Hi Ken,
I'm glad you mentioned that you aren't looking for technical should /
should nots, so I won't touch that and just make a suggestion for
Trebuchet which I feel is just a tad more lyrical than Geneva, but was
designed with screen legibility in mind. It has a radically different
lower-case g - so be sure you're onboard with that type of glyph. Of
course many serif fonts would provide more lyricism, but I'm assuming you
are looking for sans-serif.
-Good luck on your current project,
---Buck

Lawrence "Buck" Bito
Movette Film Transfer
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On Thu, June 27, 2013 11:06 am, Ken Paul Rosenthal wrote:
> My current film is very text heavy, so it's extremely critical that the
> subtitle typeface be legible but also friendly to the eye. After a
> considerable amount of research, I've decide to go with Geneva CV.
> Helvetica Nue was a close second, but the former is a bit more
> open.However I'm now beginning to feel that the Geneva CV is a tad too
> distinct from the imagery it appears over. In terms of legibility, it is
> ideal. But given the lyrical nature of the imagery, I'm re-considering a
> font that visually integrates into the show a bit better. The shape of the
> letters are fine. It's more about the heads and tails of the stems, which
> in Geneva CV are a tad too 'crisp'.I'd like to respectfully note that I'm
> not looking for advice about technical or traditional "shoulds" and
> "should nots". Just simple font suggestions.Many thanks! Ken
>
> www.kenpaulrosenthal.com
> www.crookedbeauty.com
> www.maddancementalhealthfilmtrilogy.com
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