Re: [Frameworks] Screening Friday, Summer Opportunities and Visiting Artists!

[Anthony Yanick]

very cool, thanks for sharing
Tony

On Tue, May 30, 2017 at 1:37 PM, MONO NO AWARE 
wrote:

>
> Good afternoon Frame-workers,
>
> I wanted to share some of this summers events and offerings with you all.
>
> MONO NO AWARE will be presenting six workshops in June including a *35mm
> workshop* and a special *2-D cut-out animation* workshop on 16mm color
> film.  Please feel free to share these offerings with friends and
> colleagues in the area and consider joining us this Friday night for our free
> screening premiere party 
> of the 30+ films made with MONO this May. All screening on Super 8mm and
> 16mm film, all filmmakers in person plus we'll have snacks, beer and ALL
> KODAK stocks available for purchase along with corresponding chemistry from
> Photographers Formulary and MONO : ) all part of our newly strengthened film
> distro program . Plus screenings
> all summer long and field trips!
>
> *JUNE WORKSHOPS! *
> All workshops are inclusive: Film stock, processing, camera access,
> editing equipment, HD scans and premiere screening with festival waivers
> and more.
>
> 16mm Film-making on Color Negative with edited Work print
>  -
> *create a short film on 16mm COLOR
> which you conceived, directed, shot, splice edited, and projected
> independently. *
>
> ** Traditional 2-D Cut-out animation on Color Negative with Color answer
> print - *
> practice the fundamentals of
> animation, work to storyboard paper characters for multi-plane animation,
> and ultimately create their own short film.*
>
> 16mm Film-making on B/W Reversal film -
>  *learn 16mm film making
> techniques from start to finish, including camera options, film stock
> choices, exposure, lenses, how to load, focus, run, maintain and operate
> the H16 Bolex Reflex camera*
>
> Make your own film stock: Emulsion 101
> -
> *coat, dry, shoot, process and project your very own film stock! You'll
> learn about ripening, shredding, washing, sensitizing and stabilizing the
> emulsion. *
>
> ** 35mm Film-making on Color Negative film!
> *MAKE THE JUMP TO 35MM learn how
> to load, focus, run, maintain and operate the Arri 435 camera kit. *
>
> Hand-processing B/W Reversal Film with D-19
>  - *mix our own chemistry then
> take a 100’ roll of film through each stage of the reversal process!*
>
>
> *SUMMER SCREENINGS! *
> Connectivity Through Cinema with *Deborah S. Phillips:* Including two
> premieres: IM GRÜNEN BEREICH, 2017 and NACH OSTEN SCHAUEN, 2017
>
> Connectivity Through Cinema with *Julie Orlick* : Including the premiere
> of Queen Bettie, 2017 (co-produced by MONO NO AWARE)
>
> Connectivity Through Cinema with *Sandy Ding* : Including the New York
> premiere of NIGHT AWAKE, 16mm.
>
> *SUPPORT FOR YOU! *
>
> MONO NO AWARE has a full list of rental equipment: cameras, lights,
> projectors, and facilities; optical printer, flat bed editor, darkroom
> access and more. Visit our home office in downtown Brooklyn or say hello at
> any of our public events in the months ahead : )
>
> Hope to see you all this summer!
>
> Steve Cossman
> Founder / Director
> ◅
> *MONO NO AWARE*
> 501c3 Cinema Arts Non-Profit Organization
> e: mononoawarefilm.com c: +1 267 456-1143
>
> ___
> FrameWorks mailing list
> FrameWorks@jonasmekasfilms.com
> https://mailman-mail5.webfaction.com/listinfo/frameworks
>
>
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[Frameworks] In memoriam Werner Nekes (1944 - 2017)...

[Ingo Petzke]

…long-time doyen of German experimental film, Red Avocado Film re-published
the first-ever documentation about Nekes and his work, free to download here
(http://www.redavocadofilm.com/wp-content/uploads/2017/05/Werner-Nekes-1966-
1973.pdf)  

Originally published by Studienkreis Film of Ruhr-Universität Bochum in
1974, it contains descriptions, published articles, and information about
structures up to single-frame analyses of all of Nekes’ films from Tom Doyle
and Eva Hesse (1965) to DIWAN (1973). The 100page documentation also
contains a couple or original contributions (Klaus Wyborny, Jean-Marie
Straub, Paul Sharits) and essays about experimental film and art, political
implications of cinematographic aesthetics, and assumptions about speeding
up of information.

 

Spoiler: almost everything is in German… 

 

Due to the contemporary low-quality reproduction of film stills, also
offered are new and updated stills transfers
(http://www.redavocadofilm.com/wp-content/uploads/2017/05/Werner-Nekes-1966-
1973-stills.pdf) . So stay tuned to your friendly Red Avocado Film… :)

 

Ingo

 

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