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** This week [July 16 - 24, 2016] in avant garde cinema
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Early Monthly Segments #86 = Jerome Hill's Film Portrait (#anchor5) [July 18,
Toronto, Ontario, Canada]
NEW CALLS FOR ENTRIES:
Winter Film Awards (New York NY USA; Deadline: November 15, 2016)
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=2a6458d813&e=4e65756555
ENSEMBLE / PARALLAX (Providence, RI, USA; Deadline: July 30, 2016)
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=6227221560&e=4e65756555
HAXAN Festival (Bay Area, USA; Deadline: July 15, 2016)
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=9118780691&e=4e65756555
call for video art | OFF THE WALL (Madison, Wisconsin, USA; Deadline: July 31,
2016)
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=f7e4861952&e=4e65756555
Kumu Art Film Festival (Tallinn, Estonia; Deadline: August 12, 2016)
http://hi-beam.us9.list-manage2.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=936c1ec92c&e=4e65756555
GAZE @ Artists Television Access (San Francisco, CA, US; Deadline: August 01,
2016)
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=2783b86463&e=4e65756555
ACRE TV (Chicago; Deadline: September 01, 2016)
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=3aeaf0302e&e=4e65756555
DEADLINES APPROACHING:
Punto y Raya Festival (Barcelona, Spain; Deadline: July 31, 2016)
http://hi-beam.us9.list-manage1.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=3f35a76de6&e=4e65756555
Auckland Underground Film Festival (Auckland, New Zealand; Deadline: August 01,
2016)
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=b1b5a2599b&e=4e65756555
Antimatter [Media Art] (Victoria, BC, Canada; Deadline: July 22, 2016)
http://hi-beam.us9.list-manage1.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=e560a482c3&e=4e65756555
UNXFEST 1.2 (Durham; Deadline: August 01, 2016)
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Light Field (San Francisco, California USA; Deadline: August 01, 2016)
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ARTErra (Tondela; Deadline: July 31, 2016)
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FLEFF (Ithaca, New York, USA; Deadline: August 15, 2016)
http://hi-beam.us9.list-manage1.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=a03ccf2c56&e=4e65756555
INTE CINEMA FESTIVAL (Rome, Italy; Deadline: August 20, 2016)
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=46df710510&e=4e65756555
2016 Transient Visions: Festival of the Moving Image (Johnson City, NY, USA;
Deadline: July 31, 2016)
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=98a90ff9ee&e=4e65756555
Consumer Grade Film Fest (Carbondale, IL, USA; Deadline: August 01, 2016)
http://hi-beam.us9.list-manage1.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=dc0f080733&e=4e65756555
ENSEMBLE / PARALLAX (Providence, RI, USA; Deadline: July 30, 2016)
http://hi-beam.us9.list-manage1.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=396bb0431a&e=4e65756555
call for video art | OFF THE WALL (Madison, Wisconsin, USA; Deadline: July 31,
2016)
http://hi-beam.us9.list-manage2.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=23581f7857&e=4e65756555
Kumu Art Film Festival (Tallinn, Estonia; Deadline: August 12, 2016)
http://hi-beam.us9.list-manage1.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=fcad41a07b&e=4e65756555
GAZE @ Artists Television Access (San Francisco, CA, US; Deadline: August 01,
2016)
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=ec195d786e&e=4e65756555
Events are sorted alphabetically BY CITY within each DATE.
This week's programs (summary):
* The Sinema of Nick Zedd (#anchor1) [July 16, Los Angeles, California]
* Visions 16.07.15 = Robert Todd | Shorts (#anchor2) [July 16, Montreal, Quebec
h2x2v1]
* Icp: Barr/Gibbons/Auder Program (#anchor3) [July 16, New York, New York]
* Icp: Barr/Gibbons/Auder Program (#anchor4) [July 17, New York, New York]
* Early Monthly Segments #86 = Jerome Hill's Film Portrait (#anchor5) [July 18,
Toronto, Ontario, Canada]
* Eye and Ear Control: Esp-Disk' On Film (#anchor6) [July 19, Brooklyn, New
York 11222]
* Risco Cinema At Ocupa Minc (#anchor7) [July 19, Rio de Janeiro, Brazil]
* Visions | 20.07.16 | Sasha Litvintseva (#anchor8) [July 20, Montréal]
* Clauda Larcher Program (#anchor9) [July 21, New York, New York]
* Sense and Sensuality: Bay Area Feminist Filmmaking of the 1980s // Eye On A
Director: Canyon Cinema (#anchor10) [July 21, New York, New York]
* Keith Evans With Thingamajigs Peformance Group + video Savant With Lisa
Mezzacappa Ensemble (#anchor11) [July 22, Berkeley, California]
* Haverhill Experimental Film Festival (Day One) (#anchor12) [July 22,
Haverhill, Massachusetts]
* Ecstatic Landscapes: An Evening of Film, Music and Performance (#anchor13)
[July 22, San Francisco, California]
* Haverhill Experimental Film Festival (Day Two) (#anchor14) [July 23,
Haverhill, Massachusetts]
* Incredible Strange Music W/ Craig Baldwin (#anchor15) [July 23, San
Francisco, California 94103]
* Unseen Series | Wobbly, Bill Thibault, Kerry Laitala, Cyrus Tabar (#anchor16)
[July 23, San Francisco, California]
* Haverhill Experimental Film Festival (Final Day!) (#anchor17) [July 24,
Haverhill, Massachusetts]
SATURDAY, JULY 16, 2016
7/16
Los Angeles, California: Lethal Amounts
8 PM til closing, 1226 West 7th
THE SINEMA OF NICK ZEDD
The Bogus Man starring Grier Lankton, David McDermott, Rafik; Thrust In Me
starring Nick Zedd, Margot Damien, Don Houston; Police State starring Nick
Zedd, Willoughby Sharp, Rockets Redglare, Flip Crowley; War Is Menstrual Envy
excerpt starring Annie Sprinkle, Kembra Pfahler, Ray; Ecstasy In Entropy
starring Annie Sprinkle, Brenda Bergman, Nick Bohn, Daryl Free, World Famous
BOB; Why Do You Exist starring Mike Diana, World Famous BOB, Kembra Pfahler,
Little Annie, Solange Monnier, Daryl Free, Dr. Ducky Doolittle; Tom Thumb
starring Steen Jorgensen, Gritt Uldall Jessen, Kajtek Zedd; Thus Spake
Zarathustra starring Nick Zedd, Rev Pat Moonblood, Saint Rev Jen; Paintings
2009-11, No Plague Like Home starring Saint Rev Jen, Vox; Demonic Sweaters
starring Gio Guzman, Diriak Romay, Jose Luis Cruz, Ivania, Odiosa Athena, Zerak
Zedd; Admission $10
7/16
Montreal, Quebec h2x2v1: Cinema Excentris
9 PM, 3536 St-Laurent
VISIONS 16.07.15 = ROBERT TODD | SHORTS
VISIONS en collaboration avec Double Negative Collective présente LA POETIQUE
DE L'ESPACE : LES FILMS DE ROBERT TODD (16mm, 70mins) 16.07.15 | 21h | Cinema
Excentris | En présence du cinéaste | Filmmaker present copies 16mm | 16mm
prints sans dialogues | no dialogue "A specialist in lyrical 16mm filmmaking as
well as a sound and visual artist, Robert Todd continually produces short works
that resist categorization." « Spécialiste de la réalisation de films lyriques
tournés en 16mm et artiste en arts sonores et visuels, Robert Todd réalise
incessamment de courts films qui résistent à toute catégorisation. »
7/16
New York, New York: Anthology Film Archives
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=41d616d5e0&e=4e65756555
6:15 pm, New York, NY.
ICP: BARR/GIBBONS/AUDER PROGRAM
Given the blatant parallels between voyeurism and the cinema, it is no surprise
that artists have used it as a point of departure for works that can be in turn
hilarious and sobering. Burt Bar’s THE WOMAN NEXT DOOR utilizes refined shots,
minimal dialogue, and an ambient soundtrack to create a stripped-down
examination of isolation and voyeurism as we follow a man’s evolution from
curious neighbor to a full-fledged voyeur. Barr explains, “The man’s life is so
restrictive, that every sound she makes, every glimpse of her becomes a
monumental event.” The title reveals the basic premise for Joe Gibbons’s
SPYING, a brilliant and perverse work described by J. Hoberman as, “An exercise
in applied voyeurism – a hilariously perverse MAN WITH A MOVIE CAMERA.” Michel
Auder’s THE CONVERSATION, BROOKLYN finds him eavesdropping on two women as they
talk about their lives, sex, drugs, motherhood, and more. Auder has said, “That
really might be the most transgressive video I ever made
because you really see those two young women talking…. They are about to be
women, and they are talking right there on my stoop and I can hear them from my
studio and I just put my camera out and it just happened.” Burt Barr THE WOMAN
NEXT DOOR (1984, 19 min, video) Joe Gibbons SPYING (1977-78, 31.5 min, Super
8mm-to-16mm. Preserved by Bard College with support from the National Film
Preservation Foundation.) Michel Auder THE CONVERSATION, BROOKLYN (2003, 4 min,
digital) Total running time: ca. 60 min.
SUNDAY, JULY 17, 2016
7/17
New York, New York: Anthology Film Archives
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=5e3dd07c4d&e=4e65756555
8:00 pm, New York, NY.
ICP: BARR/GIBBONS/AUDER PROGRAM
See notes for July 16, 6:15 pm.
MONDAY, JULY 18, 2016
7/18
Toronto, Ontario, Canada: Early Monthly Segments
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=2e4164c7ad&e=4e65756555
8:00 PM, Gladstone Hotel, 1214 Queen Street West
EARLY MONTHLY SEGMENTS #86 = JEROME HILL'S FILM PORTRAIT
One of the often under discussed histories of art and film making is the
history of patronage. Often a clandestine part of the discussion of artists and
money—especially in locales with little public funding for the arts—its
nevertheless an important part of the historical record. The history of the New
American Cinema, especially in relationship to Anthology Film Archives, has
never hidden this part of their history. In fact, one of their prime patrons
was a filmmaker himself and an active participant in the scene—Jerome Hill. A
dear friend of Jonas Mekas, Hill was integral in the founding of AFA and to the
Jerome Foundation which has supported emerging artists in Minnesota (his state
of birth) and New York (his place of residence) for the last 50 years. In
addition to his philanthropy, Hill was himself a noted filmmaker. After
producing award winning documentary portraits of Grandma Moses and Albert
Schweitzer in the 1950s, he became taken with the more free from
film-styles of the New American Cinema and started making personal films,
including work that saw him animating and painting on films. Film Portrait, the
final film before his death in 1972, is an autobiographical film that utilizes
compelling home movie footage, coupled with experimental flourishes like
negative imagery and hand-painted frames. The memoir becomes both a Proustian
glimpse at a well-appointed life during the early part of the 20th century
(Hill being the grandson of a railroad baron) and the Jungian psychological
challenges of being an outsider to that life—artistic, adventurous and queer.
"[Film Portrait] is about the liberation of an artist from the bonds of his
family, his class, the fashionable art styles, and one thousand other bonds: a
liberation through cinema..." – Jonas Mekas Programme: Film Portrait, Jerome
Hill, USA, 1972, 16mm, 82 min. Special Thanks to Ekrem Serdar, New York
Filmmakers Co-op and Gladstone Hotel. Thanks to Carl Lee and the
Department of Media Study, SUNY Buffalo Contact earlymonthlysegme...@gmail.com
for e-list. Twitter @earlymonthly EMS #87 = August 2016 = TBA
TUESDAY, JULY 19, 2016
7/19
Brooklyn, New York 11222: Light Industry
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=f37a64c166&e=4e65756555
7:30 PM - 9:30 PM, 155 Freeman St
EYE AND EAR CONTROL: ESP-DISK' ON FILM
Curated by Brian Belovarac New York Eye and Ear Control, Michael Snow, 1964,
16mm, 34 mins The Fugs, Edward English, 1966, 16mm, 13 mins Giuseppi Logan,
Edward English, 1966, 16mm, 5 mins The Godz, Jud Yalkut, 1966, 16mm, 9 mins
Spaceways, Edward English, digital projection, 1968, 18 mins. Revered by
musical seekers across the globe-and resented by performers who typically
received little to no royalties-ESP is now regarded as one of the most
influential record labels of all time. Its artists were fortunately captured on
film in a number of short experimental works that bridged multiple undergrounds
then flourishing in New York. Tonight's program brings together all of the
ESP-associated films produced in the 1960s: portraits of Giuseppi Logan, The
Fugs, The Godz, and Sun Ra, as well as Michael Snow's New York Eye and Ear
Control, whose brain-bending soundtrack was improvised by an all-star team of
ESP artists led by Ayler. To paraphrase the label's slogan, you've never seen
such sounds in your life. - BB Brian Belovarac works in repertory film
distribution and has presented programs at venues such as the George Eastman
Museum, Anthology Film Archives, and the Wisconsin Film Festival. Tickets - $8,
available at door. Please note: seating is limited. First-come, first-served.
Box office opens at 7pm.
7/19
Rio de Janeiro, Brazil: Risco Cinema
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=daf2253f70&e=4e65756555
19h30, Palácio Gustavo Capanema
RISCO CINEMA AT OCUPA MINC
Risco Cinema with Occupy Minc presents a session in dialogue of the potential
of experimental cinema with the political struggles and social engagement.
Movies produced as resistance movementes, clandestines, anonymous,
insurrectionary acts, made in the heat of the moment, done in a world where
more and more weapons are transforming in cameras, and other electronic
devices. Against images colonized, hegemonic and spectacularized realities. The
theme of the session is the complexity of guerrillas from the arsenal of images
and sounds. Cinema as praxis. Occupy Minc is in the seat of Funarte
(Institution that support and promote the arts under the Ministry of Culture).
The artistic movements occupied the building since the political crisis caused
by the coup government currently in Brazil. The program of films that present
surprise. The session time is 70 minutes.
WEDNESDAY, JULY 20, 2016
7/20
Montréal: VISIONS
http://hi-beam.us9.list-manage1.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=52d82bd2d6&e=4e65756555
19H00, la lumière
VISIONS | 20.07.16 | SASHA LITVINTSEVA
In collaboration with la lumière collective, VISIONS presents, THE SPECTACLE OF
HISTORY : short films by Sasha Litvintseva. //// Digital Programme | 73mins |
Filmmaker present //// [+ Curated show : 21.07.16 | SPECTRES OF THE FUTURE :
Ana Vaz, Uriel Orlow, Graeme Arnfield, Nicholas Brooks]
THURSDAY, JULY 21, 2016
7/21
New York, New York: Anthology Film Archives
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=171fa10cee&e=4e65756555
7:30 pm, New York, NY.
CLAUDA LARCHER PROGRAM
Austrian artist Claudia Larcher’s highly distinctive body of work encompasses
photo-collage, site-specific video animation, and mixed media installation. At
the heart of all her work, whatever the medium, is a preoccupation with
architecture, and with the traces of history and memory that suffuse particular
places. Questioning the meaning of ‘home’ and notions of identity, many of her
moving image pieces take the form of digitally-manipulated explorations of
interior spaces in which people are absent and yet their imprint is
unmistakably present. Combining photography and animation, works such as HEIM
and EMPTY ROOMS find Larcher using digital tools to create impossible,
endlessly circling pans, with spaces perceptibly but fluidly morphing into
other spaces. The effect, thanks to the films’ inexorable, inhuman camera
movement and subtly creepy soundtracks, is deeply unsettling. In her most
recent video work, SELF, Larcher applies this method to the surface of the
human body,
creating a similarly implacable, never-ending traveling shot across a bodily
landscape that is at once hyper-real and alarmingly artificial. A kind of
organic reconfiguration of her architecturally-oriented earlier films, it
demonstrates the versatility of the unique technique she’s developed. For her
Show & Tell program, Larcher will be here in person to present a selection of
her video works, alongside a film she has selected, Billy Roisz’s darkroom.
Claudia Larcher’s SELF was the co-recipient of this year’s MoreVALUE Film
Award, which is granted each year during the Viennale (Vienna International
Film Festival). Designed to showcase the best of Austrian cinema, the Award was
founded by Erste Bank, the Viennale’s main sponsor, and is awarded according to
the findings of an independent jury. The Award brings a cash prize as well as a
one-month residency hosted and organized by the Deutsches Haus at NYU. The
screenings are co-organized by the Deutsches Haus at NYU and the
Austrian Cultural Forum New York. EVERYTOWN (2007, 2 min, digital, b&w) HEIM
(2008, 12 min, digital) EMPTY ROOMS (2011, 12 min, digital) BETWEEN THE OCEAN
(2013, 5 min, digital) SELF (2015, 8 min, digital) & Billy Roisz darkroom
(2014, 13 min, digital) In darkroom, Billy Roisz surveys several pitch-black
interior spaces from different perspectives and turns a cinematic darkroom into
an abstract chamber of wonders. Total running time: ca. 60 min.
7/21
New York, New York: MAD | Museum of Arts and Design
7 PM, 2 Columbus Circle
SENSE AND SENSUALITY: BAY AREA FEMINIST FILMMAKING OF THE 1980S // EYE ON A
DIRECTOR: CANYON CINEMA
"Valley Fever" (Stephanie Beroes, 1979, 20 min) "Maternal Filigree" (Sandra
Davis, 1980, 18 min) "Sincerely" (Lynn Marie Kirby, 1980, 14 min) "Department
of the Interior" (Nina Fonoroff, 1986, 9 min) "Futility" (Greta Snider, 1989, 9
min) "Chronicles of a Lying Spirit (by Kelly Gabron)" (Cauleen Smith, 1990, 13
min) 83 min, 16mm Projection. Much critical attention to women's avant-garde
filmmaking of the 1970s and 1980s focused on East coast and European feminist
filmmakers, the critique of visual pleasure and the notion of the male gaze in
cinema. In San Francisco, a new generation of feminist avant-garde filmmakers
were emerging with a very different approach to questions of gender and
pleasure in cinema. Influenced as much by the work of Gunvor Nelson and Chick
Strand as by Laura Mulvey and Yvonne Rainer, these artists emphasized visual
pleasure, finding in cinema sensual and lyrical ways to explore the personal
and political experience of coming to consciousness as young
radicals. Their focus on color, texture, montage, sounds and text created a
deeply sensuous and searching cinema. This largely unheralded body of work
housed at Canyon has influenced subsequent feminist filmmaking on the West
Coast and beyond. Program curated by Jeffrey Skoller
FRIDAY, JULY 22, 2016
7/22
Berkeley, California: Berkeley Arts
8pm, 2133 University Ave
KEITH EVANS WITH THINGAMAJIGS PEFORMANCE GROUP + VIDEO SAVANT WITH LISA
MEZZACAPPA ENSEMBLE
A two-part, multi-room evening of live cinema, visual and sonic experiments and
environments, featuring local heroes and esteemed guests ----- Performative
projectionist and intermedia artist Keith Evans with Thingamajigs Performance
Group performing an immersive sonic and visual rendition of Jason Levis’
composition Tesserae (Dylan Bolles (flutes); Suki O’Kane (percussion and
electronics); Edward Schocker (glass and reeds) - www.thingamajigs.org
-------Electronic / Expanded media artist Charles Woodman visits from
Cincinnati with his live video performance project viDEO sAVant, joined by Lisa
Mezzacappa (bass); Jason Levis (drums); Noah Phillips (guitar); John Finkbeiner
(guitar); Tim Perkis (electronics) -https://vimeo.com/126879859
7/22
Haverhill, Massachusetts: Haverhill Experimental Film Festival
http://hi-beam.us9.list-manage1.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=dc404f65f6&e=4e65756555
7pm and 9pm, 77 Washington St, Haverhill, MA 01832 (Barking Dog Ale House)
HAVERHILL EXPERIMENTAL FILM FESTIVAL (DAY ONE)
Join us on opening night of the 4th Annual Haverhill Experimental Film Festival
at Barking Dog Ale House! There will be two screenings on Friday, July 22,
2016: 7pm: Juror Screening ($5) - Featuring works from Kelly Sears & Ben
Balcom, the two jurors for this year's fest! 9pm: Competitive Screening #1-
DISAMBIGUATION ($5) - The first out of five competitve screenings happening
over the course of the weekend. Featuring works by Alex Cunningham, Zach
Iannazzi, Lorenzo Gattorna, Karissa Hahn & Andrew Kim, Josh Weissbach,
Guillaume Vallée, Phoebe Tooke, and Laura Kraning. FB Event Page:
www.facebook.com/events/204655433267562
7/22
San Francisco, California: Artists Television Access
http://hi-beam.us9.list-manage1.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=cb33ce4242&e=4e65756555
8pm, 992 Valencia
ECSTATIC LANDSCAPES: AN EVENING OF FILM, MUSIC AND PERFORMANCE
This program showcasing the interactions of voice, sound and music with film,
features work and performances by Miranda Dershimer, Faith Arazi, Madeleine
Mori, Dave DeFilippo, Kevin Corcoran and Paul Clipson.
SATURDAY, JULY 23, 2016
7/23
Haverhill, Massachusetts: Haverhill Experimental Film Festival
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=c63927eb32&e=4e65756555
11am-10pm, 77 Washington St, Haverhill, MA 01832 (Barking Dog Ale House)
HAVERHILL EXPERIMENTAL FILM FESTIVAL (DAY TWO)
Join us for day two of the 4th annual Haverhill Experimental Film Festival!
11am: 16mm Workshop with MONO NO AWARE - Email us
(haverhillexperimen...@gmail.com) to sign up for this 16mm workshop! 2pm:
Competitive Screening #2- THE PAST IS PAST ($5) - The second out of five
competitive screenings happening over the course of the weekend. Featuring
works by Josh Lewis, Ted Kennedy, Carl Elsaesser, Neil Needleman, Ross
Meckfessel, Alex Hovet, Akiko Maruyama & Philippe Roy, and Jason Sudak. 6pm:
Competitive Screening #3- TRACES/LEGACY ($5) - The third out of five
competitive screenings happening over the course of the weekend. Featuring
works by Lisa McCarty, Scott Stark, Blake Williams, Patrick Tarrant, Morgan
Menegazzo & Mariachiara Pernisa, Michael Fleming, and Anna Kipervaser. 8pm:
16mm Films by David Gatten ($5) - Join us with David to view three films in
total- one being a world premiere. We're very honored and insanely excited to
welcome Mr. Gatten back into the film
festival world!
7/23
San Francisco, California 94103: Roxie Theater
7 PM - 9 PM , 3117 16th St
INCREDIBLE STRANGE MUSIC W/ CRAIG BALDWIN
SOUNDIES! ANOMALIES! EXOTICA! HULA DANCERS! SINGING OSTRICHES!.. 30 YEARS OF
16MM MUSICAL SURREALISM!! Kicking off the Little Roxie's new 16MM
SHOWCASE-complete with a new projector!- Other Cinema/ATA Cofounder Craig
Baldwin personally introduces melodic oddities miraculously excavated from his
vast underground archive. Baldwin rhapsodizes on hilarious rarities from more
than 30 jaw-dropping acts from the 1935-1965 period, mid-century marvels from
before the "music video"…crossing serious art-history with high-camp
absurdity. His 99 minutes of lyrical delirium include Liberace, Eddie Peabody,
Spike Jones, Slim Gaillard, Cab Calloway, Duke Ellington, Billie Holiday,
Corinna Mura, Elvis Presley, Louis Prima & Keely Smith, Lani McIntyre & his
Hawaiian Melodies, and many more rarely seen sonic curiosities! Across genre
-but all on 16mm celluloid!- from vaudeville comedy to jazz jams to country
honky-tonks, this mid-summer night's hallucination is maniacally mixed by the
Mission's most obsessive media-archeologist. Cheap beer available.
7/23
San Francisco, California: Gray Area Theater
8pm, 2665 Mission Street
UNSEEN SERIES | WOBBLY, BILL THIBAULT, KERRY LAITALA, CYRUS TABAR
Kerry Laitala and Cyrus Tabar will perform Transfixing triptych (2016) a three
channel meditation on domestic traps and sabotaged relationships using a mix of
archival and 21st century imagery. Breathing new life into ‘Transfixed‘ (2005)
a film investigating a family romance, Laitala expands the limits of the frame
by melding its images with flashes of graphic renditions of fossil forms and a
science film about the sun as a harbinger of heat. Bridging the gap between
past and present, a series of thought pictures transcribe moments of cautionary
pleasure. Cyrus Tabar will be live mixing vinyl records through to produce a
lush terrain of sound for Laitala’s complex and chromatic projections. In
addition, Laitala will screen Orbit (2006), a 16mm film work with live
manipulated soundtrack. Orbit takes one into the realm of the mistake....
Following Laitala and Tabar, we will have a multichannel surround collaboration
between Wobbly and Bill Thibault. Frequent collaborator Bill
Thibault will be providing generative visuals including procedural geometry and
captured 3D point clouds.
SUNDAY, JULY 24, 2016
7/24
Haverhill, Massachusetts: Haverhill Experimental Film Festival
http://hi-beam.us9.list-manage1.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=96a512bc16&e=4e65756555
1pm-8pm, 77 Washington St, Haverhill, MA 01832 (Barking Dog Ale House)
HAVERHILL EXPERIMENTAL FILM FESTIVAL (FINAL DAY!)
Join us on the final day of the 4th Annual Haverhill Experimental Film Festival
on the top floor of the Barking Dog Ale House! There will be three screenings
on Sunday, July 24th, 2016. 1pm: Show & Tell Screening (FREE) - Artists bring
early teeange-ish works to laugh and have FUN. Last year was priceless.
Expecting the same again! 3pm: Competitive Screening #4- FAMILIAR MEMORIES ($5)
- The fourth out of five competitive screenings happening over the course of
the weekend. Featuring works by Josh Gibson, Pol Merchan, Michael Rice, Kristin
Reeves, Dan Browne, Susan Young, Emily Drummer, Ja'Tovia Gary, and Josh Yates.
5pm: Competitive Screening #5- A PLACE I'VE NEVER BEEN ($5) - The final
competitive screening! Featuring works by Kimberly Forero-Arnias, Zachary
Epcar, Ariana Gerstein, Heather Trawick, Adrian Flury, Stefanie Weberhofer, Rob
Todd, and Eric Stewart. 7pm: Awards Announcement at The Artist Cafe! FB Event
Page: www.facebook.com/events/281556408901151
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