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** This week [August 27 - September 4, 2016] in avant garde cinema
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Katelus' Solo Organ (#anchor15) [September 4, Denver, Colorado 80205]
NEW FILM/VIDEO:
"The Oneiric Bicycle" by Sam Klickner
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=523eb01480&e=4e65756555
"The Visiting Lament" by Sam Klickner
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NEW CALLS FOR ENTRIES:
The Alternative Art School Fair (New York, US; Deadline: September 10, 2016)
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=2b58f4971e&e=4e65756555
DEADLINES APPROACHING:
Black Maria Film Festival (Jersey City, NJ, USA; Deadline: October 01, 2016)
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=49a3684794&e=4e65756555
P.O.V. International Shortfilm Festival (Berlin, Germany; Deadline: August 31,
2016)
http://hi-beam.us9.list-manage1.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=efa36ae0bf&e=4e65756555
P.O.V. International Shortfilm Festival (Berlin, Germany; Deadline: August 31,
2016)
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=eebde3eabc&e=4e65756555
the8fest (Toronto, Canada; Deadline: September 30, 2016)
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MONO NO AWARE X (Brooklyn, NY, USA; Deadline: September 16, 2016)
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ACRE TV (Chicago; Deadline: September 01, 2016)
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8th Cairo Video Festival (Cairo, Egypt; Deadline: September 30, 2016)
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Light Field (San Francisco, CA USA; Deadline: September 01, 2016)
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Ann Arbor Film Festival (Ann Arbor, MI; Deadline: September 01, 2016)
http://hi-beam.us9.list-manage1.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=4f207d4198&e=4e65756555
The Alternative Art School Fair (New York, US; Deadline: September 10, 2016)
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Events are sorted alphabetically BY CITY within each DATE.
This week's programs (summary):
* Risco Cinema - Brasil / Experimental / ContemporâNeo (#anchor1) [August 27,
Rio de Janeiro, Brazil ]
* Essential Cinema: Jerome Hill Program (#anchor2) [August 28, New York, New
York]
* Essential Cinema: Hugo/Jordan/Levitt/Maas Program (#anchor3) [August 28, New
York, New York]
* Long Shadows: Wong / Fox / Beydler (#anchor4) [August 28, San Francisco,
California]
* Wilderness of Mirrors: Films By Paul Clipson (#anchor5) [August 31, London,
Ontario]
* Re-Visions: Willie Varela Program 1 (#anchor6) [August 31, New York, New York]
* Re-Visions: Willie Varela Program 2 (#anchor7) [August 31, New York, New York]
* Exploded view Season Opener: Organpalooza! (#anchor8) [August 31, Tucson, AZ]
* Visions | 09.16 | Northern Light (#anchor9) [September 1, Montréal]
* Essential Cinema: Jennings/Kirsanoff/Leger & Murphy/Clair & Picabia Program
(#anchor10) [September 1, New York, New York]
* Dobra Festival Internacional De Cinema Experimental (#anchor11) [September 1,
Rio de Janeiro]
* Chantal Akerman: Early Works: Je Tu Il Elle (#anchor12) [September 2, Austin,
Texas 78752]
* Icp: Wilke/Freed/Bengalis/Warhol Program (#anchor13) [September 3, New York,
New York]
* Chantal Akerman: Early Works: Je Tu Il Elle (#anchor14) [September 4, Austin,
Texas 78752]
* Katelus' Solo Organ (#anchor15) [September 4, Denver, Colorado 80205]
* Icp: Wilke/Freed/Bengalis/Warhol Program (#anchor16) [September 4, New York,
New York]
SATURDAY, AUGUST 27, 2016
8/27
Rio de Janeiro, Brazil : Risco Cinema
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=eae52909d7&e=4e65756555
17h, Cinemateca of Museum of Modern Art, Rio de Janeiro
RISCO CINEMA - BRASIL / EXPERIMENTAL / CONTEMPORâNEO
Program with experimental cinema made by brazilian artists and filmmakers in
the last years: Deadpixel (2016, Caio Sales, 4’); Occidente (2014, Ana Vaz,
19’36”); Action painting n1/n2 (2014, Krefer & Turca, 6’45”);
Especulativo-imóvel (2012, James Zortéa, 6'); Mãos Mortas (2012, Arthur Tuoto,
5’40”); Nenhum lugar (2011, Dellani Lima, 13'21"); Liberta Morón - Onira vira
rio (2012, Taís Lobo, 7'21"); Estou aqui (2016, Louise Botkay, 7'); Ashes of
the Afternoon (2016, Márcia Bellotti & Luiza Porto, 8’44"); We Are Dreamers!
(2015, Gabraz Sanna & Sara não tem nome 5'19"); Entretempos (2015, Fred
Benevides e Yuri Firmeza, 7'51"), CHILD WORLD (2015, Duo Strangloscope, 8’);
1716 (2009, Marcellvs, 7’)
SUNDAY, AUGUST 28, 2016
8/28
New York, New York: Anthology Film Archives
http://hi-beam.us9.list-manage1.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=12506f9b6e&e=4e65756555
5:30 pm, 32 2nd Ave.
ESSENTIAL CINEMA: JEROME HILL PROGRAM
hese 35mm prints are the result of a preservation project undertaken by the
Museum of Modern Art. DEATH IN THE FORENOON (1934/66, 2 min, 35mm) CANARIES
(1969, 4 min, 35mm) & FILM PORTRAIT (1971, 81 min, 35mm) A pioneering work in
autobiographical cinema, FILM PORTRAIT masterfully combines actual and staged
footage and painting over images. Filmmaker, painter, and composer Jerome Hill
was born into the famous James J. Hill railroad-building family and lived on
the same street as F. Scott Fitzgerald. Here he re-creates wonderfully – with
old family footage – the period and milieu of the American upper class at the
beginning of the 20th century. Total running time: ca. 90 min.
8/28
New York, New York: Anthology Film Archives
http://hi-beam.us9.list-manage2.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=6b3e79ccce&e=4e65756555
7:30 pm, 32 2nd Ave.
ESSENTIAL CINEMA: HUGO/JORDAN/LEVITT/MAAS PROGRAM
an Hugo BELLS OF ATLANTIS (1952, 10 min, 16mm. Preserved by the Library of
Congress through the Avant-Garde Masters program funded by The Film Foundation
and administered by the National Film Preservation Foundation.) Film poem,
based on Anaïs Nin’s HOUSE OF INCEST, spoken by Nin, who also appears. Larry
Jordan DUO CONCERTANTES (1962-64, 6 min, 16mm, b&w) HAMFAT ASAR (1965, 13 min,
16mm, b&w) GYMNOPEDIES (1968, 6 min, 16mm) THE OLD HOUSE, PASSING (1966, 45
min, 16mm, b&w. Preserved by Anthology Film Archives.) OUR LADY OF THE SPHERE
(1968, 9 min, 35mm) “With a taste for nostalgic romanticism…Jordan creates a
magical universe of work using old steel engravings and collectable
memorabilia. His 50-year pursuit into the subconscious mind gives him a place
in the annals of cinema as a prolific animator on a voyage into the surreal
psychology of the inner self.” –Jackie Leger Helen Levitt IN THE STREET (1952,
12 min, 16mm, b&w. Preserved by Anthology Film Archives.) Levitt’s short,
lyrical documentary portrait of life in Spanish Harlem. Stealthily shot by
Levitt, Janice Loeb, and James Agee. Willard Maas GEOGRAPHY OF THE BODY (1943,
7 min, 16mm, b&w. Preserved by Anthology with support from The National Film
Preservation Foundation.) “The terrors and splendors of the human body as the
undiscovered, mysterious continent.” –W.M. Total running time: ca. 105 min.
8:45 PM
8/28
San Francisco, California: Artists Television Access
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=6478ece464&e=4e65756555
5:00 pm,
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=dc594bc7f5&e=4e65756555
LONG SHADOWS: WONG / FOX / BEYDLER
Introduced by Al Wong, filmmaker, and Tanya Zimbardo, curator. Al Wong, Same
Difference, 1975, 16mm transferred to video, color, sound, 17.5 min.,
soundtrack: Terry Fox, courtesy the artist. Terry Fox, Lunedi, 1975, video,
b&w, sound, 21:23 min., camera: Bill Viola, courtesy NIMK / LIMA. Gary Beydler,
Venice Pier, 1976, 16mm, color, sound, 16 min., courtesy of Canyon Cinema
WEDNESDAY, AUGUST 31, 2016
8/31
London, Ontario: London Ontario Media Arts Association
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=e5cbc9c870&e=4e65756555
7pm, 355 Clarence Street, London, Ontario N6A 3M4 Canada
WILDERNESS OF MIRRORS: FILMS BY PAUL CLIPSON
LOMAA is pleased to present a selection of works by San Francisco-based
filmmaker Paul Clipson, displaying his unique vision to transform the everyday
into phantasmagoric celluloid landscapes. Hosted in partnership with Forest
City Gallery. Programme: SPHINX ON THE SEINE (2009) 16mm (* originally shot on
Super 8mm), colour/B&W, 7.5 minutes, music by Jefre Cantu-Ledesma. UNION (2011)
16mm (* originally shot on Super 8mm), colour/B&W, 14.5 minutes, music by Jefre
Cantu-Ledesma. ANOTHER VOID (2012) 16mm (* originally shot on Super 8mm),
colour, 11 minutes, music by Jefre Cantu-Ledesma. LIQUID CASKET/WILDERNESS OF
MIRRORS (2014) 16mm, colour/B&W, 9.5 minutes, music by Lawrence English. MADE
OF AIR (2014) 16mm, colour/B&W, 11.5 minutes, music by Grouper. Total duration:
54 minutes
8/31
New York, New York: Anthology Film Archives
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=809b1f234a&e=4e65756555
7:00 pm, 32 2nd Ave.
RE-VISIONS: WILLIE VARELA PROGRAM 1
Born in 1950 in El Paso, Texas, on the Mexican-American border, Willie Varela
grew up surrounded by the disparate influences of his Chicano heritage,
Catholicism, and television, all of which he synthesizes in his hauntingly
searching works. Weaving together diaristic impressions from his everyday life
with imagery from the mass media – TV news, classic movies, Mexican
telenovelas, wrestling – Varela’s films are a beguiling fusion of the personal
and political. Varela began making Super 8mm films in 1971. Showing the
influence of Stan Brakhage, Varela’s early works are gestural investigations of
perception and the act of seeing – in his own words, he was in this period,
“concerned with the rhythm and the movements, the color and the light of daily
life… In other words, my films were more domestic in nature.” That changed when
Varela moved to San Francisco in 1980, where the emergence of the AIDS crisis,
and the deaths of many of his friends and fellow filmmakers, impacted him
profoundly. This coming to terms with grim sociopolitical realities is
reflected in the increasingly dark and politically-charged tone of films like
IN PROGRESS (1985), a nightmarish vision of the Reagan era in which Varela
combines re-photographed television imagery with his own footage to create
doom-laden social commentaries on American culture. Returning to El Paso in
1986, Varela has continued working in video, exploring the potent themes that
drove his Super 8mm films. He has produced nearly 100 films and videos to date
and in 1994 he was honored with a mid-career retrospective at the Whitney
Museum of American Art. In addition to his work as a filmmaker, Varela is also
a photographer, film programmer, writer, and teacher. For these RE-VISIONS
screenings, we will be presenting one program of Anthology’s recent 16mm
preservations and one program devoted to Varela’s more recent video work. “If
Varela is a personal filmmaker, it is because the personal, like his native El
Paso, functions as a crossroads for domestic, local, and national discourses.”
–Chon Noriega PROGRAM 1: All films preserved by Anthology Film Archives with
support from the Andy Warhol Foundation for the Visual Arts and the National
Film Preservation Foundation. GHOST TOWN (1975, 3 min, Super-8mm-to-16mm,
silent) BECKY’S EYE (1977, 3.5 min, Super-8mm-to-16mm, silent) MARCH 1979
(1979, 3.5 min, Super-8mm-to-16mm, silent) LIGHT JOURNALS (1981, 35 min, 16mm,
silent. Print courtesy of the Reserve Film and Video Collection of The New York
Public Library for the Performing Arts.) RECUERDOS DE FLORES MUERTAS (1982, 7.5
min, Super-8mm-to-16mm) IN PROGRESS (1985, 13 min, Super-8mm-to-16mm) Total
running time: ca. 70 min.
8/31
New York, New York: Anthology Film Archives
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=0b2d9bbef7&e=4e65756555
8:45 pm, 32 2nd Ave.
RE-VISIONS: WILLIE VARELA PROGRAM 2
PROGRAM 2: THIS BURNING WORLD (2002, 32 min, digital) I RAISE MY ARM, I AM
RESPONSIBLE (2004, 16.5 min, digital) AMBIENS SERIES VII, DUO (2002, 9.5 min,
digital) THE BIRTHDAY PARTY (2004, 10.5 min, digital) THE EXTRAORDINARY DAY
(2003, 16.5 min, digital) Total running time: ca. 90 min.
8/31
Tucson, AZ: Exploded View
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=2e146b8795&e=4e65756555
7:30, 197 E Toole Ave
EXPLODED VIEW SEASON OPENER: ORGANPALOOZA!
EV opens our 4th year of experimental film and music programming with a
performance by San Francisco based Douglas Katelus who is touring with his
films and a 1960’s Hammond A100 Organ and a Leslie speaker! He will be
screening his 16mm film & slide piece Keep Film Dead along with his take on
Pink Floyd’s “Atom Heart Mother”. Electric wizard Eric Schlappi will play live
to PsycMAP’s music video of his epic Poseidonis. Local ambient trailblazer (&
Chick Magnet founder!) LANO teams up with Gabriella Molina presenting delights
of sound & light!!
THURSDAY, SEPTEMBER 1, 2016
9/1
Montréal: VISIONS
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=0550127c54&e=4e65756555
20H00, [la lumière | 7080, rue Alexandra, #506, Montréal]
VISIONS | 09.16 | NORTHERN LIGHT
In collaboration with la lumière collective, VISIONS presents NORTHERN LIGHT :
A programme of contemporary Canadian cinema. //// Leslie Supnet | Ralitsa
Doncheva | Aaron Zeghers | Parastoo Anoushahpour, Faraz Anoushahpour, & Ryan
Ferko | Karl Lemieux & David Bryant | Steven Woloshen | Solomon Nagler | Rhayne
Vermette | Chris Kennedy | Malena Szlam | Emilie Serri \\\\\ Artists in
attendance | Digital Programme | 01.09.16 | 20h00 | $7
9/1
New York, New York: Anthology Film Archives
http://hi-beam.us9.list-manage1.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=9ce1afe3e5&e=4e65756555
7:30 pm, 32 2nd Ave.
ESSENTIAL CINEMA: JENNINGS/KIRSANOFF/LEGER & MURPHY/CLAIR & PICABIA PROGRAM
Humphrey Jennings LISTEN TO BRITAIN (1941, 19 min, 35mm, b&w) Jennings’s film
is a masterpiece of sound mixing; it creates an audio landscape of Britain
during the war, with images both accompanying and conflicting with the
multitude of sounds. From the film’s introduction: “I have been listening to
Britain. I have heard the sound of her life by day and by night…. In the great
sound picture that is here presented, you too will hear that heart beating. For
blended together in one great symphony is the music of Britain at war.” Dimitri
Kirsanoff MÉNILMONTANT (1924-25, 38 min, 35mm, b&w, silent) A melodramatic
story of an orphan girl whose seduction is avenged. Early use of hand-held
camera, montage, and superimpositions. Fernand Léger & Dudley Murphy BALLET
MÉCANIQUE (1924, 19 min, 35mm, b&w, silent. Preserved by Anthology Film
Archives.) A brief exploration of cubist form, black-and-white tonalities, and
various vectors through its constant, rapidly cut movements and
compositions. Many of the film’s forms and compositions are reflected in – or
themselves reflect – forms and compositions in Léger’s famous cubist paintings
from the period. René Clair & Francis Picabia ENTR’ACTE (1924, 22 min, 35mm,
b&w) A masterpiece of Dada, a feat of cinema magic. Made as an intermission
entertainment for the Ballet Suédois from an impromptu scenario by Francis
Picabia. Music by Erik Satie. Total running time: ca. 105 min.
9/1
Rio de Janeiro: Dobra Festival Internacional de Cinema Experimental
http://hi-beam.us9.list-manage2.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=825f37fdcd&e=4e65756555
19h, Cinemateca do Museu de Arte Moderna do Rio de Janeiro MAM/RJ Av. Infante
Dom Henrique, 85 - Parque do Flamengo, Rio de Janeiro - RJ, 20021-140
DOBRA FESTIVAL INTERNACIONAL DE CINEMA EXPERIMENTAL
A 2º edição do DOBRA dedica-se a coletivos e exibidores que fazem parte de
espaços artísticos estabelecidos dentro de comunidades do cinema experimental
internacional, além de realizadores brasileiros que vêm desbravando esse fazer
artístico no cinema dentro e fora do país. DOBRA traz duas seções europeias
curta-metragem realizados por coletivos de arte europeus com foco em criação em
película, o WORM.Filmwerkplaats baseado em Rotterdam (HOL) e o Craterlab, de
Madrid (ES); apresenta o panorama "O Oculto pessoal" do festival californiano
HÄXÄN, que apresenta uma diversa gama de curta-metragens que tratam de temas e
estéticas do oculto; abre espaço para a mostra nova iorquina Another Experiment
by Women Film Festival com foco em trabalhos experimentais feitos por mulheres,
no panorama entitulado "Superfície-Sentimento"; apresenta o panorama VER,
focado na criação latino-americana e curado pelo RISCO, coletivo carioca focado
na exibição, reflexão e disseminação de cinema
experimental no Rio de Janeiro; o panorama FIN, curado pelo recifense Gondwana,
Antropoceno; e o Panorama Impureza e Desobiência, o Dentro e o Fora do Cinema
Experimental, que traz artistas contemporâneos variados, com destaque para os
filmes brasileiros "A História de Abraim", de Otávio Cury, e "K-Bela", de
Yasmin Thayná.
FRIDAY, SEPTEMBER 2, 2016
9/2
Austin, Texas 78752: Experimental Response Cinema
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=a269de3faa&e=4e65756555
7pm, AFS Cinema, 6226 Middle Fiskville Rd
CHANTAL AKERMAN: EARLY WORKS: JE TU IL ELLE
SEPTEMBER 2 - 18: AN UNMISSABLE RETROSPECTIVE of *five* Chantal Akerman films
from the seventies! Je, Tu, Il, Elle, France, 1974, DCP, 86 min. In French with
English Subtitles. In Chantal Akerman’s formally bold and sexually daring first
feature length film, the director herself plays a young woman that first
isolates herself in her apartment, and later hits the road for an impromptu
trip that lands her at a former girlfriend’s house.
SATURDAY, SEPTEMBER 3, 2016
9/3
New York, New York: Anthology Film Archives
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=0419e47c28&e=4e65756555
7:15 pm, 32 2nd Ave.
ICP: WILKE/FREED/BENGALIS/WARHOL PROGRAM
Featuring two artists from ICP’s exhibition, Wilke and Benglis, this program
presents forms of performance for the camera by artists interested in the
visual and conceptual presentation of the self and the body. Wilke performs a
striptease in front of Marcel Duchamp’s “The Bride Stripped Bare by Her
Bachelors, Even” (also known as “The Large Glass”). A very self-conscious
performance, it slyly mocks the portrayal of women in art – stripped bare by
their artists, even. In TWO FACES, Hermine Freed creates a double of herself in
a split-screen, and kisses and coddles the reflection – a self-examination in
the face of cultural representations and expectations of femininity. Lynda
Benglis’s NOW, included in the original Castelli-Sonnabend video art
collection, features Benglis performing in front of her pre-recorded image,
playing with the idea of a ‘live’ performance, and questioning the role of the
performer versus director as she alternates between the cues, “Start recording
now!” and “Do you wish to direct me?” Andy Warhol’s OUTER AND INNER SPACE is a
mesmerizing double-projection, starring his Superstar Edie Sedgwick, and the
first of Warhol’s experiments with a split screen. Each of the projections
presents Edie doubled: ‘live’ Edie side-by-side with a pre-recorded video image
of herself in profile, appearing to speak into her own ear. Highly self-aware
of her presentation, Edie performs her superstar persona for the camera while
hearing her own earlier performance. It is a dizzying rupturing of filmic time
and an inspired exercise in the reflexivity of new media. These works
constitute early video examinations of how the camera changes our way of
presenting the self, decades before a plethora of apps could broadcast one’s
performance to the world. Hannah Wilke HANNAH WILKE THROUGH THE LARGE GLASS
1976, 10 min, 16mm-to-video, silent Hermine Freed TWO FACES 1972, 6.5 min,
video, b&w Lynda Benglis NOW 1973, 12 min, video Andy Warhol OUTER AND
INNER SPACE 1965, 33 min, 16mm dual projection, b&w Total running time: ca. 65
min.
SUNDAY, SEPTEMBER 4, 2016
9/4
Austin, Texas 78752: Experimental Response Cinema
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=007ef3fe19&e=4e65756555
2pm, AFS Cinema, 6226 Middle Fiskville Rd
CHANTAL AKERMAN: EARLY WORKS: JE TU IL ELLE
France, 1974, DCP, 86 min. In French with English Subtitles. In Chantal
Akerman’s formally bold and sexually daring first feature length film, the
director herself plays a young woman that first isolates herself in her
apartment, and later hits the road for an impromptu trip that lands her at a
former girlfriend’s house.
9/4
Denver, Colorado 80205: Cinema Contra
8 PM - 10 PM, Pon Pon, 2528 Walnut St
KATELUS' SOLO ORGAN
CINEMA CONTRA kicks off the fall season with KATELUS' SOLO ORGAN GLITCH + 16MM
FILMS w/ live musical accompaniment Please note: This show is at Pon Pon bar,
not GLOB + suggested donation $8 HAMMOND ORGANIST, EXPERIMENTAL FILMMAKER,
UNDERGROUND FILM CURATOR and beloved SF Mission District denizen DOUG KATELUS
swings into our much-loved neighborhood bar PON PON as part of a massive US
tour to kick off CINEMA CONTRA's Fall season!! Katelus' "Films About Films"
-\-\ heartfelt tributes to glitch, Nintendo, Mission District Microcinemas,
long-gone 16MM film labs, and other nearly-obsolete media -\-\ are accompanied
by "soundssomewhere along the lines of free-form psychedelic blues drone jazz,
incorporating elements of classic rock." Come welcome Doug Katelus to Five
Points and Colorado!! + LPS and t-shirts FOR SALE
9/4
New York, New York: Anthology Film Archives
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=aa46c04090&e=4e65756555
8:30 pm, 32 2nd Ave.
ICP: WILKE/FREED/BENGALIS/WARHOL PROGRAM
See notes for Aug. 3, 7:15 pm.
------------------------------------------------------------
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