Re: [Frameworks] Books on the History of Avant-Garde film in US

2015-01-30 Thread Eric Theise
On Fri, Jan 30, 2015 at 9:36 AM, Adam Hyman a...@lafilmforum.org wrote:

 Off to meandering nit-picking:

 What is the correct bibliography format for a reader?  Shouldn’t it still
 really be under Kuchar’s name (or Markopolous’s)?  Been too long since
 college  MLA Standards...
 Looking it up...
 https://owl.english.purdue.edu/owl/resource/747/06/


snip.

One of the real advantages of systems like Zotero, Endnote, and the like is
that they break bibliographic information into fields and store them in a
database. When it comes time to publish or generate a list, you can select
from many known formats. I was going to say hundreds of different ones, but
Zotero claims to know about thousands of styles (6,750) (
https://www.zotero.org/support/styles).

Since Zotero is a project of the Roy Rosenzweig Center for History and New
Media, and was initially funded by the Andrew W. Mellon Foundation, the
Institute of Museum and Library Services, and the Alfred P. Sloan
Foundation, I assume they've given serious consideration to the library
science underlying the chosen database structure.

Oh, and as I try and keep up with the suggestions coming over frameworks,
please know that I am not purely cutting-and-pasting them into the library,
but searching for them in WorldCat.org, then importing, so that the Zotero
library builds on the collections and work of many others. We get the
ISBNs, page numbers, publishers, etc. for free.

Eric
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Re: [Frameworks] Elf service

2015-01-30 Thread graeme hogg


How many machines? Which models are they? What do you usually pay? Are 
they flightcased?








Hi Graham,  would be great if you could service my Elfs. I need them for early 
March.  Best, Nicky



 graemeh...@irational.org wrote 

Hi Nicky. We talked about this ages ago. I can service a lot of bits on 
eiki/elf 16mm machines . What needs doing specifically ?

Hoggewww.cubecinema.con
www.bristol-channel.org

On 27 Jan 2015, at 11:07, nicky.ham...@talktalk.net wrote:

  Does anyone know anyone in the UK who services Elf projectors? 
Alternatively can anyone give me some advice on how to do it myself?

  Thanks,

  Nicky.

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[Frameworks] TONIGHT Jonas Mekas: 365 Day Project screening premiere launches w/ Part 1 January at Microscope in Brooklyn, 7pm

2015-01-30 Thread LBurchill
admission $6, Jonas Mekas in person

Microscope is extremely pleased to announce the screening premiere of the
complete “365 Day Project” by Jonas Mekas, a nearly 38-hour video project
composed of 365 individual videos posted daily on his website in 2007. The
work will be screened across twelve programs, one each month of 2015, with
part one “January” launching the series on Friday January 30th.

For “365″, as the project is more commonly known, Mekas challenged himself
to make and upload a video on his website every day for an entire year.
Despite the occasional technical or emotional close call, Mekas persevered
capturing snowstorms, friendly birds and squirrels, historical news
reports, gathering with friends and lots of music both at home in Brooklyn
and during his travels abroad, at times repurposing or incorporating
previously unseen footage from his earlier 16mm films or analog videos.

Originally each of the videos, ranging from under 30 seconds to 30 minutes,
were immediately made available for download and playable on smartphones at
a time which was well before watching content in this manner was ordinary –
Facebook had just been made publicly accessible and the first iPhone was
released that same year. Highlights from *Part One (Days 1 – 31)* include
original artworks and writings by Apollinaire, a visit to Louise Bourgeois
on her 95th birthday, a tour of the Castle of the Marquis de Sade with
Taylor Mead and Jerome Hill, a spontaneous music performance in the lobby
of Anthology Film Archives with the artist Douglas Gordon, a day of the
Epiphany parade in Brooklyn, a conversation with Susan Sontag and Bela
Tarr, and Mekas listening to his radio at home among others.

“Every day of the year 2007 I placed on my website one new video usually
about three to ten minutes in length. By the time the project ended, I had
made 38 hours of completed video works, the equivalent of twenty feature
films… It was the most challenging undertaking I had ever done. The videos
deal with my life in Brooklyn and my many travels of that year. It’s
personal and anthropological (impersonal) at the same time. During my
travels I relied a lot on technical and other help from The Gang  (Benn
Northover, Sebastian Mekas — I travel most of the time with the Gang) and
Elle Burchill was always ready at my Brooklyn station. You’ll see a lot of
me and my friends, various daily activities, gettings together, a lot of
music, and a lot of events around New York and Europe that year. The main
challenge was to record it and share it immediately with my many friends
all over the world. Today I still do the same, but not daily, with less
pressure, on my website www.jonasmekas.com http://jonasmekas.com/” -
Jonas Mekas

*Part One: “January” (Days 1-31)*
by Jonas Mekas, video, 2007, 2 hours 55 minutes

The “365 Day Project” has previously been presented in its complete form as
an installation (playing on 12 or 52 monitors) at ZKM, Karlsruhe (Germany);
Hermitage, St. Petersburg (Russia); galerie du jour, Paris (France) and 2B
Gallery, Budapest, Hungary.


Microsope Gallery, 1329 Willoughby Ave, #2B, Brooklyn, NY 11237

tel: 347.925.1433, i...@microscopegallery.com

at Jefferson L train (Starr Street exit)
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Re: [Frameworks] Books on the History of Avant-Garde film in US

2015-01-30 Thread Adam Hyman
There are multiple other collections of writings, if these are being
included, but do those fit the initial question?  Just last year was also
Lambert, Andrew, ed. The George Kuchar Reader, by George Kuchar (Primary
Information, 2014)

Off to meandering nit-picking:

What is the correct bibliography format for a reader?  Shouldn¹t it still
really be under Kuchar¹s name (or Markopolous¹s)?  Been too long since
college  MLA Standards...
Looking it up...
https://owl.english.purdue.edu/owl/resource/747/06/

A Work Prepared by an Editor
Cite the book as you normally would, but add the editor after the title.
Bronte, Charlotte. Jane Eyre. Ed. Margaret Smith. Oxford: Oxford UP, 1998.
Print.

So:
Kuchar, George.  The George Kuchar Reader.  Ed. Andrew Lampert. Primary
Information, 2014
Markopoulos, Gregory. Film as Film, The Collected Writings of Gregory
Markopoulos. Ed. Mark Webber.  Foreward by P. Adams Sitney.  The Visible
Press, 2014.

Whatever happened to alphabetizing by last name of author?  Zotero also has
the nice touch of alphabetizing by title and author, if you select the
columns.

It looks like Michael has assembled his by publication date.
But returning to Michael¹s compiled list, adding the two above for now, and
similar for Deren  Brakhage  Frampton, and a few more, including the book
coming in a couple of months.  But this adds readers, analysis of specific
films, etc.  Retaining Michaels¹ date order. (I started changing it to be
last name, first name, but then stopped).


Histories of avant-garde film in the United States:
 
 
Jacobs, Lewis. ³Experimental Cinema in America 1921-1947² in The Rise of the
American Film (1948)
 
Manvell, Roger. Experiment in the Film (1949)
 
Pike, Robert. A Critical Study of the West Coast Experimental Film Movement
(UCLA dissertation, 1960)
 
Battock, Gregory.  The New American Cinema (1967)
 
Sheldon Renan, An Introduction to the American Underground Film (1967)
 
Parker Tyler, The Underground Film: A Critical History (1968)
 
Gene Youngblood, Expanded Cinema (1970)
 
P. Adams Sitney, ed., Film Culture Reader (1970)
 
David Curtis, Experimental Cinema (1971)

Annette Michelson, Artforum: Structural Film (special issue), September 1971

Jonas Mekas, Movie Journal (1972)

Annette Michelson, New Forms in Film. Montreux, August 3/24 1974 (catalog,
1974)

P. Adams Sitney, Visionary Film (1974)

P. Adams Sitney, ed. The Essential Cinema: Essays on the Films in the
Collection of the Anthology Film Archives (1975)
 
Standish Lawder, The Cubist Cinema (1975)
 
Stephen Dwoskin, Film Is: The International Free Cinema (1975)
 
Amos Vogel, Film as a Subversive Art (1976)
 
Robert Russett  Cecile Starr, Experimental Animation (1977)
 
Malcolm Le Grice, Abstract Film and Beyond (1977)
 
Maureen Turim, Abstraction in Avant-Garde Films (1978/85)
 
Dominique Noguez, Une renaissance du cinéma : le cinéma underground
américain (1985, reprinted 2002)
 
David E. James, Allegories of Cinema (1989)

Stan Brakhage, Film at Wit¹s End (1989)
 
Patricia Mellencamp, Indiscretions: Avant-Garde Film, Video,  Feminism
(1990)
 
William Wees, Light Moving in Time: Studies in the Visual Aesthetics of
Avant-Garde Film (1992)
 
David James, To Free the Cinema: Jonas Mekas and the NY Underground (1992)
 
Bart Testa, Back and Forth: Early Cinema and the Avant-Garde (1992)
 
Scott MacDonald, Avant-Garde Film Motion Studies (1993)

William C. Wees, Recycled Images (1993)
 
James Peterson, Dreams of Chaos, Visions of Order (1994)
 
Robert Haller, First Light: Abstract Light Forms (1998)
 
Jan-Christopher Horak, Lovers of Cinema: The First American Film
Avant-Garde, 1919-1945 (1998)
 
Joan Hawkins, Cutting Edge: Art-Horror and the Horrific Avant-Garde (2000)
 
Bruce Posner, Unseen Cinema: Early American Avant-Garde Film 1893-1941
(2001)

Brakhage, Stan.  Essential Brakhage: Selected Writings on Film-Making.  Ed.
Bruce R. McPherson (2001)
 
Bill Nichols, Maya Deren and the American Avant-Garde (2001)
 
Scott MacDonald, The Garden in the Machine. A Field Guide to Independent
Films About Place (2001)
 
Chrissie Iles, Into the Light: The Projected Image in American Art 1964-1977
(2001)
 
Lauren Rabinovitz, Points of Resistance: Women, Power, and Politics in the
New York Avant-garde Cinema, 1943-71 (2003)

Deren, Maya.  Essential Deren: Collected Writings on Film. Ed. Bruce R.
McPherson (2005)
 
David E. James, The Most Typical Avant-Garde: History and Geography of Minor
Cinemas in Los Angeles (2005)
 
Jeffrey Skoller, Shadows, Specters, Shards: Making History in Avant-Garde
Film (2005)
 
Paul Arthur, Line of Sight: American Avant-Garde Film Since 1965 (2005)
 
Robert Haller, Crossroads: Avant-Garde film in Pittsburgh in the 1970s
(2005)
 
Alexander Graf, ed., Avant-Garde Film (Avant-Garde Critical Studies 23)
(2007)
 
Robin Blaetz, Women¹s Experimental Cinema: Critical Frameworks (2007)
 
P. Adams Sitney, Eyes Upside Down (2008)
 
Woody Vasulka and Peter Weibel, eds., Buffalo Heads: Media Study, Media

Re: [Frameworks] Books on the History of Avant-Garde film in US

2015-01-30 Thread elizabeth mcmahon
It is time to toss this in for inclusion. My spitfire, irreverent, 
iconoclastic, somewhat distracted boss at Donnell Media Center took time off to 
finish her dissertation on Stan Brakhage, and produced this, which of course 
should be included in this bibliography. 
http://www.jstor.org/discover/10.2307/25304811?sid=21105748429503uid=3739776uid=3739256uid=2uid=4
Marie's quiet importance (not to her staff) in securing the history of 
experimental and avant garde film for the general public, which includes 
thousands of NYU and Columbia students, and just regular folk, is so far 
unrealized largely, along with so many others doing similar work, and allowing 
such work to be done, like NYSCA or ETC, which is something I am trying to 
change, organizing a multi-venue program to spotlight the little guys.  Please, 
Eric, include Marie's dissertation. 
Thanks,Elizabeth
  From: Michael Betancourt hinterland.mov...@gmail.com
 To: Experimental Film Discussion List frameworks@jonasmekasfilms.com 
 Sent: Thursday, January 29, 2015 1:16 PM
 Subject: [Frameworks] Books on the History of Avant-Garde film in US
   
I'm sure I'm forgetting something, so please help!

Histories of avant-gardefilm in the United States:  Lewis Jacobs, 
“ExperimentalCinema in America 1921-1947” in The Rise of the American Film 
(1948)Roger Manvell, Experiment in the Film (1949) Gregory Battcock, The New 
American Cinema (1967) Sheldan Renan, An Introduction to the American 
UndergroundFilm (1967) Parker Tyler, The Underground Film: A Critical 
History(1698) Gene Youngblood, Expanded Cinema (1970) David Curtis, 
Experimental Cinema (1971) Amos Vogel, Film as a Subversive Art (1976) P. Adams 
Sitney, Visionary Film (1974) Maureen Turin, Abstraction in Avant-Garde 
Films(1978/85) William Wees, Light Moving in Time: Studies in the 
VisualAesthetics of Avant-Garde Film (1992) Scott MacDonald, Avant-Garde Film 
Motion Studies (1993) James Peterson, Dreams of Chaos, Visions of Order (1994) 
Jan-Christopher Horak, Lovers of Cinema: The First American FilmAvant-garde, 
1919-1945 (1998) Joan Hawkins, Cutting Edge: Art-Horror and the 
HorrificAvant-Garde (2000) Bruce Posner, Unseen Cinema: Early American 
Avant-GardeFilm 1893-1941 (2001) Lauren Rabinovitz, Points ofResistance: Women, 
Power, and Politics in the New York Avant-garde Cinema, 1943-71 (2003) David E. 
James, The Most Typical Avant-Garde: History andGeography of Minor Cinemas in 
Los Angeles (2005) Paul Arthur, Line of Sight: American Avant-Garde FilmSince 
1965 (2005) Alexander Graf, ed., Avant-Garde Film (Avant-Garde CriticalStudies 
23) (2007) A. L. Rees, A History of Experimental Film and Video(2011)

Michael Betancourt
Savannah, GA USA


michaelbetancourt.com
twitter.com/cinegraphic | vimeo.com/cinegraphic
www.cinegraphic.net | the avant-garde film  video blog

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Re: [Frameworks] Books on the History of Avant-Garde film in US

2015-01-30 Thread Michael Betancourt
Thanks to everyone who had titles to add! Here's the compiled list:

*Histories of avant-garde film in the United States:*





Lewis Jacobs, “Experimental Cinema in America 1921-1947” in *The Rise of
the American Film* (1948)



Roger Manvell, *Experiment in the Film* (1949)



Robert Pike, A Critical Study of the West Coast Experimental Film Movement
(UCLA dissertation, 1960)



Gregory Battcock, *The New American Cinema* (1967)



Sheldon Renan, *An Introduction to the American Underground Film *(1967)



Parker Tyler, *The Underground Film: A Critical History* (1968)



Gene Youngblood, *Expanded Cinema* (1970)



P. Adams Sitney, ed., *Film Culture Reader* (1970)



David Curtis, *Experimental Cinema *(1971)

Annette Michelson, *Artforum: Structural Film (special issue), September
1971*


Jonas Mekas, *Movie Journal* (1972)


Annette Michelson, *New Forms in Film. Montreux, August 3/24 1974*
(catalog, 1974)


P. Adams Sitney, *Visionary Film* (1974)

P. Adams Sitney, ed. *The Essential Cinema: Essays on the Films in the
Collection of the Anthology Film Archives* (1975)



Standish Lawder, *The Cubist Cinema* (1975)



Stephen Dwoskin, *Film Is: The International Free Cinema* (1975)



Amos Vogel, *Film as a Subversive Art* (1976)



Robert Russett  Cecile Starr, *Experimental Animation* (1977)



Malcolm Le Grice, *Abstract Film and Beyond* (1977)



Maureen Turim, *Abstraction in Avant-Garde Films* (1978/85)



Dominique Noguez, *Une renaissance du cinéma : le cinéma underground
américain* (1985, reprinted 2002)



David E. James, *Allegories of Cinema* (1989)


Stan Brakhage, *Film at Wit’s End* (1989)



Patricia Mellencamp, *Indiscretions: Avant-Garde Film, Video,  Feminism*
(1990)



William Wees, *Light Moving in Time: Studies in the Visual Aesthetics of
Avant-Garde Film *(1992)



David James, *To Free the Cinema: Jonas Mekas and the NY Underground* (1992)



Bart Testa, *Back and Forth: Early Cinema and the Avant-Garde* (1992)



Scott MacDonald, *Avant-Garde Film Motion Studies* (1993)


William C. Wees, *Recycled Images* (1993)



James Peterson, *Dreams of Chaos, Visions of Order* (1994)



Robert Haller, *First Light: Abstract Light Forms* (1998)



Jan-Christopher Horak, *Lovers of Cinema: The First American Film
Avant-Garde, 1919-1945* (1998)



Joan Hawkins, *Cutting Edge: Art-Horror and the Horrific Avant-Garde* (2000)



Bruce Posner, *Unseen Cinema: Early American Avant-Garde Film 1893-1941*
(2001)



Bill Nichols, *Maya Deren and the American Avant-Garde* (2001)



Scott MacDonald, *The Garden in the Machine. A Field Guide to Independent
Films About Place* (2001)



Chrissie Iles, *Into the Light: The Projected Image in American Art
1964-1977* (2001)



Lauren Rabinovitz,* Points of Resistance: Women, Power, and Politics in the
New York Avant-garde Cinema, 1943-71* (2003)



David E. James, *The Most Typical Avant-Garde: History and Geography of
Minor Cinemas in Los Angeles* (2005)



Jeffrey Skoller, *Shadows, Specters, Shards: Making History in Avant-Garde
Film* (2005)



Paul Arthur, *Line of Sight: American Avant-Garde Film Since 1965* (2005)



 Robert Haller, *Crossroads: Avant-Garde film in Pittsburgh in the 1970s*
(2005)



Alexander Graf, ed., *Avant-Garde Film (Avant-Garde Critical Studies 23)*
(2007)



Robin Blaetz, *Women’s Experimental Cinema: Critical Frameworks* (2007)



P. Adams Sitney, *Eyes Upside Down* (2008)



Woody Vasulka and Peter Weibel, eds., *Buffalo Heads: Media Study, Media
Practice, Media Pioneers, 1973–1990* (2008)



Steve Anker, et al, *Radical Light: Alternative Film and Video in the San
Francisco Bay Area, 1945-2000* (2010)



Dominique Noguez, *Eloge du cinéma expérimental *(3rd ed., 2010)



A. L. Rees, *A History of Experimental Film and Video* (2011)



A. L. Rees, et al, *Expanded Cinema: Art, Performance, Film* (2011)



Adeline Coffinier  Victor Gresard, *Film Culture Index 1955-1996* (2012)


Erika Balsom, *Exhibiting Cinema in Contemporary Art* (2013)



P. Adams Sitney, ed. *The Collected Writings of Gregory Markopolous* (2014)



Michael Betancourt
Savannah, GA USA


michaelbetancourt.com
twitter.com/cinegraphic | vimeo.com/cinegraphic
www.cinegraphic.net | the avant-garde film  video blog
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Re: [Frameworks] Books on the History of Avant-Garde film in US

2015-01-30 Thread Pip Chodorov
The last one is not by Sitney but is edited by Mark Webber and is 
titled FIlm as FIlm, The Collected Writings of Gregory Markopoulos.



At 9:40 -0500 30/01/15, Michael Betancourt wrote:




P. Adams Sitney, ed. The Collected Writings of Gregory Markopolous (2014)

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Re: [Frameworks] Books on the History of Avant-Garde film in US

2015-01-30 Thread paris-experimental
You may add :


Dominique Noguez, Une renaissance du cinéma : le cinéma underground américain 
(1985, reprinted 2002)

Dominique Noguez, Eloge du cinéma expérimental (3rd ed., 2010)

Adeline Coffinier  Victor Gresard, Film Culture Index 1955-1996 (2012)

Christian Lebrat
PARIS EXPERIMENTAL
http://www.paris-experimental.asso.fr





 Message d'origine 
De : Robert Haller rob...@anthologyfilmarchives.org
À : Experimental Film Discussion List frameworks@jonasmekasfilms.com
Objet : Re: [Frameworks] Books on the History of Avant-Garde film in US
Date : 29/01/2015 20:24:40 CET

Crossroads: Avant-Garde film in Pittsburgh in the 1970s, by Robert Haller, 
Anthology Film Archives, 2005

First Light: Abstract Light Forms, edited by Robert Haller, Anthology Film 
Archives, 1998

-- R. Haller



From: Andy Ditzler a...@andyditzler.com
Reply-To: Experimental Film Discussion List frameworks@jonasmekasfilms.com
Date: Thu, 29 Jan 2015 13:53:24 -0500
To: Experimental Film Discussion List frameworks@jonasmekasfilms.com
Subject: Re: [Frameworks] Books on the History of Avant-Garde film in US



Steve Anker, et al, Radical Light: Alternative Film and Video in the San 
Francisco Bay Area, 1945-2000
Bart Testa, Back and Forth: Early Cinema and the Avant-Garde

A. L. Rees et al, Expanded Cinema: Art, Performance, Film

Robin Blaetz, Women’s Experimental Cinema: Critical Frameworks

Scott MacDonald's edited volumes of primary documents on Art in Cinema and 
Cinema 16

Robert Pike, A Critical Study of the West Coast Experimental Film Movement 
(UCLA dissertation, 1960)

Jeffrey Skoller, Shadows, Specters, Shards: Making History in Avant-Garde Film

Stephen Dwoskin, Film Is: The International Free Cinema

David E. James, Allegories of Cinema



-- 



Andy Ditzler
www.filmlove.org

www.johnq.org

Graduate Institute of the Liberal Arts, Emory University




On Thu, Jan 29, 2015 at 1:16 PM, Michael Betancourt 
hinterland.mov...@gmail.com wrote:

I'm sure I'm forgetting something, so please help!

Histories of avant-garde film in the United States:

 

 

Lewis Jacobs, “Experimental Cinema in America 1921-1947” in The Rise of the 
American Film (1948)

Roger Manvell, Experiment in the Film (1949)

 

Gregory Battcock, The New American Cinema (1967)

 

Sheldan Renan, An Introduction to the American Underground Film (1967)

 

Parker Tyler, The Underground Film: A Critical History (1698)

 

Gene Youngblood, Expanded Cinema (1970)

 

David Curtis, Experimental Cinema (1971)

 

Amos Vogel, Film as a Subversive Art (1976)

 

P. Adams Sitney, Visionary Film (1974)

 

Maureen Turin, Abstraction in Avant-Garde Films (1978/85)

 

William Wees, Light Moving in Time: Studies in the Visual Aesthetics of 
Avant-Garde Film (1992)

 

Scott MacDonald, Avant-Garde Film Motion Studies (1993)

 

James Peterson, Dreams of Chaos, Visions of Order (1994)

 

Jan-Christopher Horak, Lovers of Cinema: The First American Film Avant-garde, 
1919-1945 (1998)

 

Joan Hawkins, Cutting Edge: Art-Horror and the Horrific Avant-Garde (2000)

 

Bruce Posner, Unseen Cinema: Early American Avant-Garde Film 1893-1941 (2001)

 

Lauren Rabinovitz, Points of Resistance: Women, Power, and Politics in the New 
York Avant-garde Cinema, 1943-71 (2003)

 

David E. James, The Most Typical Avant-Garde: History and Geography of Minor 
Cinemas in Los Angeles (2005)

 

Paul Arthur, Line of Sight: American Avant-Garde Film Since 1965 (2005)

 

Alexander Graf, ed., Avant-Garde Film (Avant-Garde Critical Studies 23) (2007)

 

A. L. Rees, A History of Experimental Film and Video (2011)




Michael Betancourt
Savannah, GA USA


michaelbetancourt.com
twitter.com/cinegraphic | vimeo.com/cinegraphic
www.cinegraphic.net | the avant-garde film  video blog





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