[Frameworks] 360 degrees

2016-02-18 Thread Gene Youngblood 
Many thanks, everyone, for your wide-ranging suggestions. Makes one want to see 
all of them. In case you’re keeping this thread (as I always do) Brittany’s 
pointer to Martha jogged my memory of another Fassbinder circle in Chinese 
Roulette.
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Re: [Frameworks] Ferrania?

2016-02-18 Thread Sean Weitzel 
You are right. The Eyemo is actually quite versatile for experimenting.
I've actually put 100 foot rolls of Velvia through my eyemo (when Velvia
was available in bulk long ago). Camera original 35mm footage when
projected back is stunning. I've also bi-packed black and white footage and
used the eyemo as rudimentary contact printer. Worked pretty good!

On Wed, Feb 17, 2016 at 6:03 AM, Scott Dorsey  wrote:

> > 100 foot spools of 64d and 400d in 35mm for us eyemo users!
>
> Well, here is the cool thing... the eyemo will very happily run KS-perfed
> film.  So you can take 100 footers of slide film and run them nicely though
> the Eyemo, then have them processed by Dwayne's.  It's expensive, but looks
> great, and you still get a couple stocks left.  The still film comes on
> little cores with square hubs that will fit right into the Eyemo but have
> to be loaded in the dark.  Or, you can spool onto a #10 daylight reel.
>
> I shoot a lot under mixed daylight/tungsten lighting and I'd rather use a
> daylight stock gone warm than a tungsten stock gone cold.  But I concede
> there is a demand for a tungsten stock.  On the other hand, if the film is
> a stop faster you can add a filter.
>
> I still don't have a solution for Jeff's wanting to shoot in the dark.
> --scott
>
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Re: [Frameworks] Ferrania?

2016-02-18 Thread christopher nigel 
If only bring back 100D

On Wed, Feb 17, 2016 at 3:03 PM, Scott Dorsey  wrote:

> > 100 foot spools of 64d and 400d in 35mm for us eyemo users!
>
> Well, here is the cool thing... the eyemo will very happily run KS-perfed
> film.  So you can take 100 footers of slide film and run them nicely though
> the Eyemo, then have them processed by Dwayne's.  It's expensive, but looks
> great, and you still get a couple stocks left.  The still film comes on
> little cores with square hubs that will fit right into the Eyemo but have
> to be loaded in the dark.  Or, you can spool onto a #10 daylight reel.
>
> I shoot a lot under mixed daylight/tungsten lighting and I'd rather use a
> daylight stock gone warm than a tungsten stock gone cold.  But I concede
> there is a demand for a tungsten stock.  On the other hand, if the film is
> a stop faster you can add a filter.
>
> I still don't have a solution for Jeff's wanting to shoot in the dark.
> --scott
>
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[Frameworks] negative conforming recommendation

2016-02-18 Thread Kevin Obsatz 
Hello Frameworks!

I’m looking for a recommendation on behalf of a friend. He’s putting together 
an installation that includes a 26 minute looping 16mm projection.

Currently he has an edited digital scan of the black and white negative 
(without edge numbers, possibly a mistake) and he needs help either conforming 
the negative and making a print, or getting the scan itself printed back to 
film.

If he needs to get the negative re-scanned with edge numbers to make it work, 
that’s okay.

Can someone recommend an individual or lab who would be willing to take on this 
type of project? He can pay standard rates, not seeking a discount or a deal.

Thanks!

-Kevin Obsatz
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Re: [Frameworks] 360 degrees

2016-02-18 Thread Kevin Obsatz 
For a recent example, there’s a pretty amazing one at the end of Carlos 
Reygadas’ feature film "Japon" - the final shot in the film is a several 
minutes’ long, 360 degree dolly shot of, if memory serves, the aftermath of 
some kind of violent event.

-K


On Feb 18, 2016, at 6:00 AM, frameworks-requ...@jonasmekasfilms.com wrote:

> From: Gene Youngblood 
> Subject: [Frameworks] 360 degrees
> Date: February 17, 2016 at 6:06:32 PM CST
> To: Frameworks Listserv 
> 
> 
> Friends,
> I need recommendations of films that contain 360-degree dolly (or Steadicam) 
> shots. Like for example circling around people seated at a restaurant table, 
> but it can be anything. It seems to me there are “famous” ones in the French 
> New Wave, and there must be many others before and after that.

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Re: [Frameworks] 360 degrees

2016-02-18 Thread Scott MacDonald 
Hey Gene,

Bill Morrison's RELEASE does a formal exploration of a circular panning
shot of a crowd at Eastern State Prison (in PA), assembled to see Al Capone
released. He begins in the middle of the circular pan, adding a bit on both
ends, until we've seen the entire panorama. (The film is on Morrison's DVD
set.)

J. J. Murphy's SKY BLUE WATER LIGHT SIGN is a faux 360-degree pan.

The central section of Mulvey/Wollen's RIDDLES OF THE SPHINX is made up of
360-degree pans.

Scott

On Wed, Feb 17, 2016 at 7:06 PM, Gene Youngblood  wrote:

> Friends,
> I need recommendations of films that contain 360-degree dolly (or
> Steadicam) shots. Like for example circling around people seated at a
> restaurant table, but it can be anything. It seems to me there are “famous”
> ones in the French New Wave, and there must be many others before and after
> that.
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Re: [Frameworks] 360 Degrees

2016-02-18 Thread Green, Ron Green 
  *   Single Wide by Teresa Hubbard and Alex Birchler consists entirely of a 
non-stop circular tracking shot that circles its object multiple times.
  *   Condition of Illusion by Peter Gidal is non-stop, repeated circular 
tracking
  *   Anticipation of the Night, the merry-go-round shot
  *   The Red and the White, Jancso (it's been a while)
  *   If pans from a stationary center count, then the "Grand Ensemble" shots 
from Godard's Two or Three Things...



Ron Green
356 W 7th Ave
Columbus OH 43201
614.421.2131


J. Ronald Green
Professor Emeritus of Film Studies
Department of History of Art
The Ohio State University


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Re: [Frameworks] FrameWorks Digest, Vol 69, Issue 19

2016-02-18 Thread Gravely, Brittany B 
Fassbinder's Martha (among other films, I think)
https://www.youtube.com/watch?v=vZbGOrvi_t0

Also David Bowie's China Girl video while the shot is also transforming from 
b/w to color

Brittany




Message: 3
Date: Wed, 17 Feb 2016 17:06:32 -0700
From: Gene Youngblood >
To: Frameworks Listserv 
>
Subject: [Frameworks] 360 degrees
Message-ID: 
<45e7c56a-b9e4-4dac-874a-ac5775878...@comcast.net>
Content-Type: text/plain; charset=utf-8

Friends,
I need recommendations of films that contain 360-degree dolly (or Steadicam) 
shots. Like for example circling around people seated at a restaurant table, 
but it can be anything. It seems to me there are “famous” ones in the French 
New Wave, and there must be many others before and after that.


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Re: [Frameworks] 360 degrees

2016-02-18 Thread Peter Mudie 
John Dunkley-Smith’s BACK IN BEDFORD (1976) is based on a repeated 360 degree 
tracking circuit of a quiet city block in Bedford (the UK one) - great film, 
one of my favourites…
Peter
(back in Perth)

From: FrameWorks 
>
 on behalf of Luke Aspell >
Reply-To: Experimental Film Discussion List 
>
Date: Thursday, 18 February 2016 8:23 pm
To: Experimental Film Discussion List 
>
Subject: Re: [Frameworks] 360 degrees


There is a 360-degree movement, camera facing outwards, in Otto Preminger's Die 
große Liebe.


Best wishes,
Luke


On Thu, Feb 18, 2016 at 11:54 AM, Pip Chodorov 
> wrote:
Jackie Raynal's DEUX FOIS (1968) contains exactly this smooth 360 degree 
panorama, the camera is in the center of the wide and busy Avenida Franco in 
Barcelona and makes two complete rotations.
This shot also appears in a Chantal Akerman, perhaps News from Home.




Friends,
I need recommendations of films that contain 360-degree dolly (or Steadicam) 
shots. Like for example circling around people seated at a restaurant table, 
but it can be anything. It seems to me there are "famous" ones in the French 
New Wave, and there must be many others before and after that.
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Re: [Frameworks] 360 degrees

2016-02-18 Thread Luke Aspell 
There is a 360-degree movement, camera facing outwards, in Otto
Preminger's Die große Liebe.


Best wishes,
Luke


On Thu, Feb 18, 2016 at 11:54 AM, Pip Chodorov 
wrote:

> Jackie Raynal's DEUX FOIS (1968) contains exactly this smooth 360 degree
> panorama, the camera is in the center of the wide and busy Avenida Franco
> in Barcelona and makes two complete rotations.
> This shot also appears in a Chantal Akerman, perhaps News from Home.
>
>
>
>
> Friends,
>> I need recommendations of films that contain 360-degree dolly (or
>> Steadicam) shots. Like for example circling around people seated at a
>> restaurant table, but it can be anything. It seems to me there are "famous"
>> ones in the French New Wave, and there must be many others before and after
>> that.
>>
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Re: [Frameworks] Eclipse on film

2016-02-18 Thread Luke Aspell 
Bit late, and hesitant to mention a 'spoiler', but there appear to be shots
of an eclipse in Peter Gidal's *not far at all*.

Best wishes,
Luke


On Tue, Feb 9, 2016 at 8:58 PM,  wrote:

> *Not sure if it's been mentioned, but Bill Morrison's JUST ANCIENT LOOPS
> begins with a section that focuses partly on eclipses.*
>
>
>  Original Message 
> Subject: Re: [Frameworks] Eclipse on film
> From: graeme hogg 
> Date: Tue, February 09, 2016 12:15 pm
> To: Experimental Film Discussion List 
>
>
>
> Our recent 'Film That Buys The Cinema' (an anthology film made up of 70 x
> 1 minute films) has one film of what 'appears' to be a solar eclipse, its
> the one by Ben Rivers.
>
> http://www.cubecinema.com/cgi-bin/ftbtc/ftbtc.pl
>
>
>
> > I have a question—can you think of any experimental films or videos that
> feature a solar eclipse specifically or other astronomical event?
> >
> > peace, jw
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Re: [Frameworks] 360 degrees

2016-02-18 Thread Pip Chodorov 
Jackie Raynal's DEUX FOIS (1968) contains exactly this smooth 360 
degree panorama, the camera is in the center of the wide and busy 
Avenida Franco in Barcelona and makes two complete rotations.

This shot also appears in a Chantal Akerman, perhaps News from Home.




Friends,
I need recommendations of films that contain 360-degree dolly (or 
Steadicam) shots. Like for example circling around people seated at 
a restaurant table, but it can be anything. It seems to me there are 
"famous" ones in the French New Wave, and there must be many others 
before and after that.

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Re: [Frameworks] 360 degrees

2016-02-18 Thread Gary Thomas 
de Palma’s Obsession - https://vimeo.com/groups/audiovisualcy/videos/35393392 


Snow’s La Region Centrale!

Gary Hill’s Site Recite http://garyhill.com/work/site-recite.html 


> On 18 Feb 2016, at 08:33, Nicky Hamlyn  wrote:
> 
> Mulvey and Wollen: Riddles of the Sphinx. 13 consecutive 360 degree pans.
> 
> Envoyé depuis mon smartphone Sony Xperia™
> 
> 
> 
>  o...@thenowcorporation.com a écrit 
> 
> possibly the worst acting ever on a major motion picture
> 
> Owen's mobile device
> 
> 
> 
> On Feb 17, 2016, at 10:11 PM, Gregory Zinman  > wrote:
> 
>> Hi Gene,
>> 
>> Also, DePalma tries his best to outdo the Vertigo shot that Andy mentioned 
>> in Body Double:
>> 
>> https://www.youtube.com/watch?v=HhSyVSPfxjg 
>> 
>> 
>> Greg
>>> On Feb 17, 2016, at 10:03 PM, Andy Ditzler >> > wrote:
>>> 
>>> Hi Gene, 
>>> 
>>> The "Actione Musicale" section in Godard's Weekend comes right to mind, as 
>>> does the circular dolly/pan around the three sisters in a restaurant in 
>>> Hannah and Her Sisters. (Assuming you're not limiting the query to only 
>>> uninterrupted/uncut 360 degree movements.) I also think of James Stewart 
>>> and Kim Novak's embrace in the hotel room in Vertigo, itself cited as an 
>>> influence on the handheld circular shot of the two young men making out 
>>> after shooting up speed in Warren Sonbert's Amphetamine. Chabrol's Les 
>>> Cousins contains a circular pan around Charles' study room near the end of 
>>> that film. The ending shot of Antonioni's The Passenger might qualify? 
>>> 
>>> Andy Ditzler
>>> Founder and curator, Film Love: www.filmlove.org 
>>> Co-founder, John Q collective: www.johnq.org 
>>> 
>>> 
>>> 
>>> On Wed, Feb 17, 2016 at 8:22 PM, Fred Truniger >> > wrote:
>>> does straub/huillet's repeated drive around the roundabout of la bastille 
>>> in 'trop tot, trop tard' qualify?
>>> 
>>> if so, i'd strongly recommend volko kamensky's short film 'divina obsesión' 
>>> from 1997 (Germany). it's doing 23 drive-troughs in french roundabouts. 
>>> great film! unfortunately completely unknown.
>>> 
>>> i guess also the opening-scene in tarantino's 'reservoir dogs' is circling 
>>> around the table, however there are many cuts. you are probably not looking 
>>> for this kind of mise-en-scène, are you?
>>> 
>>> cheers, fred
>>> 
>>> > Am 18.02.2016 um 01:06 schrieb Gene Youngblood >> > >:
>>> >
>>> > Friends,
>>> > I need recommendations of films that contain 360-degree dolly (or 
>>> > Steadicam) shots. Like for example circling around people seated at a 
>>> > restaurant table, but it can be anything. It seems to me there are 
>>> > “famous” ones in the French New Wave, and there must be many others 
>>> > before and after that.
>>> > ___
>>> > FrameWorks mailing list
>>> > FrameWorks@jonasmekasfilms.com 
>>> > https://mailman-mail5.webfaction.com/listinfo/frameworks 
>>> > 
>>> ___
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>>> 
>>> 
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>>> 
>> 
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Re: [Frameworks] 360 degrees

2016-02-18 Thread Nicky Hamlyn 
Mulvey and Wollen: Riddles of the Sphinx. 13 consecutive 360 degree pans.

Envoyé depuis mon smartphone Sony Xperia™

 o...@thenowcorporation.com a écrit 

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Re: [Frameworks] Contact with Ben Rivers

2016-02-18 Thread Nicky Hamlyn 
You could try his gallery, Kate McGarry 

Envoyé depuis mon smartphone Sony Xperia™

 Bryan Wendorf a écrit 

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