Hello,
Preferably a place in the Northeast and even more precise, Rochester NY.
I am looking into George Eastman, but I think they only do Big Picture
projects for the big guys...
Thanks,
Rajesh
___
FrameWorks mailing list
FrameWorks@jonasmekasfilms.co
Announcement!
I¹m working on finding more places to buy it than Amazon, starting with Los
Angeles area bookstores & museums. If I learn more online sellers, I will
pass on the word.
Best regards,
Adam
Alternative Projections
Experimental Film in Los Angeles, 1945-1980
Asking this for friends (Futurefarmers) working on a piece for the fall: would
anyone who has accumulated odd reels of 35mm have a faded, half-damaged or
otherwise non-archival copy of part or all of OUR MR. SUN (in 35mm)? Their
piece is acute rather than chronic, as we used to say when I worked
This Thursday 3/19 at 7:30pm, Millennium Film Workshop at Brooklyn Fire Proof
is pleased to present Sarah Halpern’s “Persuading the Public”, a “feature
length commercial for that unnamable something, delivered through expanded
cinema performance”. The performance will include filmstrip and slid
>
> Thought I'd mention that there just happens to be an "all 35mm"
> experimental film screening tonight in London, Ontario -
> http://www.lomaa.ca/lomaa-blog/altering-perceptions-march-18
> Given the interesting dialogue around this, I'm glad to note that there
> are still (rare though they ma
Off list, can someone put me in contact with Pat O'Neill?
Thanks!
Michael Betancourt
Savannah, GA USA
michaelbetancourt.com
twitter.com/cinegraphic | vimeo.com/cinegraphic
www.cinegraphic.net | the avant-garde film & video blog
___
FrameWorks mailing l
Excellent report, Amanda! I have no objection to this type of taxation. :)
I suspect Klaus Linnenbruegger built the
National Archive wet gates as per his work at the National Film
Archives of Canada in Ottawa and the Library of Congress in Dayton,
Ohio. He has a web site (KL Archival Film Equipme
Our glorious tax dollars at work!
Jean-Louis
Sent from my iPhone
> On Mar 18, 2015, at 8:25 AM, Amanda Christie
> wrote:
>
> I was just at the National Archives of Canada Preservation Centre this week,
> and they have AMAZING optical blow up facilities.
> they have all the gates (not just re
I was just at the National Archives of Canada Preservation Centre this week,
and they have AMAZING optical blow up facilities.
they have all the gates (not just regular 8, super8, 16mm, super 16mm, and
35mm, but also 9mm, 9.5 mm, and 28 mm). As well as a contact printer and their
own lab.
Sadly