Hello Frameworkers in the Boulder/Denver area.

Here's whats on tap for the New England Home Movie Tour - Denver Edition
<https://www.facebook.com/events/598651916931585/>. Show is at Glob  3551
Brighton Blvd. Denver, CO 80216   doors are at 8pm and show starts at
8:30pm.  It's listed on "this week.." But, without the program notes. So,
here it is..

*New England Home Movie Tour*

*Glob, Denver, COSaturday, 1/31/15 *
*Trt approx 90min*

*Undergrowth* (2011), Robert Todd, 11min, color, sound, 16mm
A hunter dreams through its prey's eyes.

*Animals Moving to the Sound of Drums* (2013), Jonathan Schwartz 8min,
color, sound, 16mm
That fall it was not intentional to have a Galway Kinnell book on the table
near where the caterpillar in the doorway, feeding on our offerings, became
the butterfly, feeding on honey water, staying in our house until we let it
go. Or it was not known about the deer in Putney or that the baby birds in
the raspberry bushes would cry to us in summer.  A beloved, old friend once
visited Vermont to do some work for Galway Kinnell and she described a
stone table in the field where they ate meals in the afternoon -  it
sounded like a song and so I looked at the book and from Little
Sleep's-Head Sprouting Hair in the Moonlight here is that line: “The still
undanced cadence of vanishing”.

*Tracking Shots: minus moose* (2014), Colin Brant, 5min, b&w, sound, 16mm
Winter is cold, the Taiga is vast, and moving through it somewhere is a
cloistered beast. This film is the first of several animated tracking shot
films that was shot with a Bolex on black and white reversal film and hand
processed in buckets.

*The Natural History of Harris Ave* (2004), Jo Dery, 3min, b&w, sound, 16mm
Xerox transfer and silkscreen on clear leader
Images of different weeds growing along Harris Avenue in Providence, RI

* Roadside Attractions* (2013), Robert Todd, 9min, color, sound, 16mm
Sights of sites along the road. Circling a City Block in Boston.

35mm handmade slides from 2008-2012 - selections from Light Fractures,
Meat, and Sorry, Luther Price

*3 Generations: Training* (2014), Warren Cockerham,  10min, color, sound,
16mm
A collage film. Contents: a 70s educational film for parents, silk screen
copies, macro footage of court and police records, 2 photographs,
elastration footage and fingerprints.

*Dirty Rosa* (2004), Luther Price, 4min, color, sound, 16mm

*Scream Tone* (2004), Jo Dery, 3min, b&w, sound, 16mm
This is a direct animation made by applying Letraset half-tone films onto
16mm film. The sound is made by the image as read on the optical track.
There is both a positive and negative version of the film; the sound reads
differently in each version.

*Persian Pickles* (2012) Jodie Mack,  3min, color, sound, 16mm
A swimming study of paisley patterns traces this decorative motif from its
origins in Persian weavings to appearances Irish quilting and American
Counterculture. Extending on the stroboscopic tradition of anti-animation,
this short material study fixates upon discarded materials to examine the
decorative and its relationship to the cycles of industry and evolving
modes of production.

*Trembling Palace* (2013), Robert Todd, 6min, color, sound, 16mm
The world shivers in the darkness, trembles in the light. Winter, Boston,
2012.

*If the War Continues* (2012), Jonathan Schwartz, 5min, color, sound, 16mm
for ascending:
                  “and before I could be noticed again and taken to task, I
spoke to the tiny blessed star within me, shut off my heartbeat, made my
body disappear into the shadow of a bush, and continued my previous voyage
without thinking about returning home ever again.” -H.Hesse

*Inkblot #40: Sleep* (2011), Luther Price, 5min, color, sound, 16mm

35mm handmade slides from 2008-2012 - selections from Light Fractures,
Meat, and Sorry, Luther Price

*Inkblot #22 *(2008), Luther Price, 5min, color, sound, 16mm

*Future is Brigh*t (2011), Jodie Mack, 3min, color, sound, 16mm
'Tis a rhyme for your lips
And a song for your heart
To sing it whenever
The world falls apart
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