Re: [Frameworks] How to transfer DPX files transfer to 16mm negative, for image archiving purpose.

2013-12-24 Thread Jeff Kreines
Edwin:

You can do this in a complicated way, or a somewhat crude but workable way.  

First, if you are working with HD video — 16:9 aspect ratio — you want a 
Super-16 camera so you have as much of the film devoted to the image as 
possible — unless of course you want to make 16mm prints, then regular 16 is 
what you want. S16 makes sense if you are just archiving this for the future, 
when it will get scanned back to digital.

Use a good HD monitor, 1920 x 1080, preferably an IPS LCD unless you can get an 
OLED monitor.  Use a slow stock — an EI 50 Daylight-balanced color stock is a 
good choice. A 2560 x 1440 monitor is better, as it will reduce the size of 
pixels on film (scale the HD image to fit the monitor, a 1.5x enlargement).  
You can build a setup that encloses the area between the screen and the lens to 
keep external light and reflections out.  Shoot exposure tests, and calibrate 
the monitor so you get the full range of exposure from the digital image — the 
object is not for it to look good on the monitor, but to not lose anything 
going to film.

I assume you are using a motor on the Bolex.  In order to cheaply sync the 
camera and computer (there are expensive ways that are better but probably cost 
more than you want to spend) you need a Bolex that has a 1:1 frame shaft — this 
would be, if I recall correctly, a Rex 4 or later.  You need to make something 
that fits into the 1:1 shaft that can trigger a switch, either magnetic 
proximity or optical.  (Magnetic is probably easier.  Mount a magnet on a disk 
attached to the shaft, and let it trigger a $1 magnetic switch, once per frame.)

Your exposure with the slower stock, with an f/stop of around f/4, will be 
limited to somewhere under 6 fps, maybe 2-4 fps.  This lets you get away with 
using the magnetic switch to trigger the computer to advance frame by frame.

If you are using software that uses the right arrow key to advance a single 
frame, you can either destroy a keyboard and wire the magnetic switch in place 
of that key, or get a $35 USB keyboard interface like this:  

http://www.ultimarc.com/ipacve.html

If you can find a Bolex animation motor you can use that instead, and trigger 
the motor and computer together.  There are so many options for motors that I 
won’t go into them.

If you want to get clever you can use a stepper motor and a motor controller 
for the camera but that gets trickier.

Use a good prime lens, a 26mm Macro Switar is a good choice.

Note that you want to trigger the computer to advance the frame before the 
camera shutter opens — you may have to adjust the magnet position to adjust the 
phase so it triggers.

It works better than it should.  I've built a few 35mm 4K recorders like this, 
though with different motors, and a Mitchell camera and 4K LCD monitor, and 
special software to make the system self-calibrating.  

Good luck!

Jeff Kreines
Kinetta




On Dec 24, 2013, at 10:19 PM, edwin . kotakhi...@gmail.com wrote:

 Hi Roger,
 
 We don't have Oxberry animation camera.
 What i can do is, to mount the Bolex on handmade stand, something that can 
 work like Oxberry stand.
 
 But do you know how to connect the motor with the computer screen. Is that 
 possible to run the bolex automaticly, sync with the computer files, frame by 
 frame?
 
 best,
 Edwin.
 
 
 On Tue, Dec 24, 2013 at 7:00 PM, frameworks-requ...@jonasmekasfilms.com 
 wrote:
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 Today's Topics:
 
1. Re: DPX files transfer to 16mm negative, for image archiving
   purpose. (Roger Wilson)
2. Re: DPX files transfer to 16mm negative, for image archiving
   purpose. (christopher nigel)
 
 
 -- Forwarded message --
 From: Roger Wilson rogerdwil...@sympatico.ca
 To: Experimental Film Discussion List frameworks@jonasmekasfilms.com
 Cc: 
 Date: Mon, 23 Dec 2013 15:10:48 +
 Subject: Re: [Frameworks] DPX files transfer to 16mm negative, for image 
 archiving purpose.
 Do you have access to an Oxberry animation camera that shoots 16mm? This may 
 be easier to work with then a bolex/tripod set up. I have never done this 
 myself but know a couple filmmakers who have taken this route and have been 
 very happy with the final results.
 
 
 Roger D. Wilson
 Film Scientist
 613 324 - 7504
 rogerdwil...@sympatico.ca
 http://www.rogerdwilson.ca
 
 Without failure you can never achieve success. I have based my process and my 
 career as an experimental film artist on this statement; and I welcome it 

Re: [Frameworks] DPX files transfer to 16mm negative, for image archiving purpose.

2013-12-24 Thread edwin .
Hi Roger,

We don't have Oxberry animation camera.
What i can do is, to mount the Bolex on handmade stand, something that can
work like Oxberry stand.

But do you know how to connect the motor with the computer screen. Is that
possible to run the bolex automaticly, sync with the computer files, frame
by frame?

best,
Edwin.


On Tue, Dec 24, 2013 at 7:00 PM, frameworks-requ...@jonasmekasfilms.comwrote:

 Send FrameWorks mailing list submissions to
 frameworks@jonasmekasfilms.com

 To subscribe or unsubscribe via the World Wide Web, visit
 https://mailman-mail5.webfaction.com/listinfo/frameworks
 or, via email, send a message with subject or body 'help' to
 frameworks-requ...@jonasmekasfilms.com

 You can reach the person managing the list at
 frameworks-ow...@jonasmekasfilms.com

 When replying, please edit your Subject line so it is more specific
 than Re: Contents of FrameWorks digest...

 Today's Topics:

1. Re: DPX files transfer to 16mm negative, for image archiving
   purpose. (Roger Wilson)
2. Re: DPX files transfer to 16mm negative, for image archiving
   purpose. (christopher nigel)


 -- Forwarded message --
 From: Roger Wilson rogerdwil...@sympatico.ca
 To: Experimental Film Discussion List frameworks@jonasmekasfilms.com
 Cc:
 Date: Mon, 23 Dec 2013 15:10:48 +
 Subject: Re: [Frameworks] DPX files transfer to 16mm negative, for image
 archiving purpose.
 Do you have access to an Oxberry animation camera that shoots 16mm? This
 may be easier to work with then a bolex/tripod set up. I have never done
 this myself but know a couple filmmakers who have taken this route and have
 been very happy with the final results.


 Roger D. Wilson
 Film Scientist
 613 324 - 7504
 rogerdwil...@sympatico.ca
 http://www.rogerdwilson.ca

 Without failure you can never achieve success. I have based my process and
 my career as an experimental film artist on this statement; and I welcome
 it as it pushes me forward as an artist to try something different,
 something new.


 --
 Date: Mon, 23 Dec 2013 13:48:42 +0700
 From: kotakhi...@gmail.com
 To: frameworks@jonasmekasfilms.com
 Subject: [Frameworks] DPX files transfer to 16mm negative, for image
 archiving purpose.

 Dear Frameworks,

 My name is Edwin.
 I'm an Indonesian filmmaker, based in Jakarta.
 There are too many digital films in Indonesia, since the rise of
 affordable digital cameras.
 Now we are start questioning how to archive this digital films. With all
 those codec, and software keep updating.

 With more commercial films, they can transfer their digital film out to
 35mm print. Using ARRI laser film recorder for instance.
 For short films, it's impossible for us to go to this fancy post
 production house.

 Is there any way, to transfer digital films to celluloid?
 Is there any way to connect bolex motor, sync to DPX files (for example)
 played frame by frame on HD monitor?

 Looking forward to hear some ideas.

 best,
 Edwin.


 ___ FrameWorks mailing list
 FrameWorks@jonasmekasfilms.com
 https://mailman-mail5.webfaction.com/listinfo/frameworks


 -- Forwarded message --
 From: christopher nigel christophernige...@gmail.com
 To: Experimental Film Discussion List frameworks@jonasmekasfilms.com
 Cc:
 Date: Tue, 24 Dec 2013 00:32:19 +0100
 Subject: Re: [Frameworks] DPX files transfer to 16mm negative, for image
 archiving purpose.
 Shoot film ?


 On Mon, Dec 23, 2013 at 4:10 PM, Roger Wilson 
 rogerdwil...@sympatico.cawrote:

 Do you have access to an Oxberry animation camera that shoots 16mm? This
 may be easier to work with then a bolex/tripod set up. I have never done
 this myself but know a couple filmmakers who have taken this route and have
 been very happy with the final results.


 Roger D. Wilson
 Film Scientist
 613 324 - 7504
 rogerdwil...@sympatico.ca
 http://www.rogerdwilson.ca

 Without failure you can never achieve success. I have based my process
 and my career as an experimental film artist on this statement; and I
 welcome it as it pushes me forward as an artist to try something different,
 something new.


 --
 Date: Mon, 23 Dec 2013 13:48:42 +0700
 From: kotakhi...@gmail.com
 To: frameworks@jonasmekasfilms.com
 Subject: [Frameworks] DPX files transfer to 16mm negative, for image
 archiving purpose.

 Dear Frameworks,

 My name is Edwin.
 I'm an Indonesian filmmaker, based in Jakarta.
 There are too many digital films in Indonesia, since the rise of
 affordable digital cameras.
 Now we are start questioning how to archive this digital films. With all
 those codec, and software keep updating.

 With more commercial films, they can transfer their digital film out to
 35mm print. Using ARRI laser film recorder for instance.
 For short films, it's impossible for us to go to this fancy post
 production house.

 Is there any way, to transfer digital films to 

Re: [Frameworks] DPX files transfer to 16mm negative, for image archiving purpose.

2013-12-24 Thread edwin .
Hi Christopher,

Yes, i want to shoot on film.



 -- Forwarded message --
 From: christopher nigel christophernige...@gmail.com
 To: Experimental Film Discussion List frameworks@jonasmekasfilms.com
 Cc:
 Date: Tue, 24 Dec 2013 00:32:19 +0100
 Subject: Re: [Frameworks] DPX files transfer to 16mm negative, for image
 archiving purpose.
 Shoot film ?


 On Mon, Dec 23, 2013 at 4:10 PM, Roger Wilson 
 rogerdwil...@sympatico.cawrote:

 Do you have access to an Oxberry animation camera that shoots 16mm? This
 may be easier to work with then a bolex/tripod set up. I have never done
 this myself but know a couple filmmakers who have taken this route and have
 been very happy with the final results.


 Roger D. Wilson
 Film Scientist
 613 324 - 7504
 rogerdwil...@sympatico.ca
 http://www.rogerdwilson.ca

 Without failure you can never achieve success. I have based my process
 and my career as an experimental film artist on this statement; and I
 welcome it as it pushes me forward as an artist to try something different,
 something new.


 --
 Date: Mon, 23 Dec 2013 13:48:42 +0700
 From: kotakhi...@gmail.com
 To: frameworks@jonasmekasfilms.com
 Subject: [Frameworks] DPX files transfer to 16mm negative, for image
 archiving purpose.

 Dear Frameworks,

 My name is Edwin.
 I'm an Indonesian filmmaker, based in Jakarta.
 There are too many digital films in Indonesia, since the rise of
 affordable digital cameras.
 Now we are start questioning how to archive this digital films. With all
 those codec, and software keep updating.

 With more commercial films, they can transfer their digital film out to
 35mm print. Using ARRI laser film recorder for instance.
 For short films, it's impossible for us to go to this fancy post
 production house.

 Is there any way, to transfer digital films to celluloid?
 Is there any way to connect bolex motor, sync to DPX files (for example)
 played frame by frame on HD monitor?

 Looking forward to hear some ideas.

 best,
 Edwin.


 ___ FrameWorks mailing list
 FrameWorks@jonasmekasfilms.com
 https://mailman-mail5.webfaction.com/listinfo/frameworks

 ___
 FrameWorks mailing list
 FrameWorks@jonasmekasfilms.com
 https://mailman-mail5.webfaction.com/listinfo/frameworks



 ___
 FrameWorks mailing list
 FrameWorks@jonasmekasfilms.com
 https://mailman-mail5.webfaction.com/listinfo/frameworks


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