Quando i corpi si tòccano) A reflection on the material basis of film. Fragments of figures wander, flutter in the swirling kinetic rhythms imposed on them. – PG Italy 2012, 16mm, b/w, silent, 3 min 4/17 Cambridge, Massachusetts: Harvard Film Archive http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=a51837bdfa&e=4e65756555 4PM, 24 Quincy Street LAND'S RED - PAOLO GIOLI IN PERSON (ROOM B-04) Paolo Gioli will conduct a live experiment and demonstration, "a cinematic verification of Edwin H. Land's experiment in color perception." Using two 16mm projectors Gioli will explore the pioneering work of Land to understand how colors are created and perceived. 4/17 Los Angeles, California: Velaslavasay Panorama http://hi-beam.us9.list-manage2.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=aad0ceffe9&e=4e65756555 7pm, 1122 West 24th Street, Los Angeles, CA 90007 COLD WORM (TIME, AUTO-CORRECTED) This free program is supported in part by a grant from the Department of Cultural Affairs for the City of Los Angeles and the Wende Museum. Interested parties should RSVP by sending an email with the subject line "COLD WORM" to r...@wendemuseum.org. Doors will open for this event at 6:30pm. Illuminated Lecture begins promptly 7:00pm with garden reception to follow. COLD WORM (time, auto-corrected) is a presentation of slides and films from the Cold War archives of the Wende Museum, projected in their original formats. This illuminated lecture is inspired by the position of the Dutch cultural scientist Johan Huizinga, who “described the work of the historian as a performance, since the researcher is forced to make conceptions of social life, events and entities of the past by himself. A historical book is thereby a script of a performance of the historian and his conception of history” (Time, Non-representational Theory and the "Performative Turn" by Peter Dirksmeier & Ilse Helbrecht). The visual material selected for the evening oscillates between fictional document and documented fiction: are we seeing sailors on a stage, or actors on a ship? Might these be the flags of forgotten nation states or the textile project of an ideologically enthusiastic silkworm? ------------------------------------------------------------ Let us know about your alternative film/video event! Enter your event announcements by going to the Flicker Weekly Listing Form (http://hi-beam.us9.list-manage1.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=2f2cfd097c&e=4e65756555) . To receive the weekly listing via email, send a message to Subscribe (http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=bb5e1cff95&e=4e65756555) . To unsubscribe see the link at the bottom of this email. http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=a7b81bba88&e=4e65756555 This email was sent to frameworks@jonasmekasfilms.com (mailto:frameworks@jonasmekasfilms.com) why did I get this? (http://hi-beam.us9.list-manage.com/about?u=e4e99825c1d97f8de6eaffad3&id=1aa4289c98&e=4e65756555&c=4558898ea3) unsubscribe from this list (http://hi-beam.us9.list-manage.com/unsubscribe?u=e4e99825c1d97f8de6eaffad3&id=1aa4289c98&e=4e65756555&c=4558898ea3) update subscription preferences (http://hi-beam.us9.list-manage.com/profile?u=e4e99825c1d97f8de6eaffad3&id=1aa4289c98&e=4e65756555) Flicker . nowhere . San Francisco, CA 94110 . 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