Re: [Frameworks] Dara Greenwald's Bouncing In The Corner

2013-02-08 Thread miriam sampaio

Hi 
I think Video Data Bank distributes it! She passed away? Shit! I met her at 
Videolisboa years ago!
Miriam

 Date: Fri, 8 Feb 2013 00:05:34 -0600
 From: bryan.wend...@gmail.com
 To: frameworks@jonasmekasfilms.com
 Subject: [Frameworks] Dara Greenwald's Bouncing In The Corner
 
 Hi everyone,
 
 I'm trying to track down a screening copy of Dara Greenwald's video
 Bouncing In The Corner 36DD. Does anyone have any idea where we could
 find this since Dara passed away? a tape or even a DVD would be great.
 
 Thanks!
 
 
 Bryan Wendorf
 Programmer and Artistic Director
 Chicago Underground Film Festival
 http://www.cuff.org
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[Frameworks] Saturday: Urban Research Programme I - Directors Lounge

2013-02-08 Thread Klaus W. Eisenlohr

Urban Research Programme I
Habitats, Homelands and Bridges
Saturday, 9 February 2013, 18:00

Directors Lounge
Naherholung Sternchen
Berolinastr. 7 (behind Cinema International/ Rathaus Mitte) 10178 Berlin
U5 Schillingstraße

With:
Carlo Zanni, Chris Bravo, Deborah Phillips, Ezra 
Wube, Henry Gwiazda, Janus Victoria, Kevin T. 
Allen, Lindsay Bloom, Paul Turano, Rhayne 
Vermette, Stephany Gray, Telemach Wiesinger, 
Vanessa Renwick


Chris Bravo films two places seemingly unrelated; 
Wall Street New York and a place in the 
countryside in upstate New York. Both are 
connected by activities of the Occupy Movement 
and both appear to be strangely familiar by the 
use of his montage techniques. In similar ways, 
activities by artists may have effect of feeling 
connected again. Stephanie Gray explores the city 
with her hand-held Super-8 camera and tells us 
about mundane but familiar places, like the old 
pizza place that will be closed on the other day. 
(...)


Even the artificial super-impositions and montage 
by Rhayme Vermette about Tudor Village, give us 
a familiarity to the commonplace residence built 
in 1968, or possibly even more so, an idea of 
what a place needs to feel at home in the 
contemporary city.  (...)


The films of this program, and their mostly 
visual interventions, illuminate how places have 
to be accessible, transformable and mundane in 
order to be human spaces.

Curated by Klaus W. Eisenlohr

Full program description with images:
http://www.richfilm.de/DL2013/framesURprogram1.html

Directors Lounge program:
http://berlinlounge.tumblr.com/tagged/9th%20Feb%202013

http://www.directorslounge.net
--

Klaus W. Eisenlohr, Osnabrücker Str. 25, D-10589 Berlin, Germany



email:  kl...@richfilm.de
and film production:http://www.richfilm.de


phone:  int.- 49 - 30 - 3409 5343 (BERLIN)
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Re: [Frameworks] Dara Greenwald's Bouncing In The Corner

2013-02-08 Thread Blithe Riley
The Video Data Bank doesn't currently distribute it. I can help you get a
hold of it.

Contact me off list.

Blithe

On Fri, Feb 8, 2013 at 3:43 AM, miriam sampaio mjmsamp...@hotmail.comwrote:

  Hi
 I think Video Data Bank distributes it! She passed away? Shit! I met her
 at Videolisboa years ago!
 Miriam

  Date: Fri, 8 Feb 2013 00:05:34 -0600
  From: bryan.wend...@gmail.com
  To: frameworks@jonasmekasfilms.com
  Subject: [Frameworks] Dara Greenwald's Bouncing In The Corner

 
  Hi everyone,
 
  I'm trying to track down a screening copy of Dara Greenwald's video
  Bouncing In The Corner 36DD. Does anyone have any idea where we could
  find this since Dara passed away? a tape or even a DVD would be great.
 
  Thanks!
 
 
  Bryan Wendorf
  Programmer and Artistic Director
  Chicago Underground Film Festival
  http://www.cuff.org
  ___
  FrameWorks mailing list
  FrameWorks@jonasmekasfilms.com
  https://mailman-mail5.webfaction.com/listinfo/frameworks

 ___
 FrameWorks mailing list
 FrameWorks@jonasmekasfilms.com
 https://mailman-mail5.webfaction.com/listinfo/frameworks




-- 
http://blitheriley.net
http://coblerileyprojects.com
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Re: [Frameworks] yellow brown film

2013-02-08 Thread Josh Lewis McConnell
Franco--try switching to a potassium dichromate bleach, then wash the
film only with very cold water before the redevelopment--the residue
will usually stain the film brown/orange.

Josh

1717 Troutman Street
Suite 244
Ridgewood, NY 11385
(201) 952 23866
m.joshuale...@gmail.com

On Fri, Feb 8, 2013 at 6:33 AM, franco base frenk.ca...@gmail.com wrote:
 Thanks you have right.
 Stupid error.
 I try again and I have the positive Image,
 but not yellow/brown effect.
 Naturally after bleach the the film was yellow/brown
 but the second exposition and the second development and the fix
 remove all the toning.
 It's strange.
 Maybe I will'try with sepia toning
 but I'd prefer have it with bleach,
 because I don't care long and stable effetc.




 2013/2/5 Scott Dorsey klu...@panix.com

 Okay... you have developed a silver image bleached the silver image
 away, then the fixer removes all residual latent silver from the emulsion.

 You need some kind of redevelopment.

 Have you considered sepia toning it?  It's stinky and a pain, but gives
 a stable long-lasting yellow-brown image.
 --scott
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 FrameWorks@jonasmekasfilms.com
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 FrameWorks mailing list
 FrameWorks@jonasmekasfilms.com
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-- 
1717 Troutman Street
Suite 244
Ridgewood, NY 11385
(201) 952 23866
m.joshuale...@gmail.com
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Re: [Frameworks] yellow brown film

2013-02-08 Thread Joey
Franco, listen to Josh. He knows his stuff.

Joey





 From: Josh Lewis McConnell m.joshuale...@gmail.com
To: Experimental Film Discussion List frameworks@jonasmekasfilms.com 
Sent: Friday, February 8, 2013 9:54 AM
Subject: Re: [Frameworks] yellow brown film
 
Franco--try switching to a potassium dichromate bleach, then wash the
film only with very cold water before the redevelopment--the residue
will usually stain the film brown/orange.

Josh

1717 Troutman Street
Suite 244
Ridgewood, NY 11385
(201) 952 23866
m.joshuale...@gmail.com

On Fri, Feb 8, 2013 at 6:33 AM, franco base frenk.ca...@gmail.com wrote:
 Thanks you have right.
 Stupid error.
 I try again and I have the positive Image,
 but not yellow/brown effect.
 Naturally after bleach the the film was yellow/brown
 but the second exposition and the second development and the fix
 remove all the toning.
 It's strange.
 Maybe I will'try with sepia toning
 but I'd prefer have it with bleach,
 because I don't care long and stable effetc.




 2013/2/5 Scott Dorsey klu...@panix.com

 Okay... you have developed a silver image bleached the silver image
 away, then the fixer removes all residual latent silver from the emulsion.

 You need some kind of redevelopment.

 Have you considered sepia toning it?  It's stinky and a pain, but gives
 a stable long-lasting yellow-brown image.
 --scott
 ___
 FrameWorks mailing list
 FrameWorks@jonasmekasfilms.com
 https://mailman-mail5.webfaction.com/listinfo/frameworks



 ___
 FrameWorks mailing list
 FrameWorks@jonasmekasfilms.com
 https://mailman-mail5.webfaction.com/listinfo/frameworks




-- 
1717 Troutman Street
Suite 244
Ridgewood, NY 11385
(201) 952 23866
m.joshuale...@gmail.com
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[Frameworks] Call for Submissions: International Artist Residencies 2013/2014

2013-02-08 Thread Chris Kennedy
Hi all,
we've just posted this year's call for submissions for our International
artist in residence program. Please pass on to anyone you think is
interested. Info below and at:
http://lift.ca/programming/call-submissions-international-artist-residencies-20132014

best,
Chris



The Liaison of Independent Filmmakers of Toronto (LIFT) is seeking
applications from international (non-Canadian) artists for 4–6 week
individual production residencies to take place between September 2013 and
August 2014. LIFT is an artist-run production and educational media arts
organization dedicated to celebrating excellence in the moving image. We
support a wide range of production formats including Regular 8mm, Super
8mm, 16mm, Super 16mm, 35mm and HD; film and digital editing; optical
printers; contact printers; animation stands; a darkroom and more. Toronto
also offers a range of lab facilities, a large pool of experienced
technicians and talent, a vibrant film community and a dynamic arts
environment.

LIFT's residency program focuses on the production of film-based works
with equipment and facilities to which the artist would not have access in
their local region. Artists are expected to be at an established point in
their practice (although not necessarily working predominantly with film).
Applicants must also consider what they would bring to Toronto in terms of
community collaboration, teaching, artist talks and/or presentation
activities—these engagements are a critical part of each residency offered
by LIFT.

The maximum cash funding for projects is $3,000 (CAD) for travel,
accommodation and per diems. Equipment and facilities will be provided by
LIFT to a maximum of $3,000 (CAD), LIFT equipment rates can be found at
www.lift.ca. The artist is responsible for the costs of all film stock,
chemicals, lab fees and other expendables.

Interested artists should submit proposals, including:
·   Proposal/Artist statement (including how they intend to engage the
local community during their stay and how LIFT can help create access to
equipment or facilities not available at their home location)
·   Curriculum vitae
·   Proposed budget (including funding sources for materials)
·   Visual support material of past work (do not send originals,
documentation will not be returned)

Submissions must be received no later than Monday, April 1, 2013.

Proposals are submitted on the understanding that the project’s execution
is contingent on funding yet to be secured.

Questions to:

Executive Director: Chris Kennedy at submissions(at)lift.on.ca

Subject Heading: LIFT International Artist Residencies 2013/14

Mail applications to:

International Artist Residencies 2013/14 Application
c/o Liaison of Independent Filmmakers of Toronto (LIFT)
1137 Dupont Street
Toronto, Ontario
M6H 2A3  CANADA

Due:
Monday, April 1, 2013 (All day)


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