Re: [Frameworks] experimental MTV idents

[Sean M]

>>
>> I’m currently researching into the independent and experimental animation
>> that appeared as MTV ident spots in the 1980s and 90s (and later, to a
>> lesser degree).
>>
>> Can any of you help me compile a good list of animators who did these
>> short spots for MTV during its early decades?
>>
>> ** I believe Colossal Pictures produced most of the MTV idents from the
80's/90s that might be a good starting point to find animators.

https://en.wikipedia.org/wiki/Colossal_Pictures

Cheers,
Sean

-- 
SYD/HK/SH
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Re: [Frameworks] experimental MTV idents

[Janet Benn]

Sorry I lost touch with this message string. I can better talk to you if
you use my own email. How are things going? If you need more help, please
contact me through janetab...@gmail.com.

On Tue, Jun 13, 2017 at 11:52 AM, lady snowblood <
snowbloods.para...@gmail.com> wrote:

> Off the top of my head, The Brothers Quay did one, as did Robert Longo.
>
> If I think of other resources or references for you, I will pass that
> along.
>
> * * * * *
>
> Jessica Fenlon
>
> artist : poet : experimental
> http://station-number-six.com
>
> flickr  : vimeo
>  : instagram
> 
>
> On Jun 13, 2017, at 11:18 AM, LILLY HUSBANDS  wrote:
>
> Dear Frameworkers,
>
> I’m currently researching into the independent and experimental animation
> that appeared as MTV ident spots in the 1980s and 90s (and later, to a
> lesser degree).
>
> Can any of you help me compile a good list of animators who did these
> short spots for MTV during its early decades?
>
> Any tips on how to get in touch with someone at MTV who would remember
> (contact details for anyone who knew Abby Turkuhle or access to archives,
> etc., if poss.) would be hugely appreciated!
>
> Many thanks!
> Lilly
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>
>
> ___
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>
>


-- 
Janet Benn

LINKED IN PROFILE
http://www.linkedin.com/in/janetbenn
MY WORK - VISUALS
https://www.flickr.com/photos/janetabenn/albums

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Re: [Frameworks] I have a new book on visual music

[Dinorah de Jesús Rodriguez]

Congratulations Michael! I am looking forward to reading this. Wishing you all 
the best!

enjoy today...

Dinorah de Jesús Rodríguez
Filmmaker, Artist, Writer   

solislandmediaworks.com 
artcinematic.blogspot.com 
youtube.com/user/solisland 





> On Jan 11, 2018, at 9:28 AM, Michael Betancourt  
> wrote:
> 
> My new book might be of interest to some of you. Apologies for the 
> self-promotion
> 
> 
> Harmonia: Glitch, Movies and Visual Music, by Michael Betancourt
> 
> It's on amazon: 
> https://www.amazon.com/exec/obidos/ASIN/1479436089/cinegraphicne-20 
> 
> Harmonia,  “harmonies,” analyzes the connections between glitch art, visual 
> music, abstraction, and motion pictures. This collection is a chronological 
> survey of glitch art pioneer Michael Betancourt’s artistic research into, 
> around, and with digital motion pictures that theorizes and critiques visual 
> music. This anthology is directly connected to his critical engagement with 
> the socio-cultural meaning of “visionary art” that builds on the work of 
> Umberto Eco and Michel Foucault to engage with the historical films of John 
> Whitney, Mary Ellen Bute, Mark Hallock-Greenewalt, and Stan Brakhage (among 
> others) connecting them with contemporary glitch movies. Included in this 
> collection is his taxonomy of abstract forms based on synaesthesia, a 
> discussion of the historical foundations and connections between color 
> music/color organs, synaesthesia and the visual music instruments and films 
> of the twentieth century, and an analysis of the fundamental connections 
> between visual music and realism that reveals an ideological reification 
> created by the synchronization of sound and image. This analysis goes beyond 
> a historical recounting of artists and their works to propose an 
> understanding of synaesthetic media in aesthetic as well as critical, 
> ideological terms. Included are the essays “The Aura of the Digital,” “The 
> Invention of Glitch Video,” “Semiotics of the Moon as Fantasy and 
> Destination,” and “Welcome to Cyberia” along with many other talks, 
> publications, and analyses of glitch art and visual music.
> 
> 
> 
> Michael Betancourt
> Savannah, GA USA
> 
> 
> michaelbetancourt.com 
> ___
> FrameWorks mailing list
> FrameWorks@jonasmekasfilms.com
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Re: [Frameworks] I have a new book on visual music

[Cecilia Dougherty]

this looks amazing. thanks for sending this out!
cecilia d

On Thu, Jan 11, 2018 at 9:28 AM, Michael Betancourt <
hinterland.mov...@gmail.com> wrote:

> My new book might be of interest to some of you. Apologies for the
> self-promotion
>
> *Harmonia: Glitch, Movies and Visual Music*, by Michael Betancourt
>
> It's on amazon: https://www.amazon.com/exec/obidos/ASIN/1479436089/
> cinegraphicne-20
>
> *Harmonia,*  “harmonies,” analyzes the connections between glitch art,
> visual music, abstraction, and motion pictures. This collection is a
> chronological survey of glitch art pioneer Michael Betancourt’s artistic
> research into, around, and with digital motion pictures that theorizes
> and critiques visual music. This anthology is directly connected to his
> critical engagement with the socio-cultural meaning of “visionary art” that
> builds on the work of Umberto Eco and Michel Foucault to engage with the
> historical films of John Whitney, Mary Ellen Bute, Mark Hallock-Greenewalt,
> and Stan Brakhage (among others) connecting them with contemporary glitch
> movies. Included in this collection is his taxonomy of abstract forms based
> on synaesthesia, a discussion of the historical foundations and connections
> between color music/color organs, synaesthesia and the visual music
> instruments and films of the twentieth century, and an analysis of the
> fundamental connections between visual music and realism that reveals an
> ideological reification created by the synchronization of sound and image.
> This analysis goes beyond a historical recounting of artists and their
> works to propose an understanding of synaesthetic media in aesthetic as
> well as critical, ideological terms. Included are the essays “The Aura of
> the Digital,” “The Invention of Glitch Video,” “Semiotics of the Moon as
> Fantasy and Destination,” and “Welcome to Cyberia” along with many other
> talks, publications, and analyses of glitch art and visual music.
>
>
> Michael Betancourt
> Savannah, GA USA
>
>
> michaelbetancourt.com
>
> ___
> FrameWorks mailing list
> FrameWorks@jonasmekasfilms.com
> https://mailman-mail5.webfaction.com/listinfo/frameworks
>
>


-- 
*Say one thing and meme another*

Cecilia Dougherty
http://www.ceciliadougherty.com
http://inbetweentheories.com
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[Frameworks] I have a new book on visual music

[Michael Betancourt]

My new book might be of interest to some of you. Apologies for the
self-promotion

*Harmonia: Glitch, Movies and Visual Music*, by Michael Betancourt

It's on amazon:
https://www.amazon.com/exec/obidos/ASIN/1479436089/cinegraphicne-20

*Harmonia,*  “harmonies,” analyzes the connections between glitch art,
visual music, abstraction, and motion pictures. This collection is a
chronological survey of glitch art pioneer Michael Betancourt’s artistic
research into, around, and with digital motion pictures that theorizes and
critiques visual music. This anthology is directly connected to his
critical engagement with the socio-cultural meaning of “visionary art” that
builds on the work of Umberto Eco and Michel Foucault to engage with the
historical films of John Whitney, Mary Ellen Bute, Mark Hallock-Greenewalt,
and Stan Brakhage (among others) connecting them with contemporary glitch
movies. Included in this collection is his taxonomy of abstract forms based
on synaesthesia, a discussion of the historical foundations and connections
between color music/color organs, synaesthesia and the visual music
instruments and films of the twentieth century, and an analysis of the
fundamental connections between visual music and realism that reveals an
ideological reification created by the synchronization of sound and image.
This analysis goes beyond a historical recounting of artists and their
works to propose an understanding of synaesthetic media in aesthetic as
well as critical, ideological terms. Included are the essays “The Aura of
the Digital,” “The Invention of Glitch Video,” “Semiotics of the Moon as
Fantasy and Destination,” and “Welcome to Cyberia” along with many other
talks, publications, and analyses of glitch art and visual music.


Michael Betancourt
Savannah, GA USA


michaelbetancourt.com
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